Carrying a Sword and Listening to Cicadas

The essence of the novel is to make readers feel happy. The starting point for bookworms is demanding, and they must have a brain to feel happy. The writing is good, but I don't feel it is fun at all. Giving golden fingers to the supporting characters is disgusting. This conservative point will dissuade half of the people.

Small injustices in the heart can be eliminated with wine, but great injustices in the world cannot be eliminated without a sword. I haven't read The Swordsman's Story in many years, and I look forward to the exciting follow-up.

Then the early plot arrangement should not have too many conflicts with the high-level villains. The aggrieved readers will feel uncomfortable watching it, and forcing the luck trick and deus ex machina to appear will destroy the rationality. If you don't have a golden finger, then you have to develop smoothly, right?

The world setting is getting bigger and bigger. The pit buried in the front is a little less obvious. I didn't even think it was a big pit. Now I look inside and it's bottomless.

The writing is very delicate, and the text is full of various details. It seems unreasonable, but there are explanations at the end. There are many reversals, and the setting is very novel. I look forward to the follow-up plot.

I like this style of book. I am fascinated by it. It twists and turns in unexpected places. I always look forward to what the next one will be. The characters are full of characters.

Is the protagonist serious when he calls him a fool?

The name is traditional fantasy, the introduction is relatively literary, and then you start with the system, do you want to create a contrast?

The writing is very beautiful, which is rare in recent times. Come on, author!

The writing is okay, but the scene outline is too poor. Yun Zhongjun is a huge failure. The background design is inconsistent. Before the protagonist's sect, basically everyone has an innate foundation, and nature is much stronger than nurture. In an era where monks cannot be produced on a regular basis, there is no such thing as Yun Zhongjun. The most important thing is that the life span has not broken through the shackles of the secular world. There are one after another in the immortal cultivating family. Only sects and dynasties are suitable for this kind of survival law.

The beginning of the introduction reminded me of One Hundred Years of Solitude, and cultivating immortality means ten thousand years of solitude.

How to develop the plot and how to write it should be done according to your own ideas. Don't always listen to other people's opinions and change your own hard work beyond recognition.

The big boss behind the scenes has just begun to show up, and he can also penetrate time. Even though I can't get rid of Yun Zhongjun, it's a bit interesting.

Without an obvious cheat, the protagonist is designed by the author and the book masters to face Yun Zhongjun's power, and either sacrifices rationality for cheating, or has no choice but to be whipped by reality...

I hope the author will work hard. The story is very novel and the logic is very good. I am optimistic about this book.

The shaping in the later stages is great, but it's a pity that it started off slowly. In this era of fast food, very few people can survive the first part!

Come on author, be sure to finish it ୧( ⁼̴̶̤̀ω⁼̴̶̤́ )૭

I can't even spray to the point, one by one... Can you read ten chapters before talking about it? I was deceived by a fishing trick and I don't even know it.

Why do I feel that the protagonist's character in the introduction is different from that in the novel, and it feels a bit out of place. However, the protagonist is not a time traveler, but the supporting character. At the beginning of the first chapter of the protagonist, I felt that everything was a bit indifferent. After the female supporting role appeared, I felt a bit funny.