Shushan Town World Immortal

The title of the book is Shushan Zhenshi Dixian. I have never read the original work. It should be a fan novel. The first few chapters describe the world view, the identity of the protagonist, and the environment. The protagonist is an adopted orphan who embarks on the path of cultivating immortality after the death of his adoptive parents. The beginning of the plot is a little cliché, but that's not a deduction. On the contrary, the writing style is remarkable and the writing is solid and worth watching. The protagonist is a genius in terms of setting. Quite a few third-rate novel authors are not strong enough in writing and the plot is slow and slow down the protagonist's improvement. But this book does not have it. It is relaxed and relaxed, with the ease of improving the realm and the stability of consolidating the realm. Extra points. There are three reasons why I highly recommend this book and look down on the other stinky ones on the monthly ticket list. Firstly, the writing style is full of fairy spirit and feels like you are on the scene. It is definitely not a novice or some assembly line work. Secondly, talking about the relationship, one of the reasons why I like this book very, very, very much is that it is different from other underworld cultivating immortals, where teachers are neither teachers nor elders. They keep saying that they are cultivating immortals and cultivating the mind, but the state of mind and state of mind are very narrow-minded, and the female characters are unruly, unreasonable, ignorant. But the relationship between the characters in this book is very comfortable. Brothers and sisters are respectful. Those who serve as teachers are dedicated to their disciples, and those who are disciples of the sect are also willing to dedicate themselves to the sect. I was very surprised when the protagonist handed over the ginseng fruit tree to the sect as soon as possible, because in today's Internet environment, everyone is a selfish villain. The plot should be that he hides the sapling alone in his own sea of ​​consciousness or acupuncture points, and then goes through all kinds of hardships to monopolize the ginseng fruit tree. I didn't expect to contact the sect directly. The sect sent a big monk to escort me, which made me smile in surprise. In other novels, no one in the sect would respond, and the protagonist would bear the responsibility alone. Thirdly, the exercises are quite amazing to me. According to the Dafen I usually read, the exercises should be just one name. At the beginning, I learn basic martial arts such as "Iron Mountain Reliance" and "Iron Cloth Shirt". The exercises I learn in the later stage are the "Wuji Nine Yang Jue Yin Emperor Technique". The names of the exercises are used to show how powerful the exercises are. But here, I saw that the principles and meaning of the exercises, such as the order of acupoints and meridians, the method of making golden elixirs, or the selection of yin and yang attributes such as Yimu Sunflower Water, were all explained in a logical and well-founded way, and I couldn't help but sigh at the perfection of the settings. Judging from the current quality of this novel, I can look down on other novels on the monthly ticket list as long as I ensure that I don't get distracted. For me, the aspect of this book that I hope for the most is that the protagonist has some restraint in materialistic desires, is forward-looking, humble, and has almost no anger, which is not bad. It just feels a little alienated from the people around him, such as the master, or the green glass, or the fellow Taoist teachers. After a hundred chapters, we get together after a hundred chapters. We gather less and leave more, and continue to devote ourselves to practice without saying anything. There are also some friends who, whether because of their simple temperament or the deletion of the plot, can form a life-or-death friendship in just a few chapters without any major complications. Another point is the difference between the Demon Sect and the righteous way. Apart from the background foreshadowing of their bloodthirsty rituals and disregard for the life and death of mortals, is there any other more substantial evil of the Demon Sect? For example, after the whale snakes in the East China Sea turned into monsters, people hunted cloud whales. Their race was called "whaling snakes". Can they be killed just because they caught whales? Although it can be explained by preventing Qing Laosi from obtaining blood food, the plot is to kill the snake first and then learn about the blood food. In terms of sequence, the protagonist's right path is to see a snake hunting a whale. The protagonist likes whales, so he kills the snake. Similarly, people eat pigs and sheep, and tigers and leopards eat people. If a tiger becomes a spirit, it must violate the law. Its nature tells it not to eat people in the future. If you eat people, you are a monster. Isn't it a bit of a double standard? The plants and trees that a cultivator eats before he goes off the grain are also living beings. Like the ginseng spirit, he can cultivate into human form. Therefore, eating or even refining elixirs does not count as killing again. Could it be said that those who cultivate immortality and become immortals are only human beings, and heaven is only human heaven? In my mind, the immortals are the immortals of all living things and are not partial to one side, so I hope the author can clarify the relationship and make the demons in Demon Slayer and Defender more worthy of death. The above are some of my small opinions on the plot of this novel that has been updated so far. It is not very professional, but it is very thoughtful.

The so-called earthly immortal wants to rule the world forever. If this is the ambition of the protagonist, it really disappoints me. Let me start with the conclusion: this is a giant baby. If the protagonist thinks like this, there is no need to talk about being a hero. Sacrificing himself for others is nothing more than forcing people in the world to live according to his ideas. The protagonist has this ability. Then there is no need to be so hypocritical and pretentious, directly prove the Emperor of Heaven, establish rules, be more generous, and follow the right path. Now this kind of world-famous immortal wants people to never let go of the evil thoughts in their hearts, which seems petty and childish. If this is the case, how do you deal with the Dragon and Tiger Mountains in this world? Destroyed? It's impossible, there's Shushan. . . . . How long can you block the countless rules and countless injustices and karma in the world? When it comes to calamities and calamities, it is better to block them than to remove them, let alone just an earthly immortal! From this point of view, the ending of this book will be very childish, which makes me sad. I have subscribed to every chapter from the beginning to the present.

