
The Taiping Records
太平记
- Status
- Ongoing
- Length
- 2.8M Words
- Genre
- Historical
- Subgenre
- Qin-Han & Three Kingdoms
- Updated
- 1d ago
- English
- Request a translation
Synopsis
Stats
710Chapters
89Monthly votes
80kRecommendations
41.9kFans
7 ch/weekPace
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Reader comments 45
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This author is interesting. He specializes in writing Chinese historical novels, but knows very little about ancient Chinese weaponry and military affairs. However, he seems to know much more about Western cold weapons. Haha.
It's perfectly fine, but you have to include a spell in the story. Seriously, writing spells in historical fiction is just plain annoying.
Personal opinion
After reading the author's reply, it seems the problem remains unclear. The author believes the protagonist must be extraordinary, omniscient and omnipotent, to survive and achieve something after transmigrating. An ordinary person would be useless after transmigrating. However, readers often love the growth of ordinary people, as this creates a sense of immersion.
I have read the author's World Jiedu and found that the author has made little progress over the years.
I felt amazing when I read Tian Xia Jiedu, and I couldn't read the next few books. The author has a very high self-esteem, always feels that he is extremely right, and loves to educate readers. The author was probably born in the 1970s, and he has a common problem among people of that generation, looking up to the West.
I enjoy reading your books. I've read "The World's Military Governor" twice, and "Silk Road Tycoon" is so well-written that I've read it at least three times. I only found out about that book after it was finished.
The character of the protagonist's wife, Dou Yun, is poorly developed. She's portrayed as virtuous and kind at the beginning, but later becomes a resentful and shrewish woman! Could she be based on the author's real-life wife?
It seems to be the same old problem: he's good at telling history, but not good at telling stories.
I read Fengshen II, it was terrible, just like most popular historical novels these days.
Worthless special effects, a distorted portrayal of Han Chinese religion, and a poorly made plot—these are always the best-marketed and most commercially successful products.
Why is my writing getting worse and worse?
The writing was so good before it went on sale, so enjoyable to read. After it went on sale, it maintained around 50 chapters, but after the assassination and escape, it started to decline. What happened? It became increasingly careless, just haphazard writing. The "occupying the printing press" operation is abstract enough—minting their own coins and then using them to buy things.
This doesn't seem right. In the late Han Dynasty, you should have taken control of the means of production first. What's with going straight into finance?