Achieving Sainthood Through My Past-Life Destiny

The title of the fantasy book, the plot of martial arts, and the description of romance.

Like the title, the emotional line is disgusting and a bit self-indulgent. I can't stand it anymore

I think the author's literary youth is a bit green. He has always wanted to write about the situation in the world where fate cannot be controlled by fate and is trapped by love. He just wants to press the characters in it to death, damn it. This author has a good review from a book friend, with a fantasy background, martial arts descriptions, and a female-driven plot.

No, what's going on? Either there is no heroine, or there is a heroine. Regardless of this entanglement, the TV series is not as bloody as your acting. It's not that the author's writing is not good, but it is just too speechless. Things can be explained clearly in a few words, or else you should completely stop thinking about it. There is nothing like this.

The reason why this book is not popular is finally found. It's this setting. How did a male video in a female video become so popular? It just has a BE ending. The mother and father are not here. Write a female protagonist, and you have to have words engraved on your face and chest. Can you still have feelings after the engraving? Could it be that this woman is looking for physical abuse, and in the end she wants to kill the whole family. The problem is that this man's father is from this family. This is really an incest. The elders of the sect know the identities of both parties, and they still want to do it. Is there something wrong with this elder of the sect's head? A good best friend knows the identity of the other person, but she just can't open her mouth 😰. This is a really amazing point. If you want to write a book for a living, the protagonist must be as miserable as possible. If you say emo, be emo, but if you force emo, it will reduce your intelligence.

The writing is indeed online, but the rhythm is not well controlled. When others are eating, the appetizers are served first and then the main meal. The author only cares about his own happiness and serves the whole meal at once. The first life is indeed very exciting, so how can you write later to make readers feel amazing? If what you write later is simpler than what you wrote before, it will make people feel boring. After having a big meal before, will you still be amazed by the side dishes? If you want to write the later part more difficult than the earlier part, then you have to use more space and more descriptions to fill it in. The later chapters will look bloated, and then they will be as smelly and long as an old woman's foot wrap. It can be seen from the author's previous stories that the author has many ideas, but cannot grasp the rhythm well. He wants to write out every point and everything. The result of writing in this way is that the whole article seems to have many wonderful points, but the actual key points are not expressed, and the main context is not well developed. Writing an article is a process of give-and-take. You have to give up some things for the sake of the whole. Only by arranging the overall rhythm can the subsequent story develop slowly. For example, in the first life, according to the normal rhythm, the early BOSS could have ended at the location of the first calamity. If the description of the first BOSS was so awesome, how should the subsequent ones be written? Did the author really have a good idea? It is a good thing to have ideas. The author can at least write something very good, but if you want to write all the ideas directly, it will directly disrupt the structure and composition of the entire book. I really like the author's writing style and stories, so I wrote this review. This is what I see from the perspective of a reader. I hope it can be helpful to the author. Of course, if the author thinks that I am nitpicking and deliberately blackmailing you, then just pretend that I have never written this thing.

The writing has been messy since the beginning of Sanjue Demon Ancestor, especially the latest one. Nmd is such a bloody classic Korean drama plot, amnesia + mutual engagement but admitting their mistakes, please don't use such a classic Korean drama plot, okay?

All kinds of self-pleasure, I thought everyone would like it, I saw a review from a book friend, the fantasy background, the description of martial arts, and the plot of the female channel. I feel like we should add a little bit of self-entertainment settings and the idea of ​​retro literary youth. You said that you rose from the beginning to the end and fell off a cliff. I think this is inevitable.

This book was recommended by a friend. I didn't write much at that time. I read it just after the first copy. I felt quite amazing. Although the talent setting was a bit confusing, the first copy was very spiritual, not cliché, and very artistic. Duck Kill was very good. I thought it might not be a fairy tale. The results of the book at that time were also very good. For a newcomer to the book, it was really a start for Tianhu. (I have only written the second book, and I feel like I am still a newcomer) , but when I saw the second dungeon, I felt something was wrong. I had a confused feeling, a bit incomprehensible, a bit not smooth enough, in short, it was wrong. After the second dungeon, I became even more confused after the second dungeon, with inexplicable pressure, inexplicable emotional drama, inexplicable pretense, and why do you have to apply everything in the dungeon to reality? A dungeon is a dungeon. Isn't it better to treat it as just the protagonist's personal experience and attempt? The dungeon affects reality without any benefit. Coupled with all the other inexplicable things, I really suddenly lost the desire to read further. I can only say that Tianhu's game was ruined by yourself. Can you first understand the basic logic of writing a book? The first copy is quite spiritual. Are you lost in it and can't find the direction?

It's a pity that the front is considered to be fairy grass, but the back is too literary and youthful, and the author can't control it.