I'm still very touched to see that there are still people writing about this kind of classical fairy tale. I accidentally discovered it when I was about thirty chapters into this book. After reading the first chapter, I thought it was readable, and then I couldn't control it. I read the content of only a dozen chapters at three or four o'clock in the evening. I read it very carefully because it disappeared all at once. Then I recommended it to many people. Now I am very happy to see that the book's performance has improved. In fact, whether it is the Wei and Jin Dynasty legends or the Tang legends, there are elements of classical fairy tales. From "Sou Shen Ji" to "The Biography of the Bearded Guest" and "The Biography of Liu Yi", in these texts, we can see the capable people and strangers who can use the wind and thunder, fly into the sky and escape from the earth. Different from the usual gods and Buddhas, these characters are bold or free and easy, but without exception they are very humane. Some of them care about the suffering of the people, and some are happy with the grudges. Such a vivid human world is connected with a mysterious fairy mountain world. It seems that as long as you find those Emei, Kunlun, and Penglai, you will find another world. Under this cultural tradition, a book "The Legend of Shushan Swordsman" came out. In the turbulent era of the Republic of China, some people swallowed the clouds, moved their sword balls, and traveled to Beihai in the evening. Such people were called swordsmen. From this point on, the combination of martial arts and immortality has formed a unique fairy tale novel: a person is called an immortal when he is on the mountainside, and an immortal is called a knight when he is at the foot of the mountain. In a world where great power belongs to oneself, immortality is an eternal topic, but there are still people and immortals with great power who do what they want with an innocent heart. This is why there are so many stories about young people who draw swords to challenge injustice. Just like in the book "Sword Immortal of Shu Mountain", the protagonist reads poems and books, practices Qi skills, and finally bids farewell to his fellow villagers and worships the immortal gate. There is a unique entrance examination, there are brothers and sisters in the same disciples, there are amiable teachers, there are no Jiazi in the mountains, and the age is unknown in the cold. In the end, the protagonist has just begun to master Taoism, and finally has a reason to go down the mountain. Along the way, he hoeed the strong and supported the weak, slayed evil and demons, lost friends he had just met, and forged an unbreakable blood feud. There was wine, dogs, swords and blood, and his chivalrous spirit was beyond words. The author said that he likes to write about local customs and customs, so he arranged for the protagonist to go down the mountain for experience early. Indeed, one of the highlights of classical fairy tales is the mystery of the intertwining of reality and fiction. It seems real and illusory. It seems that there really is such a group of people living in the mountains. Occasionally, they take the train and pass through the mountains in the clouds and mist. From time to time, they also think of the fairy-like characters in a certain novel? In today's fast-paced world, there are many people who wear the skin of immortals and commit murder and arson. The difficulty in writing a good fairy tale lies in the character of character, whether it is majestic or mysterious, fresh or strange, but it must have character. Although online articles are recreational reading, the author should not be reduced to a recreational person. I believe that the fairy writers who pursue their goals must have their own character. Finally, I wish you well, I wish you great success and become a god soon, but always look back and don't lose your heart and forget where you came from. Who can write your Excellency, Baishou Taixuan Sutra?

I don't know what the author meant by writing it. Is the lion the master or the protagonist is the master? From where Zhong Yuanjue blocked the road, we can see that Emei has murderous intentions for the protagonist. The protagonist cannot understand why the lion keeps getting around Zhou. If Emei wants to kill the protagonist and Master Zhou Qingyun's life is used to force him, Zhou will definitely help Emei again, and then this lion will be an accomplice.

I have read Chapter 330 so far, and subsequent reviews will contain mild spoilers. Let's talk about the advantages first: The writing of this article is smooth, the plot is reasonable, the setting is relatively rigorous, and the scriptures are quoted. It is a rare old-school fairy tale with a fairy spirit. The world view of the first and second realms, the protagonist's mentality growth, the high spirits and sad exit of the Taoist friends around him are very well written, and have the appearance of a fairy. Let's talk about the shortcomings: The first thing is to rush, the three realms of the golden elixir period, the author really wants to stuff a lot of things into it, the collection of Tiangang and Disha, the source of the protagonist's Taoist foundation, the enlightenment of Tao and Dharma, the Book of the Earth, and the condensation of magical powers. As a result, almost the entire Golden Elixir is just about constantly fighting monsters, collecting treasures, and searching for materials, which makes it tiring and boring to read. It lacks the fairy spirit of entering the mortal world with one's body, walking around, seeing people and things, enlightening the Tao and cultivating immortality, like in the first and second realms. Secondly, the advancement of the plot does not match the growth of the protagonist's strength. I feel that the magic path broke out too early. I think it is more appropriate for the protagonist to start the main line of the magic path around the 6th level of Jindan. For example, in chapter 330, I used a lot of trump cards given by the superior to barely kill a patched Five Poisons with residual health. What this plot means to me is that Jin Dan 2 directly wants to attack Yuanying. When this plot was introduced, he didn't know that Wudu was deprived of his body by Ye Shushu. If the things he gave were not enough to save his life, he almost couldn't get over it. Master Qian Shen, I only saw a reckless genius in this plot. Where is Qian Shen? The last thing is the character creation, which I think is the most regrettable part of the Golden Core Realm. The background is the battle between good and evil, this is a struggle between Taoism and Taoism. But I felt that this battlefield was not as good as the one where fellow Taoists from the second realm formed a group. Logically speaking, everyone will grow after seeing blood and moral battles. I have met several supporting characters who participated in the battlefield. Zhou Qingyun is still a little fangirl, and Yingnan is still the same rampant, with no change. When it comes to the most impressive and three-dimensional supporting character, I can only think of Ji Hu. The other impressions are almost all of the boys giving money. Final suggestion: The author slows down his writing. It's okay if you can't participate in the 4th realm for the time being. There is no need to wash out 3rd realm and 2nd patch and forcefully kill the 4th realm. It's too far-fetched. The protagonist should be a person who doesn't put his hope in variables and makes decisions before taking action. Taking the initiative to portray the cruelty of the battlefield, we cannot say that the fight between good and evil is all mortal suffering, but to magnify the impact. The protagonist's route is so smooth at present, so that now it feels to me that he is not like Zhenshi, but just wants to live forever and become an immortal. He needs to use suffering experiences to strengthen the protagonist's moral heart. Strengthen the description of the supporting characters and let the protagonist have more flesh-and-blood comrades.

