Reborn as a Snake, My Candle Shines Upon the Nine Yins

I would like to give you a suggestion, don't let any human being interfere with the protagonist, especially a woman or a little girl who appears suddenly.

The flesh and blood of a practitioner is a great source of nourishment. I hope that after the protagonist kills the enemy, he will not give up the opportunity to improve his strength with excuses such as being a human in his previous life and being unable to speak.

The writer has been reading online articles for several years, and he knows the general poisonous points, but he still has no grasp on how to actually write them. For example, I originally wanted to write a protagonist who is more orderly and has bottom lines, but ended up being soft on others and cruel on the ginseng spirit. Unnecessarily, Ginseng Essence is written as being more intelligent and more poisonous... There are indeed countless poisonous points. If readers who are willing to read on can still bear it, the writer apologizes here. And promised that this kind of situation where the protagonist's words and deeds are inconsistent and the buttocks are not straight will never happen again. Now that you have become a snake, you should no longer only favor the human race, but should treat all enlightened creatures equally. My original intention was to take the path of kindness and humanity. It's because the previous plot was not handled well. The identity of the protagonist, a snake demon, is contradictory to his soft-handed behavior towards people, and the detailed description of the ginseng spirit creates an image that is unflattering to both ends. I sincerely apologize, learn from my experience, and promise not to do it again. In addition, the monsters in this book have no race, and witchcraft is nonsense.

The protagonist of the Virgin is obviously a snake demon, but she is ruthless towards demons and merciful towards people. She lets people go even though they know they might be attacked.

It was good at the beginning, but suddenly the quality dropped again and again, and there were always one or two chapters to spread the poison. You should make a good outline before writing. I really want to come out one after another.

I don't ask you to kill more decisively, but I beg you not to write nonsense. I don't understand why others come to kill you, and you hurt others, but you still hang on to other people's lives. Inexplicably using some of their martial arts to exchange their lives is simply amazing. I don't know if the authors read the novel or don't understand the poison. Do you feel comfortable reading it yourself? We've already written about exotic beasts, so don't write about how close the protagonist is to people. I can understand if you want to protect them with incense, but they want to kill the protagonist.

It's just been launched on the first day and you can't hold on. It's such a waste. If I had known I would have stopped subscribing yesterday. I would have waited a few days to see if I would subscribe again.

After watching it, I thought it was pretty good. I hope it can maintain this level. I don't think it's necessary to be too outstanding, as long as you don't use your brain to reduce your intelligence.

I don't know anything, but I'm inexplicably arrogant

When I saw the latest chapter, it felt like a matryoshka doll, right? The protagonist is practicing in the mountains - he is jealous for no reason - he is the protagonist - he cannot handle the protagonist and he is the common people - the protagonist cannot stand it and takes action - he destroys other people's good deeds and is hated - he is the protagonist - he cannot get the protagonist and he is the common people - the protagonist takes action

Whether the protagonist is a human or a snake, if no matter whether it is a human or a snake, they will not let the wise ginseng essence grow in the Taoist realm, and they don't care if their foundation is frivolous. In the future, if they meet those who are cultivating immortals, should they eat it?

I think if I want to write something like a god, I need to be more thorough. At first I felt it was a bit like Zhulong Youzuo, but the more I read, the more I felt something was wrong.

If you can't grasp the emotional drama, don't write a lot of works. The author who looked very good in the past must insist on death and put the poorly written emotional lines on the table to persuade people to quit.

Poisonous duck skin cannot be described as decisive in killing. Then don't write about alien beasts

Will the protagonist transform into a dragon? Also, what is the heroine's plan?

No, it's not like those hanging swords. They stick to the nose and face. They can provoke and shout to fight or kill. They can still ridicule them when they are caught. They can change their martial arts and change their qi route without killing them. Too outrageous

Why is there another eunuch book? Many of the books I have read recently are all about eunuchs. What's going on?

In the later stage, when the Taoism is high, you will be able to transform into a human being, right? Now it is almost at the level of transformation. It seems that it is inconvenient to be a snake all the time.

I don't care about how the protagonist treats people and monsters, I only care about the logic and whether the writing is interesting. Here are a few speechless points that impressed me so far after reading Chapter 30 1. Shen Jing's writing is no different from that of a child. She also specifically wrote that she knew how to cover her shame with leaves, and then turned around and swallowed it. As long as it is stated clearly, whether it is the main character I can accept whether the horn is selfish or has a firm Taoist heart, or still thinks that the soul is a human being. However, the author said in the chapter that the ginseng spirit is just spiritual, which is similar to the spirituality of ordinary animals. Ordinary spiritual animals will use leaves to cover their shame, judge the situation, and shyly cover it with their hands after handing over the leaves, right? 2. I mentioned it briefly when I released the Orion, but then I saw the villagers running away at night and seemed to have thought of it. If I had thought about it when I released it, then write it down. After a few sentences, I didn't think or do anything. When the Orion saw it, he was scared and ran away, looking indifferent, but later the protagonist seemed to have expected the serious development of the situation? The protagonist didn't expect it, and I can accept it; I thought about it, but I still thought it was a human being, so I let it go, and I can accept it; I thought about it, weighed the pros and cons, and finally let it go, and I can accept it; I thought about it and thought about killing it ruthlessly, and I can accept it; I thought about a part of it that I didn't expect to be so serious, and I can accept it. In the end, I thought about it all, but I neither thought nor acted at the time. What the hell is this? 3. And he didn't speak or explain even though his bones were broken. He had clearly foreseen the possible conflict, but did nothing at all. He didn't take any action or try to avoid it. If there is no good way, at least it should show that the protagonist is thinking and having concerns, right? 4. The person below at the Hanging Sword Gate was just foggy when the protagonist arrived, so he held his sword on guard, and then slashed back when there was a strong wind. As a result, the protagonist passed by a whip tail and his nose bone was exposed. Although he accepted the reward for exterminating the demon, he should not know about it from the perspective of the protagonist. If he only accepted the mission to investigate, wouldn't it be an unreasonable enmity? There is no psychological description or hint of the protagonist being full of malice towards human beings at that time, and the protagonist is not an extremely domineering character. This arrangement is unnecessary and a bit too silly, right? 5. When Orion was released earlier, he could write out all the reasons why people should not kill people easily. But if he didn't write down any of them, he wouldn't care. When the ones from the Hanging Sword Gate appeared, they would say that people have turbid qi and cannot be eaten. It's hard not to suspect that it was made up. 6. So far, the entire article has not written any psychological description of the protagonist with a logical plan. At most, there is only the protagonist's psychological reaction/abbreviation due to what is happening now. If you wear it, then wear it; if you wear it as a snake spirit, then practice; if the Yin Qi erodes, then find a way to escape; after leaving the mountain, continue practicing. So far, there is neither a plot in which the protagonist plans the future nor a psychological description of his own position (how to deal with whether he is a human or a monster). There is no description of whether the protagonist is confused or not. This part is seriously missing