The Forbidden Book Librarian of the Wizarding World

It is more like a script than a novel, and the plot direction is more like a performance drama, with reasonable misunderstandings, tragic fate, deep foreshadowing, and excellent writing. As for the protagonist. . . . Except for the librarian NPC, the rest are all protagonists

I have read more than twenty chapters, and the more I read, the more I feel something is wrong. The story is pretty good, and I also like the group portraits, but your descriptions are too plain, and it feels like reading a drug manual. There are always characters in group portraits that readers can take on. The characters should be more flesh-and-blood, but so far they are very weak. To be honest, I think the descriptions of characters in history books are more vivid than this, such as Spring and Autumn and Three Kingdoms

In fact, it's not bad. I've seen a plug-in that is almost exactly the same, but I have a small suggestion, that is, the second one is much longer than the first one. The narrative length difference between each story should not be too big, unless the length is very important. Also, don't make the distinction between good and evil too clear. This is not the real world. Isn't the great pirate lord who dominates the world also a very unique character? Then... Is it because there are too few descriptions of the forbidden book's abilities? There are just a few techniques for one enchantment, such as doubling, invisibility, hypnosis, withering, blasting, freezing, acceleration, range enhancement, personification, elemental enchantment, multiple enchantments, physical enchantments, and many other development directions. As a result, it took a long time to write. Henry gained extraordinary power and didn't see much of the impression of his life. His survival to this day relies on the accumulation of his previous pirate days and library days. Then I hope the author can write about the colors of another world and the colorfulness of plug-ins. Other worlds are a very general concept. They can include papal countries that rely on faith, commercial kingdoms that focus on trade, weird countries whose land is built on monsters or ruins, alien countries or tribal clusters whose residents are various alien races, such as lizardmen, tauren, frogmen, etc., Countries whose residents are all dead or who rely on exploring ruins to survive, and so on. Special lands, wonderful animals and plants, folk customs that are different from the real world, various weird natural disasters or ancient ruins, I hope the author can write a lifelike alien world, not just the most traditional alien worlds such as Western alien worlds, the Middle Ages, knights and magic, nobles and commoners, humans and elves. Then there is the colorfulness of the plug-ins. Every book has a point that attracts readers, and the fun of the plug-ins occupies a large proportion. The synthesis plug-in gives you the excitement of not knowing what the next product will be, the creation plug-in does not know what the next realm is, and the library plug-in is expected to have a large part in the diversity of banned books and other functions of the library. Regardless of functions, the diversity of banned books is very important. For example, if synthetic plug-ins and panel plug-ins have not been updated for a long time, they may arouse readers' opinions. There are good and bad aspects.

Behind the scenes of group portraits, to put it bluntly, it is to create a few heroic and tragic characters and add the protagonist to wipe the butt.

It seems to me that curses and blessings are not completely opposite things. For example: 1. Human cells can only divide about 50 times, which is why people age and die. If human cells have no limit on the number of divisions, theoretically, people can live forever. So if a person's cells can divide without limit, is this considered a blessing? But is this cancer a blessing or a curse? 2. One person allows another person to gain eternal life. Is this a blessing or a curse? Then it also gave him great power. Is this a blessing or a curse? Then this person is Dracula. God cursed him with immortality, but let him live by sucking blood; 3. If you gain immortality, then this immortality is the immortality of consciousness. Your body will age, die and decay normally, and your consciousness cannot leave your body. Is this eternal life a blessing or a curse? 4. Is it a blessing or a curse to turn a person who will die in the next second into a vampire and live forever? 5. Let a corpse regain consciousness and the body will not decay. Is it a blessing or a curse? 6. Let a dwarf grow taller, but this growth is unlimited. Is it a blessing or a curse?