As of late November, "Shushan Zhenshi Dixian" has nearly 300,000 words. If you really want to say it, it is still a new book. However, although the book is young, in the Lao Bai Shuhuang circle, especially in the ears of fans of fairy tales, it has recently made a strong presence. Because this book is highly recognizable and unique, it stands out from the crowd and attracts attention when routine and cool writing occupies the mainstream position. But it is a bit difficult to really characterize this book. From the title of the book, as the name suggests, this book is a second creation by Shushan colleagues based on the "Swordsman of Shushan" written by Huanzhu Louzhu. However, unlike most Shushan fans who rely on the main plot of the original work, this book starts earlier than the original work. It relies more on the Shushan worldview as the overall background structure, and then writes an original plot to write the story. From the current point of view, it will probably follow a competition + confrontation plot mode with the second generation of the Shushan Immortal as the villain. This makes this book, if we say it is original, not very original; if we say it is a homologue, it is not very homologous either. In fact, according to my analysis, this book should be a part of Dian Niang's Sanqingshan essay competition a while ago. First, the derived worldview is perfectly set based on Sanqingshan, and then after careful consideration, the Shushan worldview is used as a reference, integrated into one, divided into camps, and then the plot outline is deduced. Therefore, in my humble opinion, when reading this book, the initial reading expectations should not be considered as a Shushan fan, but rather as a classical fairy tale with distinctive and unique style and high recognition. Returning to the subject, this book integrates the Shushan worldview. In the style context of the worldview background, it naturally has both fairy tale and historical elements. For this purpose, the author designed a set of background historical dynasty change timeline, even at the expense of pen and ink, and spent most of the sixth chapter explaining the setting. Personally, I think this is a failure. Apart from revealing that the author is still a new online author and failing to make any improvements in the settings of the video, the main reason is that it has little meaning. Because this book is a classic fairy tale, not a fantasy. Fantasy themes mostly focus on the world view and pursue the epic sense of the evolution of the times. Fairy novels, especially classical fairy tales, focus more on the subjective perspective of the protagonist. Through the various experiences of the protagonist, the plot advances as much as possible to reflect a certain charm and style while not being conventional. Therefore, I always believe that if the setting is not necessary, there is no need to explain too much in the early stage. The main thing should be to advance the plot and supplement the characters. But aside from the new author's uncontrollable habit of shaking settings, the unique features of this book are indeed highly recognizable. The brushstrokes are delicate and the writing is simple, as if the charm comes from itself. It gives people a unique charm of classical immortals at first glance. Then, the author has detailed information, has a lot of Taoist culture and knowledge, and talks about the mysteries of each branch. The setting system is very practical and eye-catching. In addition to the plot flow, the author is very accomplished in character creation. Not to mention the group portrait flow, at least many of the characters are not brainless, and the images are clear and powerful, and naturally they have charm. Of course, fairy tales with plot flow have always been slow-paced, so I won't go into details. In short, this book is not vulgar and is recommended for readers who like fairy novels and traditional cultural elements to give it a try. Not much to say, at least the reading experience is unique, and at least it can give people a sense of brightness.

After reading a few book reviews, I also felt something in my heart. I don't know when I started to have a strong interest in Xianxia. "Zhu Xian", "The Legend of Mortal Cultivating Immortality", "The Legend of Shushan Swordsman", "Sword Comes" and so on. I have been reading for ten years and have read more than a hundred books. But when I look back, I find that in so many books, only the image of the Sword Immortal is deeply rooted in my heart. Maybe it's because Sword Immortal Xiaoyao is free and easy enough, maybe because Sword Immortal Shukuang is happy enough, maybe because he likes the majesty of Sword Immortal, or maybe he likes Sword Immortal's chivalrous and righteous behavior. Looking at the sea of ​​books, the number of protagonists in novels that use swords as weapons is the largest, and there is even a special word for sword cultivation. You can take a closer look at some sword immortals who are not sword immortals, and some immortal heroes who are not immortal heroes. Nowadays, the threshold for novel creation has been lowered. Although a hundred flowers are blooming and a hundred schools of thought are contending, there are also many frivolous works that use the name of fairy tales to sell dog meat. They are about robbery, conspiracy, or the love between men and women, and being wise and protective. What is there is only the author's selfish desires, but not the slightest bit of immortality or chivalry. Because of this, I have gradually read less and less books in recent years, looking for good books that suit my taste, so I discovered the book Shushan Zhenshi Sword Immortal. The introduction is concise and clear, and the writing style complements each other. It reads like a fine wine, with a long aftertaste. It's hard to find a good book, so naturally I don't want to read it in one sitting. I just read a chapter or two every day in my spare time, and then I can endure the passion aroused in my heart. Following the author's writing style, I seemed to be in the book, living in the clouds, praying for immortality with him, practicing together in the world of mortals, and using the sword in my hand to inspire my spirit. Ben San's people actually seem to be back in their youth, and the decadence and fatigue after get off work during the day are gone. This makes my wife suspicious. After explaining, they look at each other and laugh, and from one person alone to two people enjoying each other. I was so excited when I read it that I always clapped my legs and exclaimed. Later, I was even ready to drink with it and raise my glasses to drink. I am grateful to the author for writing such a good book part-time, and I am also happy that there is such a good book worthy of the name of Xianxia. The world of mortals dissipates one's spirit, and one's life is spent in a cage. Fortunately, I found this book, and I can express my sword spirit!

I declined the book at first because I have not read the Xianxia genre for a long time, but in the end, I couldn't match the enthusiastic recommendation of my friends, so I decided to give it a try, and the results were out of control...                                    The author's writing style and talent are the most amazing to me, because I also write some fan works of novels in my spare time. I have a clear intuitive feeling about the writing style. The author's description of the environment is really unique. I excerpted a fragment that I particularly like: "The courtyard door is open, and the sun is setting in the west. The golden sunlight passes through the pine needles and is scattered on the amber wooden floor, reflecting the waves." This paragraph of text gives me a sense of immediateness as when I read prose by famous writers more than ten years ago. I have to say that this style of text can bring readers a refreshing and comfortable feeling. In addition to the excellent writing style, the author's character settings are also very fairy-like and very reasonable. Needless to say, the protagonist Cheng Yunqi, even the supporting characters Yunqi meets when he first enters Sanqing Mountain, all have the feeling of real ascetics. They are different from the secularized immortality that has been popular in recent years. They are a breath of fresh air in fairy tales. Of course, after talking about the advantages, there are also disadvantages. Let me talk about the biggest poisonous point I have encountered so far. It is easy to screen out readers by throwing out a large paragraph of world history settings in the early stage (Chapter 6). The sudden appearance of revisions based on real history in fairy tales also creates a sense of disobedience. However, compared with the advantages mentioned above, this little shortcoming is obviously insignificant and does not prevent this from being a recommended work of fairy tales. ———— {"TopicId":"575683685907562496","TopicName":"Book Recommendation"}{"TopicId":"571348880201940992","TopicName":"Book Waste"}

The text has been swallowed, try posting a picture (800+) Speechless, what is there to swallow

Isn't the nine-tailed goddess Tianhu beautiful?

