On the Path to Becoming the God of Animation

😰Because I work in animation, I can't concentrate on anything; it's like going to work.

The domestic animation industry is basically driven by passion, as there are virtually no revenue streams or viewing channels. The recent development of animation is largely due to Bilibili (Bilibili is a Chinese video-sharing website), which is essential for generating some income. Thinking you can make money from animation is wishful thinking. Animated films are even more absurd.

I was actually lucky enough to make it into the top three, awesome! I want to say this out loud: stop with the romance subplots! Let's just focus on writing a good story. When there are no women in one's heart, one's writing will naturally flow like a divine hand.

The world's first mecha anime, selling billions of mecha figures alone—author, is your world's population the same as Japan's? China has over a billion people, and you're telling me your groundbreaking mecha anime only sold tens of thousands? Are you kidding me?

Wow, so many people like Attack on Titan! Personally, I've always felt that Attack on Titan was a manga that was given a boost by the production team. The manga's creativity, art style, plot, paneling, and dialogue aren't bad, but they're just average.

The pacing was too rushed. The Natsume's Book of Friends episode felt like it was all just online reviews and criticisms. Only two episodes introduced the plot, and then the ratings skyrocketed. Why? It wasn't explained in detail. Then there were all sorts of plot holes, which had little to do with the anime itself. This formula seems more suitable for plagiarism-themed web novels; it feels too empty for anime.

I've read all of the author's works. Can we change the anime? Why is it always Natsume's Book of Friends? Try Crayon Shin-chan, The Matrix, Westworld, Puella Magi Madoka Magica, and some famous Chinese novels (novels by the author "The Squid Who Loves to Drink Water," Jin Yong's novels, *Zhu Xian*, *Dao Gui Yi Xian*, etc. Ask the editors and authors for authorization).

Perhaps it's just my subjective opinion, but a healing anime should evoke a gradual and profound sense of emotion; sensorily, the protagonist seems to be shouting at someone in a ring, "If you don't like it, hit me!"

I have a suggestion: the author could write a parallel world where classic Earth animations are nonexistent. The protagonist could plagiarize Earth's works, choosing classics like Pleasant Goat and Big Big Wolf, Ultraman, Blue Cat, GG Bond (many seasons), and Bald Qiang, which kids love; and those popular with teenagers like Xia Lan, Super Beast Force, Rainbow Cat and Blue Rabbit Seven Heroes…

Author, if you changed the setting to Japan around 2000 and the protagonist was someone whose soul traveled to Japan, it would be a little better. But forcibly changing those famous works to a domestic setting? Pfft, I can't even imagine what that would look like. Add to that the current state of animation in China, and it's just pure incongruity, pure fantasy, completely lacking any sense of realism or immersion.