A Wizard's Guide to Farming

I wrote more and more, and it turned out to be a long essay 😥 1. The writing of the female character was outrageous. It can be seen that this character is written very vividly, and the character's growth is written out. But the problem is that the background is a Western fantasy. It is understandable that the girl wants to climb up. But in the background of Western lords and aristocrats, which ordinary village girl dares to come to the aristocrats and recommend herself as a pillow? This is the first point that is very unreasonable. The second point is that I believe that I will definitely become a hostess. But with her status, even if she could succeed, she still couldn't be a hostess! She doesn't understand the gap between social classes. Doesn't her father, the village chief, understand it too? As a result, the village chief's father actually expressed his support and believed that there was plenty of room for maneuver! It feels very OOC and the characters are outrageous. 2. The protagonist is too kind. It's normal for knights and soldiers to be paid, and it's understandable to form a militia to pay salaries, but I don't understand how serfs are also paid. Secondly, as soon as the girl came to the protagonist, the protagonist immediately asked her to be a maid, and the salary was three times that of a young man, which was unexpected. It was said earlier that it was not advisable to take a maid to enjoy the business in order to play a good leading role, but later he very decisively accepted the maid, which was a bit contradictory. The protagonist also took the initiative to pass fruits to the maid and invited him to drink. He was gentle and considerate in every detail. He did not look like a maid but looked like a little ancestor. Finally, I understand that the protagonist, a time-traveler who is a flower grower, has no class consciousness and values ​​equality among individuals, but his subordinates pay attention to having sticks and jujubes, and giving both kindness and power. In the protagonist, he only sees plenty of jujubes but no sticks. What's more, what kind of social background is this? It does not require breaking the bottom line of ideas, but it is also important to do as the Romans do. The protagonist is too nice to everyone and is unreasonable. 3. Funding issues. I can understand the embarrassment of insufficient funds, but if the protagonist has a mouth, wouldn't he borrow it from his duke father? His father only has two sons, so he wouldn't give so little help at all costs. 4. The team led by the protagonist is basically like a tool, stiff, and has little interaction with the protagonist. The protagonist goes out to start a business, and the team is very important. You can't see the team building part, you can only see the description of changing various weapons and paying various salaries, like a running account.

Write less about that woman, write more about other daily life of farming development, be indifferent to strangers, don't be nice to everyone you meet, do it well, don't meet a useless stranger, and use that appearance, write more about the development and expansion of the territory, with wizards as the main focus, farming as a supplement, these two basic points are a bit nice to write down. Don't you want to develop with the background of magic recovery? You can develop this family into a wizard family.

If you don't mind the protagonist, the Virgin, being a dog licker, and grinding, then you will definitely like this novel. In addition, the decisiveness of the labeling is completely deceptive. The most unqualified diaosi protagonist in the wizard genre with golden fingers.

To be honest, I can actually tolerate Lily, because although the character is not likable, there are indeed such people in reality. After all, the author does write quite well in other aspects. It is not easy to find a good novel nowadays... But in the next few chapters, when building a house, I feel a little unbearable. There is a lot of reality in the construction territory that has been foreshadowed. The difficulties that will be encountered, in a cold mountainous area with no money and resources, it is indeed difficult to imagine how big the project is. I realized that the protagonist would definitely cheat, but I didn't expect that in just a few paragraphs, the protagonist would break up the mountains and loosen the soil, and turn bricks into springs. Isn't this inappropriate for the Son of God in the Middle Ages? Putting a patch on it is equivalent to signing a contract with the earth? I think it would be better for you to slow down a bit. This is reality after all, not a game. You can extend the time to describe the development. This is too open-ended. In an era where extraordinary things are not obvious, everyone is a knight and you suddenly become a magician? I vaguely mentioned in the previous article that the church may have magical power, but your father, a duke, has never seen anyone or anything with magical power around him Okay, I will just treat it as the protagonist is awesome, and then the big ones come later, the captives have one room, one living room and one bathroom, the serfs have two rooms, one living room and one bathroom, and the coffin room is free , not considering whether it is suitable for the current economy and humanistic culture, I just say that I don't want the castle to be in a mess I think urban planning is very necessary and it is indeed necessary to set standards in advance. For example, you can stipulate that houses must be square and square and cannot be built randomly, but can we slowly improve it and not get something for nothing? How about concentrating on big things first? Can we first set up the basic functional infrastructure framework and build the defense facilities on the road up the mountain? The protagonist assumes that the barbarians will come to plunder a few months later? Is it necessary to give you time to develop and build three bedrooms and one living room here? Can you look at a real territorial development problem from a development perspective? Wouldn't it be better to build a small house first and then slowly expand it to three bedrooms and one living room? Serfs have more motivation to struggle and can easily establish a reward and punishment mechanism. Are you sure that you will stay in Pingdingshan forever? Your future capital? Why, are you embarrassed to be surrounded by small houses? As long as they are regular, even if they are uneven, they are very distinctive. It is much more distinctive than your coffin house. The coffin house is the choice when there is overproduction and dense population. You are in the Western Middle Ages, and you just put people in cold concrete pigeon cages. It's great. It's not that we are bad people, we just want the protagonist to be a bad guy, but I think your behavior must be logical and consistent with basic human nature. Under modern education, it is good to respect others and have a bottom line. But in the early days of starting a business, everyone is given a big house in one step, and food, housing and wages are included. In my understanding, they are no longer human beings. They should be living Bodhisattvas who need to be worshiped at home. This is really too idealistic, just like time travel without having any contact with society

I have a question for the author. The protagonist is the second son of a duke, and his mother is the daughter of another duke. When he goes out to fight the pioneering war, his father does not arrange for manpower, so is it reasonable to give him 20 gold coins?

This little fairy is included in every chapter. There is no main plot explanation. You just keep writing about her doing things. It's really just to annoy readers. Sooner or later, this book will hit the market because of this supporting character.

After reading Chapter 17, I don't understand that the author wants to describe a village beauty maid in a colorful way. Moreover, their family is too preoccupied with many thoughts and is not lovable at all. They don't understand the etiquette of being a maid for the second son of a duke, so I just call the protagonist "Oh," what I want to read is the medieval demonized world you wrote, not the way for the little fairy to grow up in another world.

The second son of a dignified boss, the protagonist with cheating skills, doting on a "little fairy" from the countryside, I almost thought I was watching an ancient domineering president.

I have never used the word disgusting to describe the characters described by an author. Anyone who has read it should know who I am talking about. It is so disgusting that I want to curse people after reading it.

One lord even personally fed honey water to a little maid he had known for a month on the street. . I even suspected that this book was a vulgar romance novel written by a high school girl. . .