One thing to say, for me, who is from Jiangxi, the sense of immersion at the beginning of the book is actually not high haha. Longhu Mountain and Sanqing Mountain are places I have been to in real life, but the author's unique setting to build a world of immortals is still very attractive. Of course, this can actually bring out the wonder of the author's setting. Even if the sense of immersion is not high, it can attract readers to keep reading. In terms of setting, there are indeed many attractive places. Whether it is the more sophisticated aspects of this book, because it integrates a lot of traditional cultural things (such as the yin and yang and five elements of traditional Chinese medicine and Taoism are really well integrated), and then the unique practice method is designed (for me, it is also It is relatively fresh), or it is a historical background that is combined with cross-cutting jokes (it is really funny to say that it was worn into a fishing net by a time traveler). As a result, this book not only has a strong flavor of classical fairy tales, but also has a relaxed and entertaining place that can make people smile. It has to be sincerely admired: "The author is very honest and sincere!" Although, in our impetuous era, which focuses on short, fast and fast reading, many people are unable to calm down and savor the stories narrated due to the fast-paced reading habits. For some people who are used to short-text, the natural setting of Taoism in this book will be a bit unacceptable. However, if you think about it from another angle, isn't this also a kind of screening? Those who stay because of this are all people who like this style, haha! It's already 4202, and it's really rare that there are still works that can stick to the spirit of the fairy tale. So, treasure author, you must keep updating it!

There are many excellent fairy novels on the Internet, such as "The Story of Mortals Cultivating Immortality", "Zhu Xian", "Shading the Sky", "The Change of Stars", "Yang Shen" and so on. . . Among them, some describe the difficulty of the path to immortality, some describe the ruthlessness of cultivating immortals, and some describe cruel fighting methods; but I personally think that the feeling of cultivating immortals should be the quiet, indifferent, subtle and endless human feeling in "Shushan Zhenshi Dixian". Just like reading Journey to the West, there is the master-disciple relationship between Bodhi and Wukong, the carefreeness of Huaguo Mountain, the lust of Zhu Bajie, and the worldliness of the Earth God. Although the background of the story is derived from "The Legend of Shushan Swordsman", the skills of cultivation are different, and more warmth is added to the description of the characters. It adds a touch of fireworks to the original intrigues and intrigues in the world of Shushan, and reduces a lot of coldness. It makes me yearn for it even more after reading it. This is the world of Xianxia in my mind.

The front of this is too ink, it's chapter 5 and I haven't even officially started practicing yet.

Now that I've seen it, it's considered up to date. Let me tell you my personal feelings. Let's talk about the advantages first. I feel that the biggest advantage of this book is the sufficient information. The sense of immersion is very strong, and it seems to give people an unclear and powerful feeling. It is obvious that the author has made great efforts to study the theoretical knowledge related to these practices, and can make a self-explanatory explanation, rather than the kind of setting that is just thought of. This is particularly praiseworthy. The second is the solid writing style. The world of immortals and chivalrous people written by the author is lifelike, and the characters in the book seem to be alive on the page. Starting from Yun Qi worshiping at the mountain gate, cultivating immortals and asking questions, and becoming a chivalrous man on the way to justice, one by one, it seems that he is also practicing with Yun Qi, and jointly stretching the spirit of immortal chivalry in his chest. Let's talk about the shortcomings (only for individuals). The biggest shortcoming that I personally feel at the moment is the introduction of spiritual practice knowledge. These contents are often given in piles. Although it looks very powerful, I often skip these contents at a glance when I read the book. Because large pieces of incomprehensible information are piled together, I have no intention of reading further. The handling of this point needs to be strengthened. Maybe you can consider setting up a special setting chapter of practice materials outside the main text, or supplement it at the end of each chapter with relevant content. The large sections of information that appear in the text can be shortened and streamlined, which may look better to the senses. There is also the handling of character dialogues. The author is not mature enough in this aspect. Sometimes the characters' dialogues feel a bit awkward, and the plot transitions sometimes seem stiff and need to be settled more. That's roughly it, a brief summary. The author's portrayal of characters and descriptions of interpersonal relationships are very good and very comfortable to watch. This is especially rare in an impetuous environment full of dark conspiracies and profit-seeking. At the same time, there are also problems with the coherence of writing, setting throws, and some character dialogues, which need to be improved. Finally, I just want to ask for an update, there are too few to read!

