Douluo: Traveling Through the Peerless World, Going Against the Chaos of Time and Space

Let's talk about the progress. When I read it, there were more than fifty chapters in total. I was halfway through the fight with Xu Sanshi. I finished reading it. The summary is very abstract. Various levels of abstraction. First of all, there are some inexplicable settings on the protagonist. The twelve-year-old is directly passed through the body, and there is no foreshadowing later. It is really just to slow down the protagonist's cultivation speed, and is afraid that the protagonist will upgrade too quickly and have nothing to do, right? Then there is the inexplicable aura of hatred of humans and dogs on the protagonist. It can be seen that the author wants to create some conflict, but in the early stage, the author inexplicably wanted to portray the protagonist as a human being and a harmless white lotus. Maybe he wanted to express: It is not that I want to steal the opportunity of the protagonist, but the situation forces me. But the author's writing skills are completely insufficient. When he writes it, the protagonist has an aura of hatred and hate. He has a conflict with the protagonist and wants to kill the protagonist. And then combined with the delicate little white flower temperament created by the author, the whole person looks like a sadistic heroine. It made my blood pressure rise. The key is that later on, when the conflict may have accumulated enough and he can take action without having to find a reason, Tang Wulin, who happened to be in a relatively weak period, basically crushed the game. The protagonist felt as if he had been taken away. The group suddenly became more violent, which was the ultimate expression of bullying and fearing the strong. Then the plot is also quite Tangy, and this is the key point, it is really Tangy. This was the first time that the protagonist traveled back to Tang San's third ring to hunt the Man-Faced Demon Spider. The protagonist happened to fall in front of the Man-Faced Demon Spider and was chased. When Tang San saw it, he wanted the Man-Faced Demon Spider's soul ring. What I read in this section is the comic version. If I remember correctly, Xiao Wu was caught in this section. Tang San originally absorbed the Man-Faced Demon Spider only because he was entangled by the Man-Faced Demon Spider and fought to death for strength. As a result, Tang San was like a spring outing. He slowly waited for the protagonist to almost die of the Man-Faced Demon Spider before attacking the protagonist. After the Black Hand failed, he slowly negotiated the terms, and even had time to wait until the large army came to kill people and seize the treasure. Xiao Wu: So love will disappear, right? And there is something very outrageous about this section, because in this section the protagonist can be said to have run away the whole time, being chased by the Man-Faced Spider, Tang San, and Zhao Wuji in turn, and even managed to escape by teleporting. Especially in the part about Zhao Wou-ki, it is said that Zhao Wou-ki's skills include self-aim and big jump, and running two steps by himself is about the same distance as the protagonist's teleportation. I don't understand how the author thinks that Zhao Wou-ki can catch up with the protagonist's infinite teleportation in this way (the protagonist's teleportation can basically be regarded as infinite in terms of expressiveness) CD kind) But Soul Saint Zhao Wuji exerts gravity suppression on the protagonist, and the protagonist who can't catch up with all his soul skills can be chased by Tang San and the Man-Faced Demon Spider. Tang San and the Man-Faced Demon Spider are even faster than Zhao Wuji, the Soul Saint with his own tracking lock and big jump deceleration. In addition, there are countless bugs, big and small. Here are just a few. The protagonist has no money to eat but doesn't know where the money comes from to awaken the martial spirit. After being attacked by Tang San, he dares to take the externally possessed soul bone in front of Jiuxin Begonia, which not only heals his wounds but also serves as food for seven days. The protagonist inexplicably obtains a bunch of externally possessed soul bones but no one cares (I remember there are a few outrageous bugs, but it is two in the morning and my mind is a bit lost)

