A Japanese Shrine Maiden’s Daily Exorcisms

The more I read, the more confused I become, especially in the latest chapters, where humans were defeated miserably, the demons won, and in the end, there were still people who stopped and robbed people? And is this city isolated from the world? When such a big problem arises, you don't even think about asking for help. What's the point of arranging such a plot, specifically to give the protagonist a setback and inspire hatred for the monster? I always feel that this plot is very confusing.

I advise the author to stop writing it. If it is not popular, just cut it and reopen it. There are only a few dozen chapters, but there is a sense of dissonance everywhere. First, Chiba should not be a big city with over a million people, but a backward small village thousands of years ago. Second, what on earth does the protagonist want to do? Either he cultivates in the mountains and ignores worldly affairs, and stays in the city if he wants to kill monsters and help people. What on earth does he want to do in a place with chicken feet? The protagonist has a sense of being out of place, and the third character is also a stereotype. He is stupid and random, good and bad, and none of them are memorable enough. In the end, the story of humans being randomly slaughtered by monsters is not interesting at all. Not many people like to read it. If you want to write about monster siege, it should be at least in the middle period, and then the protagonist is active in it, instead of the protagonist escaping in despair, just like a deserter, it is not too much to be shot.

There have been a lot of problems in the last dozen or so chapters, and it's a big problem. Does the author understand the geographical location and political status of Chiba City? An analogy is Tianjin. If a large city with millions of people so close to the economic and political center is lost, and it is still a modern society where humans are dominant, it is almost to say that the whole of Japan is finished. Is there no description from the top at all? It's like they are all blind. In a big city with millions of people, there are hundreds of thousands of refugees alone. There is no response at all. Where is the satellite? What about the bombers? Where's the phone? Or is it like Resident Evil, the whole world is doomed? The worldview is too bulky and does not reveal anything about modern society at all. If the background is modified and the story is placed in ancient times hundreds or thousands of years ago, it will not feel inconsistent at all, and it will even be more in line with the development of the plot.

It's not like there's no outline. .

Plot idea To be honest, this book is about the protagonist watching a small threat gradually turn into a big trouble in battle after battle, and finally seems to be almost hopeless. Creation of Character I don't want to talk about the protagonist's character for now. Although the protagonist is not entirely to blame for the disaster, the many seemingly unwise mistakes made by the protagonist in the process make people have a very average impression of the protagonist. If it were my idea, I would move the cause of this series of troubles to another city. The protagonist will gradually discover the truth and grow up during the experience, and later go to the source of the disaster with everyone. Instead of discovering the problem early in the morning and then watching the problem develop from a small spark into a big fire. For another example, the shrine barrier in the book has never been breached by the outside, and the "door" can be suppressed from a long distance away. The shrine is so awesome, wouldn't it be nice to move the shrine to that door? There are two situations here: 1. It cannot be suppressed and is eroded. It would be better to untie the shrine and run away directly. Qima tried it. 2 Can hold it down. In the new plot, a leader wants to recruit ordinary people, and his subordinates have made it clear that they will be forced to work as coolies. On the eve of the disaster, the witch will stay to observe whether the leader will care about the people. The protagonist has already met the boss, knows that the boss is in danger, and is still in the mood to fight for power and separatism, and does not give him any face, so what is the point of observing? Isn't it stupid? If you want to go directly and be responsible for the people, then take the people with you. Let's talk about the issue of demonization. It's very strange for a boss to suddenly become demonized. If he is infected by something strange, at least there should be some support in front of him. A leader basically lives in the safest place. Wouldn't it be weird to be infected by the land? If it is because there are too many distracting thoughts and it is easy to be infected, then why is it that in a large group of people, only the leader has problems, and ordinary people do not suffer more suffering and sorrow than him? 😥😥😥

In a world where demons and monsters coexist, ordinary people don't have the knowledge they should have! Especially in modern society! Either the demons are too strong or humans are too stupid.

Might as well introduce cuteness. 😁

Forcibly dragging small things into big things is always procrastinating. The setting is very good, but the plot is very poor.

Single/hundred/married, can you give me an answer?

Witches must keep pace with the times, Kouga!🙂🙂