The fairy spirit in the world is sitting idle in the clouds of Shushan. In China, when it comes to immortality, Shushan Mountain is a peak that cannot be bypassed. The owner of Huanzhu Tower created a miracle in the history of Chinese novels with his magnificent and unique pen style. It's a pity that Shushan is not finished yet. In today's era, the trend of novice culture in online literature is prevalent. People who are accustomed to "short, flat, and fast" can no longer calm down and slowly read a traditional fairy novel with the same vision as before. The so-called "martial arts is dead", it can be said that the fairy tales based on martial arts literature can hardly survive alone. On the ship leading to the new era, there are no remnants of the old era left. However, there are still warriors who dare to face the fear of death and charge. Jasmine's previous novel "I Didn't Want to Become an Immortal" received numerous praises for its unique fairy tale atmosphere. Now some authors have re-continued the magical journey of Shushan immortals and used concise writing to tell the story of a young man who first steps into Shushan and begins his journey of spiritual practice. The protagonist is named "Yun Qi", and he personally thinks he has the spirit of a fairy and the clouds of Shu Mountain. In the article, the protagonist has three changes when introducing himself. The first time he calls himself the cloud under his feet, he is humble and courteous, and he is calm in dealing with things; the second time he calls himself the cloud of floating clouds and mist, floating clouds without roots, like a lonely and helpless young man whose parents have passed away; the third time calls himself the cloud of the mountains, the clouds that were originally floating everywhere find a place to settle in silence. A small introduction to his name reflects the author's ingenuity in conception, and also distinguishes him from authors who have clichéd names. A name is the most basic introduction a person has to himself. If he cannot even introduce his name well, how can he do other things well? The author has put a lot of effort into this novel. The names of the characters, the structure of the scenes, the system of practice, and the standardized etiquette are all perfect and clever. When reading this book, chew every word over and over and consider the author's good intentions. A book without details may be popular for a while; but a book with details is worth reading for a lifetime. There is no Jiazi in the mountains. Only by enlarging the scale of time can we truly appreciate the true meaning of practice. Read slowly and enjoy yourself.

Fellow Taoist, am I fierce or not?

When I was a child, I was very eager to cultivate immortality, because I felt that immortals are very beautiful, they are independent of the world, they are seeking immortality and asking questions, their clothes are fluttering, they are clear and come out of the world, they do not eat the fireworks of the world, and they are independent from the world. However, as I grew up, I read some novels about cultivating immortals. Most of them were about intrigues, good and evil, decisive killings, and self-centeredness. A strong atmosphere of the market came to my face, which made me think that these immortals are more powerful philistine mortals, and the beautiful imagination collapsed. Now, while reading "Shu Mountain Conquers the World and Immortals", I unexpectedly feel a long-lost tranquility, vastness and elegant atmosphere of immortals. The aura of immortals floats between the lines, and the wind of immortals dances with the clouds. It makes me regain my imagination of immortals and regain my childhood desire. This book has a very grand world view structure, but at the same time the description is very beautiful and delicate. For example, it lists numerous book titles one by one, which is dazzling to see; it also describes in detail various fantastic and magnificent geographical environments, pavilions and houses, which are lifelike and immersive. Reading it is like slowly opening a picture scroll like "Along the River During the Qingming Festival", except that the content is replaced by the world of cultivating immortals. It seems that a majestic and immortal world of immortals is being outlined by the author stroke by stroke, and is presented in front of our eyes in a vivid and detailed manner. The ancients said that the eyebrows and eyes are picturesque, but I feel that the author's words are picturesque. I guess the author must have written many, many words of outline, details and background settings in advance, and put in a lot of effort and effort to make this book so beautiful. So, I'm looking forward to the follow-up episodes.

The writing is very fairy-like, unconventional, and there is a sense of freedom and ease between the lines.

It has been almost a year since I started chasing books, and there are few works that I can follow to the end. This work has accompanied me through the darkest moments in my life. Whenever I feel desperate, I will think of the unique feeling of the protagonist, which will give me the courage to continue. I really want to thank the author for creating a large number of such good characters and writing such a good work. I hope your family is happy and in good health! Thanks again 🙏

It's been a long time since I read a book that made my eyes light up and made me feel comfortable reading.

I saw the paid chapters and ordered them all. It's beautiful. Give you all 7 monthly passes. Don't write a long novel, author. It's okay to write another novel if you have the ability. So be sure not to write it in millions of words.

Not surprisingly, I will spend money to subscribe.

😭I can't see enough, can you have more

Fairy tales, fairy tales... It's easy to say, only one person can write a fairy tale, but only a few can write a fairy tale. For those who have both fairy tales and fairy tales, this is the only book they have read for more than ten years. To be an immortal, you must not be disturbed by worldly things; to be a chivalrous man, you must complain about injustice. Over the years, Xian Xia has also gone around in circles, from the "cultivation" of sectarian immortality when he first became successful, to the "dou" of immortality that gradually morphed into the so-called "underworld", to the "gou" who only seeks individual immortality, to the systematic cultivation of immortality that emerged with "strangeness", Cultivation of immortality through magic, family cultivation, small world cultivation, and of course more nondescript "superhero cultivation"... Cultivation literature has gradually become a fantasy category that uses the name of the "immortality" system to write its own stories. It has neither the elegance of "immortal" nor the magnanimity of "chivalry". The process of reading this book is a process that makes my eyes shine again and again. From the description of the world of cultivating immortals at the beginning, which made me feel the "immortal spirit" that I had not felt for a long time, to the "chivalry" of the protagonist as the righteous leader of the younger generation, it truly satisfied all my expectations for immortal heroes. Cultivation is not about upgrading the game, you can be promoted when you have full experience points; fighting skills is not about comparing big and small gold flowers, if I have more points than you, I can beat you. Cultivation of immortality is about Tao, which is a profound and profound understanding; Cultivation of Dharma is about understanding, which cannot be crushed by high level. The author's profound cultural heritage and meticulous descriptions give this world of immortality unparalleled credibility. The young protagonist's high-spirited spirit and pure nature add an unspeakable "chivalrousness" to the work. Young chivalry, Make friends with five heroes. Liver and gallbladder holes, Hair ridges. Conversation, Life and death together, A promise worth a thousand pieces of gold. I am so exhausted that I can't form words, haha, to use a popular saying: "This is what I want to read!" I wish the author a happy wedding, I wish this book will reach new heights, and I wish all book friends a happy National Day and Mid-Autumn Festival!

