Cultivation, Starting with My Childhood Friend

Accompany Qingmei after birth, and then Qingmei is sent away; a talented girl comes from heaven to fight for poems, and then the talented girl leaves; after winning the imperial examination, she goes to the military camp to molest the princess, and then the princess leaves (one year); a marriage contract comes from heaven, and then all parties react one after another. . . It can be considered a hundred chapters so far. What is the main line? The title of the book is a romance novel about Qingmei, right? If Qingmei is not here, who will you attack? Fifth girl? Anyway, it feels like pure boiled water, especially the part about the military camp princess. It feels like watching ancient Huo Yuhao and Wang Dong.

I wonder if the author has changed. The system development was okay in the beginning, but the system in the later stage is basically gone. Except for the Sharingan, so many messy skills provided by the system are basically useless. The emotional line is really hard to describe. How can the male protagonist be so straight? The weirdest thing is that Zhou Wanfeng and Ao Yin'er are both on the same bus? It's better to listen to the music on the hook. Ao Yin'er has more roles than Zhu Cici. In the early stage, she did the old trick of copying poems that was known to the whole world. After flirting with her, she said that we are just ordinary friends. I am even more lazy to complain about the Dragon Queen. After waiting for such a long time, I found my reincarnation and I am not allowed to be locked in the harem to play? The result? What else can the author's female protagonists do besides being male protagonists licking dogs. If you can't write about the harem, don't write about it. The first blood and the second blood are all drugged. You might as well be a eunuch. I can't see what your outline is. You are being plotted and you will use it. What's the result? From beginning to end, it depends on just one word "mang". Primary school students' strategies include writing about the imperial court, cultivating immortals, Confucianism, and Buddhism. If you don't have the writing power, you'll really have to focus on one.

After reading dozens of chapters, the title of this book is not right. Qingmei is sent away, Tiansheng is also sent away. You are not a love cultivator. There are more supporting characters than the protagonist. There is also a Shura field. It may be better if there is no female protagonist to cultivate immortality. It may be better!

After reading a hundred and 140 chapters, I still have a system and the five strongest spiritual roots, but I am still a piece of trash. These are nothing. Chapter 140 There are four life-threatening situations, and each time you rely on luck to save a life. Your life is in the hands of others, right? After I finish writing a book, I'm afraid I'll have to be rescued hundreds of times by others and waste my money.

What is the operation of cultivating immortals and writing court documents? Let me tell you.

The beauty list is really the biggest flaw of this novel

After reading Chapter 157, I finally finished the Border Town dungeon, which feels quite strange. It is said to be a practice style, and the introduction also states that practice increases attributes, but it just doesn't produce results and doesn't feel any better. It's like I've been stacking q's for more than ten years and ended up punching cotton. The most representative part is the climb up the steps. The aura and true energy are all blocked, so I can only rely on my own strength. I thought that the attributes that the protagonist has added for more than ten years will come into play, but the result is that he still has to go up with difficulty. The heroine also comes to the rescue during the tribulation, which makes me feel discouraged. After a long period of development, should I fight for my life or fight for my life, let alone be labeled as invincible? Of course I know that the protagonist can fight across levels, but it doesn't feel that good. Fighting against those who can't be beaten, fighting back and forth for a few times and then being defeated, and fighting against those who can't beat, there are also back and forth. What struck me as the most effective was Killing the Two Deacons Together, a short four-line text that was neat, refreshing, and typed at the top. Fast paced, not much to say, I like to spend space on shaping the supporting characters and there are many appearances, interspersing memories and switching perspectives at every turn. Pretending to be a pig and eating a tiger is out of the question. Except when he was a child, after joining the WTO, big figures in big organizations regarded him as a thorn in his flesh, and he was targeted early on. Sword repair tag... Hold your fists, Brother Ming

It's hard to imagine that this is the same author as Resurrection Coin

I suggest that the author may still be suitable for the Japanese light genre. For readers of the fairy tale genre, emotions are not a necessity, just a seasoning. You can't put too much salt in the novel, as the main line and plot are needed. For light novels, readers like to eat sweets and speculate in stocks.

Both being and standing are undesirable. In both lives, people dare to act, love, and hate. The character of the protagonist makes the supporting character look more like the protagonist than the protagonist. It's hard to resist.