Tokyo of the Yokai, Lord of Ashina

Khorne promised me courage, but I would become disowned; Nurgle promised me immortality, but I would become corrupt; Tzeentch promised me wisdom, but I would become its pawn; Slaanesh promised me happiness, but I would become a slave of desire; There is only one black sun in the subspace, he taught me to be strong, and gave me the power called "Revenge". I will fight for him forever, until death...

Is the upper limit of Sekiro's power system very high?

A majestic son of a god, with a farming cheat, but he has to stand in front of the stage and fight with people with bayonets for a person he has known for less than two days, acting as a pawn, and getting no benefits, what a bullshit spirit.

In terms of subject matter, I like both Tokyo-style and Sekiro, but the rhythm of the story is a bit confusing, and there are also some problems with Goldfinger. My current perception is: the subject matter should be interesting, but in reality it is quite awkward. In a word, everything is good, but it doesn't look good (not refreshing) Let's complain about it First of all, the gold finger settings are not very good. On the surface, it seems that you can recruit people and use skills to exchange props. It has many functions, but both sides are resource-hungry and can only focus on one side. It is uncomfortable to focus on one and use it on both sides. If you call people, you will not have enough skills. If you focus on skills, you will have redundant settings. Generally, this situation is to develop the behind-the-scenes to earn resources first, and then go after the skills in the early stage to get rid of the tiger. (It is rare to acquire skills first and then develop the behind-the-scenes. After all, the final thought is that the great power belongs to oneself. You have been so awesome all the way. Unless you have nothing to do or there are special needs, you might as well continue to be more awesome.) Then in the beginning of this book, it seems that you will go behind the scenes like the above, and become a businessman to survive and develop. As a result, there will be a fight on the other side before you start doing business. In the middle, I spent a lot of resources to recruit a mid-level soldier, but it didn't play any role. In addition, the high-level soldiers were set to be ridiculously expensive. The entire recruitment system's value setting was not cost-effective. Apart from recruiting two merchants to sell things to earn some resources, the recruitment system did not see any meaning. The result was that a feint shot at the beginning made people think that he was going to organize a vest behind the scenes, and then he immediately took action himself. No wonder this Kuro's combat power is ridiculous, even if he didn't at the beginning. With the help of system power points and skills, the combat power is estimated to be similar to that of Ashina's soldiers, and he is indeed a natural god ( In short, the ability to recruit people is embarrassing. Even if this plot is over, I can't think of the need to spend a lot of time recruiting people instead of recruiting skills. After all, the price/performance ratio is too low. The author might as well consider what the review said, it is more interesting and useful to order something like a one-day sword master experience card. There is also a problem with the plot rhythm, and the world setting at the beginning The city has not yet unfolded, and the identity and life have not yet been integrated. As soon as I left home, I met a bunch of big guys, and I was immediately involved in a big conspiracy. I was still the center of the whirlpool. If I take Sekiro as an example, a passerby who doesn't understand the plot has his soul penetrated by Ashina's team leader, and he just found out that he has a connection. Before Tong studied the seven guns, he took you to see Genichiro and asked you to be Daichan. Then in the morning, he heard that a ninja had killed Ashina. In the afternoon, the imperial government came in and asked you to guard the door. Passers-by would only think, who am I? Where am I? Who the hell is beating me?

The protagonist's feelings towards Yuan Zhen are too abrupt. We should write some round and sincere interactions with the protagonist, otherwise it will appear that the protagonist's excessive anger is unfounded. Just because a summoned NPC that is equivalent to a collectible said a few words to the protagonist before dying. The protagonist and this NPC have never even met. To seek revenge against an enemy who has no intelligence, the protagonist's emotions are too cheap. I didn't even assess the risks of this operation before going to the enemy. We usually call the protagonist a stupid person.

I feel that the plot of helping the Aoki family is a bit long. It is known that more than thirty chapters have been used to describe it. The cause and effect of the Aoki family is inexplicably taken over. From behind the scenes to the front of the stage to charge into battle 😂, heroic dedication and heavy losses. Although I received so-called friendship and help, I did not get much actual benefit. Instead, it turned from dark to bright, and I suffered a huge loss. I don't quite understand the meaning of this plot. Your life is yours. You only have one. Wow⊙ω⊙

Why does every character who appears have to be sympathetic to the protagonist? First it was Shinya Shiratori, and now there's a demon sword. I especially want the people present to say: "No, who are you talking about?"

The easiest thing about behind-the-scenes drama is that the protagonist can't help but go into battle in person, fight monsters to level up, open a harem and fall in love. The number one taboo behind the scenes. There are those who have opened the main god space. Instead of choosing and adjusting the dungeon, setting rewards, and guiding branch lines, they transform themselves into reincarnations and lead the team to pass the dungeon and fall in love with their female team members. Recently, there has been a resurgence of myths in the real world. Instead of insisting on letting the resurgence of myths perform wantonly on the stage to trigger changes, the main body is disguised as an original ordinary awakened person and is recruited by the official, and then challenges the evil organization in a one-on-one battle - so what if you win? There are also some authors who don't feel like they are behind the scenes... But the various setting points they set make you unable to hold back to fight monsters and upgrade. It looks like you were given an automatic rifle, but instead you wield it like a hammer and engage in melee combat with people 😅

I suggest the author look at the title of his book and read less Japanese light novels. The plot has no coherence at all. He also studies the awkward wits plot of Japanese light novels and what he is thinking. He read this book because of the two words Ashina. It is not your sieve-like original world.

To be honest, from the author's point of view, the protagonist's intelligence may be online and he is very maneuverable, but from the reader's perspective, most of the protagonist's actions are terrifying.