When I saw the introduction of this book, I guessed that this book might be a story about the grudges and grudges of green forest knights. But looking closely at the title, isn't this a fairy tale? So I read it patiently and slowly, and found that the author seemed to know Jiangxi better than me, a Jiangxi native. From the old events in Yuzhang to the rise of Sanqing Mountain, he wrote really well. Returning to the plot itself, the protagonist Cheng Yunqi starts the game by abandoning his baby, and both his adoptive parents die. The protagonist's buffs in Xian Xia Shuang Wen are already full, and he just waits for his enemies to come to the table to start killing. No, it seems that it is different from Xianxia Shuangwen? For example, the protagonist's mountain assessment is different from the life-and-death trials in other fairy tales. The assessment in Sanqingshan actually allows the lay people participating in the assessment to experience the souls of the earth leaving their bodies and return within a stick of incense. The protagonist Cheng Yunqi was the first to participate in the assessment and began to experience the life of a "cloud". When he turned into clouds, he had been floating in nature at first. But with the intervention of Taoist Master Sukong, he became like a rootless duck and began the real test. The most exciting part of the test The main character, Cheng Yunqi, needs to be resurrected on three people or three objects. The three are a young man in white who is as young and weak as Cheng Yun, a burly man with a strong but weak body, a slovenly and bald old Taoist priest who has practiced cultivation, and the three objects are a strange and unpredictable paper man, Polygonum multiflorum with distinct human-like features. A bamboo stick with radiant jade inside. Cheng Yunqi looked at the three of them and gave up the idea of being reborn in someone else's skin. This was different from Wang Carpenter who was reborn in a skin. After looking at the vibrant Polygonum multiflorum and the bamboo stick, he made the choice to give up the idea of death. The heavy paper man, because the strange way is too abstract, it seems that the young man's mental state is also very good. After learning that Polygonum multiflorum has begun to gain wisdom, he gave up the idea of not taking it away! When the last bit of incense ash fell, he chose the bamboo stick and completed the test. After that, Cheng Yunqi passed the Sanqing Mountain Taoist Heart Test and successfully became a registered disciple of Taoist Master Sukong. Under the arrangement of Taoist Master Sukong, Cheng Yunqi embarked on a long journey of seeking the Tao. There will be many difficulties and obstacles. I hope Cheng Yunqi will continue to bring us other different fairy tales!

From the name, it seems that it is a Shushan fan, but after careful study, I can realize that the plot and background use some names and settings of Shushan. The author used many new elements in the creative process to add to this classic fairy tale. Although the content is slow-paced, it is quite deep. When the excitement and emotions cannot be satisfied by a temporary plot, it is also a correct way to read with a calm mind. The male protagonist in this book can be said to be a model of the genius stream. He was adopted by adoptive parents as an abandoned son when he was a child, and he showed amazing talent in the process of practicing the art of guiding and health-preserving. At the age of five, he had already developed the Qi Qi and entered the threshold of participating in the apprenticeship test in the fairy mountain. In reality, it is like a child who has not yet entered elementary school and has mastered the knowledge of quadratic equations of one variable. The exquisiteness of the writing also lies in the delicacy of description. Instead of using gorgeous words to pile up the natural scenery and Taoism and magic in the world of immortals, it uses simple words and sentences to describe what Taoism is and what nature means. As the saying goes, "If the mountain is not high, it will be famous if it has immortals; if the water is not deep, it will be spiritual if it has dragons." The ethereal fairy mountain is where powerful powerful people live in seclusion, and the humane Taoist friends also make the young male protagonist feel the warmth and leisure on the road of pursuit. Cultivating immortals does not mean cutting off all emotions and desires. Although the male protagonist's character seems a bit precocious, this is also due to his family situation and the influence of good family tradition. Even after his adoptive parents passed away, he did not choose to live decadently and immerse himself in sorrow. Instead, he quickly adjusted his state and went to the fairy mountain for testing and finally successfully stepped into the fairy gate, embarking on a completely different life!

"Shushan Zhenshi Dixian" is a fan work based on the background of the "Shushan" world, and also adds some original new elements unique to the author. The main story begins with young Cheng Yunqi entering Sanqing Mountain in Yuzhang to practice Taoism. The perspective focuses on his path of spiritual practice, and then slowly reveals a world map of Shu Mountain. Sanqing Mountain was founded by Baopuzi, the founder of the Eastern Jin Dynasty. It lasted more than 6,000 years until the Ming Dynasty, and established more than 40 traditions. Among them, the eight main veins of the Lotus Blessed Land are headed, and the Meiji Mountain worshiped by the protagonist Cheng Yunqi is one of them. When he first entered the Taoist path, the first thing Cheng Yunqi came into contact with was the history of the world of immortality. The dynasty iteration in the history of this book is generally similar to the historical context we are familiar with, but it leaves a lot of intriguing information in the subtle differences. The Zhou Dynasty and the Liting Sweeping Expedition to the North failed to succeed in the Shang Dynasty, the Eastern Jin Dynasty and the Tang Dynasty successfully returned to unification, and the ancestors of the Eastern Jin Dynasty and the Tang Dynasty left Sichuan to renew the Holy Tang Dynasty. The characters in myths have long since disappeared behind historical stories, and their real bodies no longer appear in the world. The boundaries between immortals and mortals seem to be clear-cut, but in fact there are always vague connections. The reasons for the reform and collapse of the dynasty are by no means mentioned in the superficial narrative, but are driven by the operations of immortal figures behind it. The cause and effect that comes with intervening in the mortal world seems to be even less accessible to outsiders. Later people can only make rough guesses from a few words. When focusing on the present, which has been peaceful for a long time, the gap between the righteous, demonic, and side sects seems to be getting bigger and bigger. Overt and covert struggles are gradually being brought to the table, and the younger generation will also become chips in the competition between the sects and be placed on the chessboard. Talking about the "cultivation" that is the foundation of monks' existence, this work has concentrated a lot of words and ink when introducing cultivation. Starting from the first level of qi refining, it explains in detail what qi-eating is and how to eat qi-eating, and then describes a practice accumulation process that opens up the five houses and three houses where the human body is located, and opens up various acupoints. When Cheng Yunqi and his fellow disciples were practicing in detail, the text further elaborated on the differences in the pursuit and understanding of practice among different lineages. The connotations of different magic spells combined with heaven and earth, and then differentiated into various changes. Such a complete and complex practice system can not only show that Yunqi practice has laid a solid foundation, but also three-dimensionally depict the myriad phenomena and unity of practice in the entire world. However, such a complete and reliable system, which is full of profound cultural heritage and is full of reliability, was lost in the tediousness of the setting in the early stage, making it difficult for readers to chew clearly when reading. However, as readers gradually and carefully read the subsequent chapters, and then elaborate on the foundation mentioned above, it will add a lingering flavor to the lips and teeth. Various cultivation routes, spell-casting movements, and the images and connotations accompanying the spells are vividly displayed on the page. The process of reading and practicing is also more interesting, and people can't help but try it themselves. The insights gained during the battle are both high and low, and also thought-provoking. The original work "Shu Mountain" mainly focuses on the experiences of many disciples of Sanying Eryun Emei, while the book "Shu Mountain Zhenshi Dixian" takes the Eastern Taoist Sect Yuzhang Sanqing Mountain as the main perspective. In addition to the mountain gate that separates the two places, the two Taoist sects also have completely different cultivation concepts, and many discords arose during the exchanges. Most Shushan disciples act in a domineering manner. Whether they encounter a demon sect with no taboos, a side sect that practices other sects, or a Taoist sect with different beliefs, they all regard it as an enemy and want to kill it with a sword. This is inevitably tit for tat with the Zhongzheng and peaceful Sanqingshan. This makes it worth looking forward to what kind of sparks will emerge between Cheng Yunqi and the original characters in this book. The author's writing is vivid and the characters' interactions are interesting. When I put down the pen, it was like a slanted stroke, without any sloppiness, and the breath of life came vividly on the page, which made it a lot of fun for me to read. I also recommend this book to everyone to enjoy.

