The Lord of Cinder in the Marvel Universe

The starting point of this book is too high At least you need to understand Dark Souls III and the characters of a lot of American TV series to read it. The author does not provide a detailed description of the background of the characters appearing in these American dramas and movies, nor does he give a brief introduction to these American dramas and movies. Moreover, the rhythm is intended to be semi-funny and light-hearted, but the writing is not strong enough and can occasionally be extremely toxic. For example, the female bodyguard hired by the fireproof girl. I suggest that the author streamline it and set up the character positioning well. The plot is too scattered and the connection between events must be well written. This kind of local details is the decisive factor that determines the quality of a novel.

Melina, I hate you like a piece of wood😭 I forgot the last part👴

Old thief Miyazaki knows too much...

What is Ash's position? To put it bluntly, they are just embers, incombustible garbage longing for the first fire, longing to the point of madness. After crossing over, do you think he will let go of this powerful universe? Isn't it the first time he kills all powerful beings and uses them as firewood?

Give your heart to my wife

Thanos is actually right. There are only so many resources in the universe. If human beings continue to expand disorderly, they will eventually destroy themselves. Just like the God of Destruction in the Dragon Ball world, everything will be destroyed once it is born.

The Ultimate Invincible Stitch Monster, it's not that I don't subscribe, it's true that after more than fifty chapters, I couldn't stop vomiting. Forget about doing whatever you want before, why did Stark show up at the party? Such a rich man suddenly found out at a party in a small community? If it was an invitation sent, then according to the agreement with Ancient One, shouldn't the protagonist show his power to contact Stark after the big event starts? Then suddenly there is a plot of bravely venturing to the deadly island. Alex is killed and kidnapped in the plot, and the protagonist starts working for free and brings a Stark with him. No matter how you unfold the subsequent plot, it is really not appropriate to advance the plot with such a rigid arrangement. A lot of unknown American TV series and movies were written into a story about Marvel and Dark Souls. What's the purpose? Is it just for fun or to show off your skills? Similar novels are probably the two in which the protagonist loves to drink bourbon, but the purpose of writing the branch plot is to recruit girls and improve his strength. I really don't understand the purpose of this one. Are these subplots used to show the protagonist's social strength? I originally wanted to watch a wonderful story about Dark Souls and Marvel, but before the story even started, a lot of subplots had diverted my attention and worn away my patience. No 100-ton cloth can be as fancy as your sewing.

Let's talk about some problems in the book. I felt there were some problems in the early stage, so I only ordered the first order. 1. There is a word in photography called overexposure. The plot line of the novel must revolve around the protagonist. A plot line that is overextended is like an overexposed photograph, which becomes dull and boring. There are too many fake powers or identities created by the protagonist in the book, and multiple plot lines unfold, which suddenly becomes boring. It's like messing around with seasonings when cooking. If the protagonist's character line is not shrunk, it will expand more and more messily toward the back. The protagonist's identity and external behavior pattern need to be streamlined. This is also the reason why the protagonist who opens a clone is gradually becoming unpopular. You can have a clone to do things, but you can't have an [identity] to mess around. 2. Character characterization should avoid repeated portrayal of superficial traits. Although novel authors cannot learn to split their personalities to portray characters and make them more three-dimensional. However, it is far less important to portray some undeep impressions than to show a unique style. In this regard, you can learn from Japanese comics. Japanese comics are always full of random oral habits, or some weird and unique hobbies and codes of conduct. This is an attempt to differentiate this character from the other supporting characters. The key is to grasp the core elements of the character and then develop the behavioral pattern. The events follow the tasks, not the characters follow the events. It's not about using a designed plot to determine the character's behavior. It's the characters you write that determine the plot. The behavior patterns of the supporting characters in the book are a bit boring. Everyone makes the same choice in the same environment. In my opinion, this is actually a failure in characterization. Use Natasha, one of the protagonists of Marvel, as an analogy. Natasha's portrayal in the book is not very good, and her performance does not exceed the behavior of any [female agent]. There is no actual portrayal in the book. When people see it, they will think that this is Natasha. A female agent who was born in a red house and joined S. H. I. E. L. D. After her rebellion. A female agent who has been trained without a bottom line tried to find her own life after rebellion, but then found that she had been homeless for many years, so she had no place for herself in life. She finally became silent about life, and finally jumped off the cliff resolutely. The time point in the book is at that period of Natasha's life. What is the character's psychological process like at this time? What is the difference between other people's attitudes and her attitude, and other people's behavior and her behavior when encountering something? The same goes for other supporting characters.

The writing is too messy, and there are too many clones. Maybe it's because I don't really like watching clones now.

I feel that this novel does not have a strong world view and a boss-type protagonist, and it is not as good as some comprehensive comics, which is very different from expectations.