Young Master, Why Not Become a Corpse Immortal?

[Micro spoilers] There is a lot of content, and the design of the plot points, both in terms of structure and settings, are very substantial, novel, and ups and downs enough, making it worth watching. In order to erase the true nature of the undead monster, I designed a killing method such as "a hammer to knock the undead fish into a grilled fish hammer". I think I will never be able to think of it in my life. But the problem is also here. Every plot point and design point cannot be developed and written in detail, combined with emotion and theme to make it enjoyable. Like the coffin transfer and meeting team in the early stage, the waiter system in the middle, the founding of the country through time, the clone army in the later period (almost sci-fi horror), Drift Island, and dungeons, if any one of the settings is taken out alone and placed in other books, it can complete the entire protagonist's growth arc, and use at least a dozen exciting points to repeatedly push the climax, but In this book, it can only be used as a plot promoter. The overall coherence before and after is very poor. The plot is always very rushed. I just throw you a dazzling setting, but it will be useless after a few pages and rush to throw out the next one. The reading experience is a bit poor, just like Yongli Taoist, the body and soul are separated, the coffin board is accelerated and drifts, and the soul cannot catch up. Throughout the whole book, the only ones that truly have a complete development arc are the stories of grandma and other family members and the protagonists, the story of the Liang family and the Ye family, Shen Caojun, and the story of the founding trio. These lines all have an arc of their own, and they also push the protagonist to develop an arc. In the end, they actually advance the plot line. It's cool and the plot points are distributed evenly and solidly, so it's very interesting to watch. As for the unlucky Taoist Priest and the yandere junior sister, the Oedipus mother and the cloned girl, the donkey head and the old man Fang, the golden man and the master and servant identity of the protagonist, these are the character lines that run through the whole book. Any one of them will be explosive. The high-energy setting, in the end, can only be regarded as a hasty ending, logical and reasonable, and the emotional effect is very weak. The master-disciple relationship between Saburo and the protagonist is only used to show off, without any real emotional accumulation (from the reader's perspective). There is only disciple filial piety but no master kindness. Their arcs don't even have the generals, and Yongli Perfection who only appeared in the later stages, because the arcs of these people are very simple and have clean goals. There is not much to explain and weave. At least Yongli's pain and kindness make readers very empathetic. There are also many unexplored character lines, such as the past of Yu Brainaxe (if it is not expanded at all, why do we have to show his prototype? It's all over, so I'm so happy. Frankly speaking, I like Brainaxe very much, I want rua), Dayin and their The 49th Heaven, Wenzu and Fazu, Taoist Master Xunzhen and Immortal, Zhou Wang and Saburo, and Duanbieli who came to Xianshan for no reason to make soy sauce (deleting him will not even affect the development of the plot of Xianshan), etc., Etc., I won't talk about them one by one. It's a pity. By the way, I am actually not very satisfied with the finale. Although it can be regarded as a dumpling ending, Yongli is too miserable and has too many positive descriptions. The author cannot forcibly give a bad name to one of the two parties in the conflict, thereby legitimizing the protagonist's violent solution, especially the finale. The protagonist of the finale should be Superman. The readers' expectations for the protagonist at the end are invincible and have been accumulated for the entire book. Even if he sacrifices himself, the author should not choose one side to be the bad guy (especially since your book is mainly about family fun), which will put psychological pressure on the readers. The nature is good, the malice is infected, and then one party sacrifices himself to end the moral deadlock imposed on the reader. You have used this routine too much. You have used it at least four times in different sections starting from the disaster. In short, it is obvious that the author is unable to handle such a complex and numerous setting and reversal structure on a macro scale, and is more suitable for a short copy. I hope that the author can try to simplify the complexity in the next book, and clearly explain one or two key settings around the character's growth, and pave the way to enough exciting points. There is no need to constantly push the rhythm of the plot.

The book is a good book. The writing is excellent, and the plot has ups and downs. I listened to the book at triple speed and it felt smooth. However, the title of the book was ignored by me. If I hadn't been so poor in reading, I wouldn't have been able to find gold in this book. The author really should change his name. Even drawing a chapter title in the middle would be better than this, Master! Why Not Become a Corpse Immortal; a typical fairy tale novel, but the title of your book is like folklore weirdness, and a Chinese horror novel. If there is no recommendation, I feel that this book will die violently. When I saw the title of the book, I didn't even want to take a look at it because there were too many of these pigeons. "Mortal Corpse Immortal", "Xiaoyao Corpse Immortal", "Red Earth Immortal in Troubled Times", "Sad Immortal"

No, buddy, this is the rhythm of things. Why do people in this world live? The protagonist wakes up for four days. On the first day, he digs a grave. On the second day, he is assassinated. On the third day, he fights zombies. On the fourth day, he fights evil spirits. Every day is very fulfilling. According to this frequency of accidents, why do these mortals live?