In the clear night, a thin crescent moon is hidden behind the clouds and mist, with a little silvery light pouring out and falling lightly on the mountains. Wanhu Peak, Bingchen Courtyard. Two teenagers sat opposite each other in front of the stone table in the courtyard. One was enjoying his meal, while the other seemed to be thinking about something difficult to decide. He held his chopsticks in the air and did not put down his chopsticks for a long time. He Bingkun swallowed a chicken leg whole, smacked it in his mouth for a while, spit out the whole bone on the table, and moved his eyes to Feng Xuhuai opposite. From the first few days, He Bingkun had already noticed that his roommate was a little absent-minded. At that time, he was busy sorting out the clues about his practice, and he also thought that if it was something secret, it would be inappropriate to ask rashly. But nearly half a decade had passed, and Feng Xuhuai came back every day with such a distracted look. If he continued to be delayed like this, he was afraid that something would go wrong in his practice and he would miss the path to immortality. "Humble, humble!" He Bingkun shouted twice, and Feng Xuhuai came back to his senses and asked blankly: "Ah, what's wrong, Bingkun." "What has bothered you these days? You get up early every day and go out in the clouds, and come back in the evening, and you are all absent-minded. He looks like something happened at home? " "Ah, no, no." Feng Xuhuai waved his hands repeatedly, looking a little embarrassed. Under He Bingkun's electric gaze, he murmured a few words in a low voice, "I may be tempted." He was silent for a moment. Bang! He Bingkun slammed the table, and the plates holding the dishes were knocked away. Fortunately, he had quick eyesight and quick hands to catch the food, which prevented the food from spilling. "Who is it!" He Bingkun leaned forward, his face full of exploration. Unable to resist He Bingkun's behavior, Feng Xuhuai waved his hand to tell him to calm down. It was obvious that he was emotionally moved, but why was Bingkun even more excited than himself. "She is a female disciple of my generation who is younger than me. She is also my junior sister. She is the girl who controls a flaming cloud. You should have seen her before." "Exactly, Pu Hui Pu Jixuan, she and I are of the same generation, and her teacher took the word "" from "How can I get the grass to talk about the back of the tree. I wish to say that thinking about Bo will make me feel sick", that is, the word "Xuan" is her Dharma name. I hope she will forget her troubles. Worry, always keep your heart happy. " He Bingkun called him a good guy in his heart. This guy, Xian Huai, even found out the origins of people's common names and religious names. His admiration was evident. "Can you tell me in detail?" "My teacher Ciyu thought that I was introverted and taciturn, so he ordered me to do no less than ten chores for the Metropolitan Council every month. You also know this. It was at that time that I met Jixuan, and she He was smart and lively, and he helped me a lot. I started to think about it after a while. " As he talked about it later, Feng Xuhuai's voice became smaller and smaller, his cheeks turned red, and he felt a little embarrassed about the junior sister who helped him. He Bingkun touched his chin and asked: "So she still doesn't know your thoughts?" "She probably doesn't know." Feng Xuhuai responded weakly. With a slap on Feng Xuhuai's shoulder, He Bingkun said carelessly: "We, as cultivators, are unstoppable in our pursuit of immortality, and we should treat love affairs the same way. Being so indecisive is not the Xuhuai I know." "I know, it's just, it's just... I don't know how to say it." He Bingkun rolled his eyes, exerted force on his feet, and moved the stone stool to Feng Xuhuai's side, hooked his shoulders, and said with a bad smile: "I don't know, you can ask me, I am very knowledgeable about these things!"