Let's talk about the advantages of this novel first, that is, the subject matter is very imaginative, but it is a pity that the protagonist is a Tang Buddha-type figure, which is very discouraging. At first, he said something about not causing trouble and to be more stable, but in the end, he knew that Xu Sanshi liked Jiang Nannan, but because of a When you were far away from Jiang Nannan, you got into a fight with Xu Sanshi, and you tried your best to offend him, for fear that Xu Sanshi wouldn't kill you, so forget it, and kept thinking about not intensifying the conflict with Xu Sanshi. In the end, the way to avoid intensifying the conflict was to offend Xu Sanshi with all your strength. I originally thought this was poisonous enough, until I saw the section of the Spirit Ascension Platform. It was simply because I was interested in the dark gold Terrorclaw bear soul bone that I started to steal the soul bone without martial ethics after Tang Wulin and the others went through all the troubles to kill the bear. But guess what, he said, this Tang Buddha snatched his soul bone before, and now it is natural for me to snatch his son, so forget it, I can't bear it. As a result, he also bullied Tang Wulin's group and claimed that the interest was owed to him by Tang Fozu. Anyway, it was clear that the bad things were clean, but I am a good person. It's obviously just a matter of snatching a few people and teleporting away, but if you have to do it to the level of murder, you can still be damned righteous. It's disgusting, it's really disgusting. You can just say that I am such a person. After all, it's not impossible to be an evil protagonist, but what are you doing? You're a bitch and you still build an arch. Do you know why Tang San is called Tang Buddha? It's because Tang San was like this. Even though his bad deeds were clean, he kept saying how he had such high moral standards every day. All the faults were the fault of others. If you want to see Tang Buddha, you can continue watching. If you don't want to, run away. I think Shennong was so poisoned that he wrote a short essay here. Don't force yourself to taste this.

When the author comes out, why do I feel that you are writing about abuse? At the beginning, he was knocked off the cliff by Zhao Wuji, who would have died if he didn't have the Nine-Hearted Begonia. After traveling back in time, when he was hunting for the second soul ring, Xu Sanshi was preparing to kill the soul beast that the male protagonist needed. The male protagonist was injured before he could save the soul beast. In Dou San, he still felt the same aggrieved. He robbed the dark gold Dreadclaw Bear. Wu Changkong went to ask for guilt when the male protagonist absorbed the soul bone. You don't want the male protagonist to be injured again, right?

It's so poisonous. When you meet Tang Buddha, you still talk nonsense to him. Do you think you don't die quickly enough? Either fall out directly or retreat quickly. You are still arguing with him when you are a weakling. The protagonist is like a childish primary school student🤣

It's this author again. Although the author dares to deviate from the original plot, why can this author always set up a very outrageous trick for the protagonist but fail to show the power of the trick? And why is it always so vulgar and cliché when arranging conflicts? Do you have to make the protagonist deflate first and then fight back and slap him in the face? You have read several books, but you still haven't learned how to write something that readers will like to read?

As for the heroine, besides her looks, Jiang Nannan doesn't help the protagonist at all. Ma Xiaotao also has to give her jelly grass, and it's Shrek's.

The male protagonist is a dog that can travel through time and is chased back and forth 😄

I thought my poison resistance was already high enough, but I didn't expect that I would still be allowed 🤢🤢🤢🤮🤮🥵🥶☠️

Looking at it now, I feel that the protagonist is feeling aggrieved in front of him, and his current position is also very awkward. I wanted to use the Noumenon Sect earlier, but later the protagonist died indirectly because of the Noumenon Sect (the protagonist brought that Super Douluo and the situation reversed). If the protagonist wants to seek help from the Noumenon Sect in this situation, there will definitely be a lot of people scolding him. The key is that this interception was the protagonist's fault. Moreover, if he has a grudge against Shrek for three times in the future, if his appearance is recorded ten thousand years ago, it will lead to even more embarrassment during the Peerless Tang Sect era.

Author, can you please stop writing so frustratingly? Zhou Yi, who has become a disciple of Moon and is still afraid of shit, be tough when it's time to be tough. It's an advantage if you update more often, but if you always write frustratingly, some people won't be able to stand it no matter how many updates you make. You read online articles for pleasure, not for frustration.

The protagonist didn't get much benefit from traveling back and forth. He had a lot of enemies and was being hunted down every day. After clearly understanding the time travel mechanism, you should go to the Lake of Life to express your intention to cooperate with the beasts on the last day after traveling back to Dou Yi for the second time. Then when you travel to Dou San for the second time, run to the beasts to prove your ability to travel to gain trust and get tokens, and then return to Dou Er to formally cooperate with the beasts with the help of Tang San's pressure. After that, Dou Two and Dou San can go sideways. The protagonist really can't play, and such an awesome ability to travel through the timeline has been treated like shit 🤔

I am Shennong. I have been poisoned to death. I am very aggrieved.