Let me draw the conclusion first: I rarely read group portrait articles, so the scope of comparison is limited. So far, the character creation and group portrait levels, as well as the interweaving of each perspective, are very good. After reading it, my thought was that it would be great if Cui Shu was one-tenth as good as the author in this regard. The plot of the first volume has not yet unfolded, and it is all supported by character creation. The plot becomes more and more exciting later on. After boasting, let's talk about the shortcomings: 1. The perspective switches too frequently. If you want to skip the timeline or another line intersects with this line, then there is nothing wrong with changing the perspective. However, some personal lines are connected at all, and jumping to temporarily irrelevant lines is a bit excessive. This is not how to whet your appetite. 2. The image of the protagonist is not clear. After reading three hundred chapters, I still don't have a deep understanding of the protagonist's character and so on. Many opportunities to shape the protagonist were cleverly resolved, including but not limited to outsourcing to Anne, which resulted in the protagonist's lack of communication with Chris. Another example is that Henry never saw the protagonist again after he left (although he arrived later, there was no real conversation). In fact, Natalie could have asked the knight to pass the news to the protagonist, and then the protagonist would not have time to rush on, but only saw Henry for the last time, and so on. The protagonist lacks a sense of depth in the plot, and it is completely impossible to tell what his attitude and concepts are towards what is happening in the world. The NPC feeling is too heavy. 3. The problem of supporting role creation. I must say that although most readers dislike Chris, Chris's portrayal is indeed the most interesting one I have seen so far. Although extreme, he has his own philosophy. He may be bad, but I can't fault him on a characterization level. Brianna's shaping is just a beginning, no evaluation. It is interesting for Ao Lei to change her identity and move around in various environments, and she has a strong subjective initiative. The plot line of the killer who is also born with supernatural powers is much less enjoyable. Becas is really just cannon fodder, and the more I look at it, the more I feel that he went offline so early simply because of the fact that no matter who in the Kexi family has him following him, they will never have such a rough life. Natalie, the tough-to-kill king, has a plot line that is not boring, and can even be said to be interesting. She is at the ceiling level among non-borrowers, but she is also too twists and turns. It feels like two unexpected accidents can happen just by farting when she goes out. It is a bit poor to follow up. Apart from anything else, it was a bit too smart to almost kill the bandits before being captured by the Unsworn Knights. Although she has always been impulsive, there is a difference between being impulsive in her teens and being impulsive in her thirties. Henry, in order to take him offline, he successfully destroyed the image of the dragon knight (they kindly abided by the agreement and let you go, but on the spot they felt that they were hypocritical, and when they surrounded them, they still went up to hit them with hatred, right? Who is the knight after all). Although the loyal dog also plotted against Henry, at least his respect for Henry and his wonderful trust in sympathy can be seen. As for the dragon knight, I just want to give him two punches. Henry's plot and battle scenes are very enjoyable to watch, but the shaping level is very inconsistent... He is invincible even if he has not completed any of his life goals. So let me ask you, where is the justice of pirates? Kathy, I don't comment. It's a script with the same protagonist, but the borrower is not destined to be extraordinary. He is even suppressed by the author. He doesn't even have outstanding other abilities. It's hard to have too many expectations for this person's future plot. Annie and Laura, their respective plots are actually pretty good, but when they meet, they always give me the feeling that the author is a white river fish (it's the kind of two-dimensional flavor of "girls are fragrant, soft, pure and beautiful". To be honest, that kind of pure sticking without effective communication hurts the shaping). Even if you really want to write about pure sisters or gl in a serious way, this is not the way to write it... Of course, it is said that it is a single-player plot, but it is not very good. Anne has a plot, which is really recommended, and Laura is really a bit fake. This person's character gave me a sense of fascination. I felt that, except for the protagonist and Anne, the more people valued her, the more indifferent she became. To be honest, I felt a bit inhumane when I saw the various indifferent ways she showed towards Luo Luoti, a person who was about to die but cared about her heart and soul. I have been able to raise Laura for several years and still be like this. I think the protagonist is quite pseudo-human... Think of this first, I will add more later.

Let me tell you, have you ever felt this way: Recently, Qidian novels are like a pool of stagnant water, with no sense of innovation. There are some short-lived novels with new themes, but they always end with eunuchs. Although the novel without eunuchs is finished, the plot is rigid or boring.

The setting is quite interesting, but unfortunately judging from the performance in the first chapter, the library does not have that ancient and transcendent feeling. Even the setting that the protagonist only lives forever in the library is afraid that the natives outside will know about it, which feels very cheap. If the library is invincible, the library is invincible. For Destiny's Child, the books in the library are more of a help in times of need rather than the icing on the cake.

What kind of things are the two raised? When they cause trouble, the protagonist will settle it, and when they get angry, they run away from home and never interact with each other until they die. Is this what they call flesh and blood?

This can't all end in tragedy from now on, right?