Wanhu Peak, Bingchen Courtyard. In the early morning, the sun rises in the east, and the morning glow is like a wisp. Feng Xuhuai felt a little happy as he listened to the snoring coming from the west room. 'It seems that the solution I talked to Bingkun yesterday has come true. When I come back, I have to let him treat me to a big meal. ' After putting on his clothes, Feng Xuhuai pushed open the door and went out, closed the courtyard door softly, called out the cloud rack, and went straight to the Capital Academy. The master thought that he was too introverted and taciturn, so he had to go to the Metropolitan Council every month to take care of the sect's chores, and the number should not be less than ten. Now that it was nearing the end of the month, he still had three things to do, so he got up early. At this time, the morning sun was just rising, and there were many disciples coming and going among the clouds. Occasionally, when an acquaintance passed by, Feng Xuhuai smiled and nodded. Soon, Feng Xuhuai's Yunjia landed in front of the Capital Academy. When the old Taoist priest who was sweeping the floor in front of the Capital Yuan saw the person coming, he stopped moving and saw that it was Feng Xuhuai, so he started cleaning by himself again. He just said, "Is the little Taoist here to do some chores again?" Feng Xuhuai handed over his hand. Zuo Yi said: "Yes, I have been busy practicing recently, and now I am still three tasks away from the tasks assigned by the master. I wonder if I have any recommendations?" "You came just in time. If I remember correctly, there are three things that are closely related now. If you are capable enough, you can complete them together, which can save a lot of time." Feng Xuhuai breathed a sigh of relief after seeing clearly what was recorded in the miscellaneous affairs record. He thought it was something complicated, but it turned out that he was helping a senior disciple prepare the materials for the cloud frame. Because the preparation steps were complicated and had time intervals, they were specially divided into three items. "I'll take this." "Okay, I wish you good luck." The old man nodded, raised his hand to record it, and waved goodbye to Feng Xuhuai. Feng Xuhuai discerned the direction and soon arrived at the location requested by Miscellaneous Affairs - Zhongling Mountain. Waiting quietly on the spot, Feng Xuhuai was thinking about what he should call his senior when he saw him, but he soon discovered that he was wrong. It was a handsome female Taoist priest who looked about the same age as herself. She was wearing a vermilion Taoist robe, with a golden ribbon cinching her slim waist. There was a bit of heroism between her brows, which was not as gentle as that of an ordinary woman. "Are you the one who took over the mission?" A cold voice came into Feng Xuhuai's ears. He seemed to have just come back to his senses, a blush appeared behind his ears, and he nodded quickly: "Yes, it's me." "Hello, I am Pu Shaoyue." "Feng Xuhuai." The two of them reported each other's names. Before Feng Xuhuai could ask, Pu Shaoyue continued: "Fellow Taoist seems to be coming on a cloud?" Feng Xuhuai nodded. "It just so happens that the three things my master helped announce on the roster are related to my making the cloud frame. The rest of the materials are now ready, except for the crest of the blood dandelion, the wing feathers of the crested ibis, the silk of the fire tarantula, and the bright sunset after the summer thunderstorm." "I remember that blood dandelions grow on the south side of Sanqing Mountain, and crested ibises and fire wolf spiders are on the east side, but the bright sunset after a summer thunderstorm... It is indeed summer now, but I don't know when we will see a thunderstorm again, and the bright sunset disappears very quickly. Do you have a way to collect it?" Feng Xuhuai asked calmly. "Yes, the master gave me a special magic weapon that can be used to capture the sunset. I only need you to look after me during the capture. The main thing is that I need your help to collect the first three materials. I also need to make some other preparations." Pu Shaoyue looked at Feng Xuhuai seriously, as if she was afraid that he would refuse, and added, "The last task will take a long time, but the reward for the task is too small. I will give you extra compensation afterwards." "That's fine." Feng Xuhuai nodded, "Then in three days, you will wait here for my news." "Okay." (PS: It seems a bit awkward to write because of my lack of writing skills. Anyway, it means that Ji Hu and Ji Xuan met for the first time. According to some clues in the original text, they connected in series. They met because of the cloud control incident and fell in love with each other for a long time. Because of some misunderstandings, Ji Hu avoided Ji Xuan. I still hope the author will write more and fill in the holes quickly.)

Why do people live? He thought about this question for a long time. In fact, he understood very early on that when a person lives in this world, he must have his own mission, which he cannot get rid of, just like fate. But even so, he still hopes to have the opportunity to live according to his inner wishes, not for others, only for himself. To be able to truly live for once and be at ease in the world. Go and see with your own eyes the world that others have told you about, and witness with your own eyes how those young men with fast horses and flat swords gallop recklessly above the empty dust and under the sky. Use a glass of wine to talk about kindness and hatred; use a sword to control life and death. Even though, under those flying robes, between the lights and shadows of swords, I don't know how many past events are buried, the blood shed in the fight, the tragedy of independence in the wind, and those empty eyes that are still waiting. This is not only for myself, but also for... Her. Even though... It would go against the master's wishes. He didn't know if this was considered deviant, but he knew that no matter how he purified himself, the fire in his heart had never been extinguished. A single spark can start a prairie fire. So now that he has this opportunity, how can he give up? Today, the rivers and lakes are still raining. Under the curtain woven by power and strength, under the shadow of conspiracy and conspiracy, knives and swords are still playing bloody hymns. But most of them did not leave their names in this troubled world to write their own epics, even if they all have their own world in their hearts. And now, for the first time, he was so close to his dream. Even if... It would cost a lot, he would not hesitate! After calming down, he looked above the main hall again. There was a throne there, but there was no one on the throne. But he knew that the master was always there, watching him and the world. "Disciple, please come down the mountain. I hope the master will agree!" He said loudly. At this moment, there were stormy clouds gathering in his eyes like black glass, and his whole person was like a peerless sword about to be unsheathed, full of vigor. "The sword is the blade of the heart. It can be used to kill or to protect." He carefully calculated the sword and polished it for more than ten years. It was time to take it out of its sheath. However, no one answered. After a long time, an old voice came from nowhere, and it was vaguely sarcastic: "Then do you know what you will face? The Eight Suffering Formation, the eight sufferings in the world, are they no joke? If you are not careful, it will be an abyss." The voice was ethereal, as if it came from eternity. Silence, eternal silence. But soon, Lu Xiaoyao said firmly: "Right or wrong is up to you, reputation or reputation is up to others, regardless of gains or losses. At least, I have made up my mind, and I will not regret it." "Come on, come on, come on." The owner of the voice knew that it was useless to say more, but he still felt a little emotional, "This is the time and destiny, you are destined to have this disaster. Go, but remember not to break the rules." Lu Xiaoyao was overjoyed. He had never thought that his farewell went so smoothly. He immediately bowed deeply to the throne, turned around and walked out of the hall. At this time, the sun was shining directly in, and Lu Xiaoyao walked against the sun. His back looked a little blurry in the sun, but his wanton laughter was clearly audible: "The so-called eight sufferings in the world, the rolling world of mortals, today Let me, Lu, have a good time, hahaha!" There is a poem from later generations: "In those days, I walked around the rivers and lakes with a sword The shadow of the sword was dim in my dream The clouds lingered in the mountains and the cranes roared The wine and laughter spread across the five lakes."