Chat Group: My Groupmates Include the Dao Ancestor

The chat group plot is incredibly toxic. One character uploads a so-called "memory copy" to impersonate a master, while the other simply confesses. The first three chapters of the book are pure poison. Everyone has secrets; imagine yourself in that situation—doesn't it feel disgusting to hear someone tell you they've seen all your secrets?

The "Seeing God Without Destruction" in *Dragon and Snake* represents the highest achievement in ancient cultivation, while "Entering Samadhi, Embryonic Breathing, Sitting in Oblivion, Manifestation of Sainthood, and Primordial Dao Fruit" in *Star River* are all realms in ancient cultivation. If the two books were unrelated, everything would be fine.

The honesty plot is too clichéd. Can't there be characters who aren't honest or pretend to be all-knowing? Why abandon your advantages? This isn't how you build relationships with these people. The more you talk, the more wary they become. Besides, of all the main characters you encounter at the beginning, the one with the yellowish-brown face and the immortal gourd is probably the most helpful.

The protagonist immediately sends a clone to the Panlong World upon arrival. Shouldn't we consider that Hongmeng has real-time control over the Panlong World?

It's quite frustrating, especially since the author immediately puts the protagonist in a very small world, limiting him to only ten kilometers. The content is also rather boring.

The author has a lot of out-of-character (OOC) elements regarding the Dragon-Snake system and Wang Chao. This chapter is not enough for me to fully express my opinion, so I'm making a long post to ramble on about it. First, let's discuss Wang Chao's cultivation level. Wang Chao might humbly admit that his spiritual cultivation is inferior to Tang Zichen's.

The most insidious thing is that they all went to the Primordial Universe first, claiming that their destiny could shield them from Primordial perception. That was created by the fusion of half of someone's soul; their destiny is uncertain. In one epoch, ten thousand people could be counted, but their destiny is uncertain, and they're probably being monitored and studied every day.

Are you developing the world or just chatting? You only talk about your own world in two or three chapters. What's the point of your protagonist transmigrating into this world?

Goodness, you've covered every single one of those minor red flags.

All six chapters are introductions; they're too verbose and too superficial.