Reborn: Starting Out as a Manga Adaptation Screenwriter

The writing of this heroine is really disgusting. She is obviously a bit player who can't get the role of the drama. The protagonist offers her to play the prime-time heroine, but she still mocks the protagonist, and the protagonist kneels down and licks her. It's really interesting.

If you want to find a film school for pure girls, you can find a lot of them. A dozen or so dare not tell, but a few can definitely find them. Anyway, you said you don't need much acting skills, so why bother with the one named Yu? It seems that there are no pure girls in the world except for those named Yu. In Shuangwen, the character whose surname is Fish is also assigned to Thirty Years of Hedong and Thirty Years of Hexi. The character named Fish must not have been well established. She vents her jealousy towards her classmates on the protagonist. If you don't read the script, it will be defined as rubbish. If an educated person doesn't want to take it, read the script and politely reject it. Obviously, her jealousy has made her go to her head, or she is not of high quality. Let's revise it. If it's not the heroine, forget it. The supporting role is only one.

To be honest, Chapter 10 and Chapter 11 are really encouraging. I understand that this is an inherent contradiction and conflict, and it can be regarded as a method of suppressing before promoting. Some people have also posted that isn't that what asking for help is all about? Don't have a sense of superiority as a time traveler. Who knows that you will definitely succeed? This is true. But this is an entertainment novel, and the most important thing is to take care of the readers' emotions. I know clearly that what the protagonist is about to give away is a great opportunity to make a career, so why do I still keep asking for it? And then let her take advantage? Just because she is actually a good person? Come on, she wouldn't even read the script for the protagonist, citing personal emotions and her own aloofness. That's fine, I think author you should satisfy her. If I were asked to continue writing, I would choose to let her not choose to open that script because of her pride. Then, one of her neighbor girls or distant relatives (preferably not too familiar) came over to see this as a gift or as a guest and accidentally saw this script. This girl is a little bit ordinary. Although her appearance is very good, she can't compare to her. It is best for a girl to be the kind of person who is good at seizing opportunities. After learning about the situation from Yu Youqing, she chose to correct her attitude and apologize to the male protagonist, and then recommended herself, hoping to get a chance to try. In the end, he won the recognition of the male protagonist with his hard-working acting skills. Then the two of them made a comeback together with this film! In the end, his ex-girlfriend was slapped in the face, and Yu Youqing also knew what opportunities she had missed due to her impatience and immaturity. At the same time, the most disgusting thing is that I missed this opportunity to slap the heroine of the White Love Song in the face! This is a simple continuation of a pretentious slap in the face, so novice! But I personally think it's better than the author's choice. Of course the heroine in the accident is not a good person, but she has no conflict with the protagonist. Seeing her continue to show off in front of the aloof Yu Youqing makes people feel happy. Isn't it a bit wrong? But this is the effect that words can create, because you, the author, have actually pushed Yu Youqing to be the opposite of the male protagonist, so you come back and win this opportunity without letting her suffer any losses. How can the readers be happy? You have to at least accept that she was slapped in the face by the male protagonist and let go of her discomfort before she can continue to develop. It can only be said that the author still has not grasped the rhythm well. He used too much force in the previous part. I hope the author can grasp it better.

Can you write less about routines and more about the performance of earthly works in other worlds? What's the point of including ex-girlfriend and Huang Mao, the most disgusting villains in the hostile camp, when writing a copy? 🤔 The first script that the author wrote for the protagonist was very good. I haven't read it, but your writing is quite touching. But when I saw my ex-girlfriend and Huang Mao, I was persuaded to quit 😅

Live-action versions of anime are not popular. Many Japanese comics have been changed and all have been changed, so this novel cannot stand up.

I feel like the Initial D has been poisoned. Movies and TV shows will remind you not to imitate dangerous actions when filming dangerous actions. The protagonist actually teaches the audience to drift? Do you think your opponent won't destroy you? If the main character drifts and gets into an accident, your TV series will be taken off the shelves. This is not how you want to describe the protagonist Niu, right?

In order to facilitate other book lovers to choose to subscribe or read according to their favorite anime, I created a building to sort out the anime from beginning to end.

There are so many classic popular anime, why do you write about these niche ones with few fans, Slam Dunk, Prince of Tennis, Digimon, Pokémon, Dragon Ball, Clank Cat, Conan, Naruto, One Piece, Fairy Tail, Fullmetal Alchemist, Qin Shimingyue, Under One Man, Ultraman, Marvel series, Superman series, there are so many popular anime, who reads these niche ones, what do you think, don't you want to become popular?

The emotional drama is better, Xia is better, Yu is a bitch, it's not impossible to be a bitch, at least she pays attention to the male protagonist, but there is no warm interaction that shows consideration for the male protagonist and cares about him doing something for the male protagonist. She only thinks about how to become the male protagonist's girlfriend, and carries out subtle hints and coercion. She feels that the male protagonist is particularly bad, especially like a female star who befriends the screenwriter and wants to rely on her beauty to get to the top. Neither her sincerity nor the male protagonist's decision-making can be seen.

I don't know why you have to choose only Japanese dramas? There are still only a few people who are familiar with it. And aren't there any good TV series in China? "And I think the subject you chose is too natural. Forget about love. After all, as long as it's not a eunuch, it's an individual who has longed for or longed for it, regardless of gender or age. But what the heck is Go? At least I, including my relatives and friends, don't know it. In the 1990s in China, it might be popular, but most likely it wouldn't be popular. The main thing is that everyone knows how to play well, and women are the biggest audience for TV dramas. Women have the final say on 80% of the TV dramas a family watches.