The Melancholy Screenwriter
致郁系编剧
- Status
- Completed
- Length
- 990k Words
- Genre
- Urban
- Subgenre
- Showbiz Romance
- Updated
- 1y ago
- English
- Request a translation
Synopsis
Stats
357Chapters
9.9kRecommendations
29.2kFans
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Reader comments 32
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Scum's Wish? Are you serious? This thing is just shit.
Novels that rely on plagiarism feel frustrating without extra chapters or bursts of new content. The content is readily available, and many readers have already read it. Even those who haven't can finish it in a day or two if they're interested. The appeal of these novels lies mainly in the protagonist's boasting, face-slapping, and shocking others.
In the later stages, it will probably be just copying and pasting your own book again.
Comments
It's a purely formulaic book, good for killing time, but after about a hundred chapters, the urge to read it will gradually return, and then you won't be able to continue. Why? Because this book gradually followed the formula of classic light novels, readers will consciously use their brains a bit, and then it becomes the classic "reader selection" formula—those who want to read on will continue…
The protagonist hasn't had any formal acting training, yet he insists on acting—it's so awkward! Can't he just stick to being a good screenwriter? Does the author think this is cool? 😒
I don't really recommend the main character always appearing in their own roles, because some readers will find it awkward, others will find it repetitive, and it also shows a lack of confidence in your ability to create multiple characters across different stories.
Two dramas have been shelved in a row. If the lead actor doesn't leave after the second drama ends, then it's just bad luck. I also saw an analysis in a post that made sense, but I'm still just annoyed.
Stop making everything depressing. It raises your emotional threshold to a whole new level. What's the point of emotional development then? You throw in some sweet, romantic moments, then the next one is just more depressing. The main characters have no life; where do they spend their days?
I don't quite understand. The producer provides the majority of the funding, the script, the lead actors, and is practically a director. Does this producer deserve all the shares?
Stop making the main character so often, and doesn't the main character's company have anyone else? He's the only one creating and filming. I've been reading your books for a long time, from the beginning to the latest, and basically every book has the main character involved. You said you'd reduce that, and the later chapters are becoming more modular. Developing the company and managing other things would be fine too.