I saw that the protagonist's character card is 181cm tall and only 70kg. Damn it! Isn't this a mummy? It makes sense to crawl out of the coffin after reading the introduction (ಡωಡ)hiahiahia

Have you ever been a zombie? Some things are scribbled and taken for granted. References:

He is half less calm than that mortal corpse fairy, his cleverness is similar to that of Jiuxing Poisonous Milk, and his writing of folklore does not touch people's hearts. I always feel that it is almost meaningless.

Five disadvantages and three shortcomings are originally the setting of a novel. Taoists don't have this stuff at all. Why do so many authors like to do this stuff?

After killing Princess Jiang, it felt like the protagonist had been taken away. Compared with the previous game, it felt like two people with the same name were separated.

Why did you copy the Lord of Mystery's rally routine? You originally wrote it very well, but his routine has been written badly.

This book is pretty good, like a story-telling type, but there is something about the corpse fairy. This is the inferior method of becoming an immortal, and the protagonist's magical power is also restored to life. The corpse fairy is originally dead, and you are like Kui Ba. There is no one about recovery and upgrading. I can only say that the creation is quite interesting. After reading it, I just feel a bit dull.

How is the writing style? Can I read it?

Dear friends, this rare fairy grass looks a bit like wandering the world

This book is definitely a very good work in terms of writing and narrative. Although many posts say that the setting is not as good as other zombie novels, the focus of this book is not that, and the various settings in the article are also logically consistent. The most I can say is that the names are not well chosen. In short, I highly recommend everyone to calm down and take a look.

How come there are two operators when there is a new book? This is no longer an ordinary newcomer. He needs to attack hard 😄

Originally, I thought I would expand on how the protagonist came to be, and also talk about how the protagonist's grandfather can be cured, and what weird magic techniques he can learn. What are the customs and customs in this world, and who are the immortals that the donkey rider has seen. Unfortunately, it was finished in such a hurry, and many things could not be unfolded or recovered. The whole book has a dull feeling. The protagonist's abnormal combat training method in the early stage was actually quite interesting, but unfortunately it became dull in the middle and late stages.

Otherwise I wouldn't have completed the achievement@

The one I read first, The Corpse Fairy in the World, is the one I'm reading. How can I say it? The two books are written in different ways and have different routines. Each has its own merits. Both books are very good to read. This one is better than the one in Hongchen in terms of character and plot creation. It has a sense of immersion, which is very good.

The craftsmanship is very good. I have read a few similar books recently. I doubt the studio.

It's a bit off topic. I thought the protagonist was a corpse demon in human skin, but in fact he just started practicing.

The name of this book is my favorite among all the books I have read. I hope that the naming style of this book will be continued in the next one. The names of the elixirs, abilities, and people in it are simple, nice, and meaningful. Names like One Two Three, Lincoast, and An Ningxin are all in my memory. After a few days in other books, I even forgot the name of the protagonist.

The front is quite good-looking, with upright views and a semi-invincible style. However, there are many old problems, typically too many typos and grammatical errors, which are not very friendly to readers. However, I stocked up on 300 chapters in one go. Now the author has basically corrected all the typos in the book, and the viewing experience is not bad. I can only say that you should work hard. As for the things that happened after Miss Jiang that book friends criticized, I haven't seen it yet, so I won't comment on it, although everyone seems to have a lot of opinions.

I've read the author's previous books and now I'm reading this one. I've made a lot of progress.

I'll give you a vote when it's finished. It's rare to find an author who is not a supervisor.

The author's writing style is very good, and I have recommended it to friends and received unanimous praise. However, I personally feel that the middle and later stages are a bit weak. Compared with the early stage, it is not so attractive to me. I personally suggest that the next book should add more elements, more changes and ideas, and persist more. I believe you will be able to get through it. It just lacks a chance.

It looks like the finale is coming? Didn't the author say that this book should be written more, but it doesn't look like it can be expanded further. The entire worldview is only so big, and only the gods have said that there is civilization outside the coffin. It also depends on whether the author wants to continue writing.

There is a wonderful sense of humor in this book that is not The Riddler at all, and the characters are clearly good and evil, which I like.

This one is seamlessly connected to the previous one. Why did it take so long this time?

I want to ask, has Gangxuan's junior sister died?

As title

Recently, there are more novels about cultivating immortals from the corpse path.