The author obviously didn't think twice when writing many plots. He didn't control the plot, details, and the shaping of the male protagonist well. If you can't help but read it, don't read it. One sentence to persuade him to quit: The Ice Emperor is given to Huo Yuhao

My previous comment was deleted. I'm so angry that I'm posting it again. First of all, let me tell you who deleted the comment. The content I posted is different from what I wrote. If you tell me straight away, I will delete it myself if you say I wrote it randomly. I'm not so disgusted to blackmail you. The content of this novel is really too uncomfortable. If it's ordinary poison, I can't stand it. I can't help posting. Let me talk about the advantages of this novel first, that is, the subject matter is very imaginative, but unfortunately the protagonist is a Tang Buddha-type figure, which is very discouraging. At first, he said something about not causing trouble and to be more stable. In the end, he knew that Xu Sanshi liked Jiang Nannan, but because of that, he Just because you said stay away from Jiang Nannan, you got into a fight with Xu Sanshi, and you tried your best to offend him, for fear that Xu Sanshi wouldn't kill you, so forget it, and kept thinking about not intensifying the conflict with Xu Sanshi. In the end, the way to avoid intensifying the conflict was to offend Xu Sanshi vigorously. I originally thought this was poisonous enough, until I saw the section of the Spirit Ascension Platform. It was simply because I was interested in the dark gold Terrorclaw bear soul bone that I started to steal the soul bone without martial ethics after Tang Wulin and the others went through all the troubles to kill the bear. But guess what, he said, this Tang Buddha snatched his soul bone before, and now it is natural for me to snatch his son, so forget it, I can't bear it. As a result, he also bullied Tang Wulin's group and claimed that the interest was owed to him by Tang Fozu. Anyway, it was clear that the bad things were clean, but I am a good person. It's obviously just a matter of snatching a few people and teleporting away, but if you have to do it to the level of murder, you can still be damned righteous. It's disgusting, it's really disgusting. You can just say that I am such a person. After all, it's not impossible to be an evil protagonist, but what are you doing? You're a bitch and you still build an arch. Do you know why Tang San is called Tang Buddha? It's because Tang San was like this. Even though his bad deeds were clean, he kept saying how he had such high moral standards every day. All the faults were the fault of others. If you want to see Tang Buddha, you can continue watching. If you don't want to, run away. I think Shennong was so poisoned that he wrote a short essay here. Don't force yourself to taste this.

I was convinced that this protagonist had such a big problem, but the protagonist in Douluo 2 still had the same level, and it was still so low. Nowadays, readers who write Douluo fanfics all like to watch Douluo 2

What can I say about this book? It's both good and bad. The idea is very good, and the integration of the three parts is also good, but the protagonist's strength is too low now, he jumps repeatedly, and regards his own life as nothing. Just keep it for now, fellow Grain and Grass Douluo, but you have to look at it without thinking.

I really can't understand it, so I won't talk about the abstract part. The key points are so confusing.

I don't understand what it's about. Why do I feel like the protagonist is either making enemies or on the way to making enemies? I just want to ask what the protagonist is drawing?

What did a level 14 soul master who had just broken through escape from Soul Saint Zhao Wuji rely on? Teleportation of 100 meters? It's so outrageous. With an 11-year-old's physique and Soul Saint-level soul skills, it seems like he's fine. It makes sense to write about the Shrek Seven Devils. What exactly is this protagonist's martial spirit that has not been explained clearly, just a ball of space? Lots of space? Time and space? He also secretly hinted that the ultimate space has come out, time is king, and space is revered. Originally, I wrote a space attribute martial soul with a traveler attribute and an attached soul ring that can travel through. It was enough to simply travel through Tang San at that time. If it had to be so complicated, other authors would only grab the opportunity to be a protagonist of the era. This is not bad. Douluo wants everything in the past, present and future, and he also wants to grab Tang San's Eight Spider Spears, Tang Wulin's Golden Dragon King bloodline, and the Silver Dragon King's power. Do you have to be so greedy? Want everything? I have just read Chapter 48, and now there are time, space, poison, power, all elements, and life. Is it clear what the core power of the protagonist is? Do you want to become a God of Chaos with all the messy systems mixed together?

It is very well written. After reading this book and reading other books, I feel like I can read everything. This book is super good and I recommend everyone to read it. 😍

I recommend a novel, "The Peerless Tang Sect: Dai Luoli's Road to Godhood". It's super good. You can click on my profile picture to read it directly. If it doesn't look good, feel free to comment.

What age are you in and still playing the trick of abusing your master is long out of date?