Myriad Worlds: Ascending Through A Bite of the World and Devouring All Heavens

What the heck is it to arrange for the death of both his wife and children in the first chapter? Is it turning hatred into motivation? If so, there would be no need for a lottery system. Wouldn't it be more interesting to slowly practice and integrate the mysteries? As for fearing that the souls of his wife and children will die and cannot be resurrected, it is not a matter of the author's words. If the system does this, it would be better to have no system at all.

Such a big deal! An obvious piece of writing by Xiaobai Shuang. Ever since this so-called token appeared, I felt aggrieved.

Chapter 82: The poison severely deducts points, and the souls of the four series mutate. What about the protagonist? Is it possible to practice another type of cultivation? Will it always be a holy realm? Does the original work say that the other four series of soul mutations must be eliminated? Can't you practice anymore? It would be disgusting to impose restrictions.

Escape is shit. The Dzogchen Soul Thunder System is a high-ranking god. There is no need for the main godhead. I have to fight with others. I use my innate supernatural powers to kill people. I am also afraid of other main gods coming. The original book said that the main godhead is refined instantly. Several other main gods in the original book did not have time to stop the high-level god from refining the main godhead.

Generally speaking, the personal evaluation can be read. There are a few issues and it depends on whether readers can accept it. I will tell you my own opinions: 1. The golden finger issue, according to what the author has already written, you will draw a prize once you upgrade to a level, and all the god clones will press the highest one. Well, in other words, the protagonist was an eighth-level warrior when he awakened his memory. Excluding the level of the uncertain Lord God, he only had five chances to draw the lottery (I have already drawn four times), but the things I drew were very good, which gave me a feeling that the golden finger is very useful but not that useful. But this is a matter of opinion, and I personally don't think it's a big problem. After all, the main point is the protagonist's operation, not the performance of the system. 2. The protagonist can basically guarantee the Dzogchen in the lottery result, and there is also the problem of going to hell when the main god is drawn. According to the novel, it is to reach the strength early enough for the Lord of Death to help save his wife and children. I personally can accept this. After all, after reaching a certain strength (the middle god), the highest god plane is indeed easier to upgrade. In terms of strength, there is a description in the middle that even if the protagonist is rewarded by the rules of a lottery, it is not so easy to integrate the mysteries (mentioned in the next few pages of Chapter 32). It is not as easy as imagined to close the door for a hundred or two hundred years to achieve perfection. Moreover, the protagonist does not simply travel through the past, but awakens the memory of the past life and completely ignores the family members in this life. It is a bit too ruthless (of course, this is just me) People's opinions are different, please don't comment) 3. The conflict with the Four Divine Beasts family. The fixed villains of the Panlong fandom (basically the period before Lin Lei's appearance) - the Four Divine Beasts family, may indeed have aesthetic fatigue, but I can still accept it, but the routine of the conflict is a bit old-fashioned 🙂 and I personally think the biggest poisonous point is that the protagonist has to stop the space. Handing it over to be inspected by the people of the Four Divine Beasts, betting on other people's character, or the character of a person from a family with little praise... I can still reluctantly accept handing over the token, after all, to avoid trouble and affect the breakthrough, but I still have to hand over the space ring... And the result is the same after that. The Four Divine Beasts are going to kill the protagonist, and the protagonist doesn't give the Four Divine Beasts much face. So what is the meaning of this middle part? To highlight the protagonist's frustration? To tell readers that this is not a cool article? You can also argue that there is nothing important to the protagonist in the space ring, and it doesn't matter if you hand it over, but the problem is that you feel aggrieved. Considering the reputation of the four divine beast families in the original work and their attitude when facing the protagonist, do you still believe that the other side will not trouble you if they don't find it? It's a bit too naive. At least in this section, I only felt aggrieved and not at all refreshed. The above opinions only represent personal opinions. If there are any differences, please discuss them rationally.

I like to directly show off to the main god and slap him in the face. I've seen too many upgrades like this.

The author fell into the trap with the first book, starting with the dragon and then read the swallowed one. After that, I read two books of The Eunuch, and I also read some of them, but I didn't read any more. Now that I have a new book, I have some thoughts on this old-fashioned opening. Personally, I think it is not as good as the first book. This book starts with a deep hatred, and the memory of the past life is revived but it is deeply affected by this life, just like the aboriginals get the memories of the time travellers. The key is that you had a wife and children and were killed in this life. First of all, the reader may not have a wife and children, so he may not have a sense of agency. Moreover, if he has a sense of agency, wouldn't it be poisonous if his wife and children both died? With this as a motive, he was suspected of being a young man, so he insisted on being unsatisfactory and cruel to force the protagonist to become stronger. The result was not self-improvement or perseverance, but a system descended from heaven. He also regretted that he had not awakened the past life memory activation system earlier. That's great. If we don't straighten out this kind of living plot, won't we be able to advance it? I really don't know how to evaluate it. Let's put it this way, even if your first book has a lot of bugs and some settings of Devouring Starry Sky have problems, and the upgrade conditions of Golden Finger in the Coiling Dragon chapter are full of deliberateness and full of human (author) control, it is still a good book and looks enjoyable. I have been reading it for a while since the protagonist Devouring the Stars later. Why is it like this now?

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Although the system reduces the author's workload, it is lazy and destined to fail to write a long story. I suggest that if you write about Panlong in your next book, don't use the system.

Same title, same time