Ex-Wife Villain

I have read two books by the author, one by Li Nanke and one by this one. Let's talk about it first: The author's advantages are obvious. The case is well written. 1. The detective and suspense plots are very detailed, the logic is good, and there are plots. The detective plot is very comfortable to watch (the crazy ambush plot is disgusting. I will explain why later). 2. The love story between men and women is very sweet, and the writing is relatively slow. It has a sense of daily life and is very comfortable to read. I can't say what's next: In fact, I just write pure cool articles, but the author seems to feel that he is not just writing cool articles, so this kind of conflict makes readers feel very awkward and uncomfortable; 1. The protagonist must have an invincible cheat by his side. But I just don't let the protagonist and readers know what it is, and then go crazy and crazy with foreshadowing and foreshadowing (you can know the main plot after reading dozens of chapters, but it's just a foreshadowing. Do you think it's annoying or not)? It is obviously a cool article, but it disgusts the readers like this (magical writing method) 2. Tell me why it is a cool article: 1. It is an absolute harem cool article. It indicates which women are in the harem and there are many of them. 2. These female protagonists are all top-ranked masters in the world regardless of their age, but almost all the training content in the whole text is mentioned in one sentence. Unfortunately, the protagonist is a super weak chicken starting from 0 at the beginning. 3. The heroine is exaggerated in the article, but the inner character cannot be written clearly. Her cultivation and personality are very strong and special when she appears for the first time, but only for the first time. The rest are just to demolish the first time. There may also be inconsistent conflicts. The inner nature of the female character cannot be sustained at all. The writing is not deep, but there are many female characters. 4. The fact that the heroine falls in love with the protagonist is obviously not written anything. The heroine starts to add her own drama, and then the heroine falls in love with the hero to death. . . 5. The protagonist himself is actually an empty shell. He has never thought about what he wants to do or what he wants. There is no main line, but the protagonist is just a puppet being pushed along according to the main line. Except for thinking about the main line case, his brain is empty. I personally suggest that the author distinguishes his own strengths and understands that what he is writing is a cool article. I believe there will be great progress

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​: Cut out the harem plot and all that's left is the outline. In this huge world, I just run around a few places. If I want a new scene, I pop up a secret door formation. When I go in, I find that the female protagonist who has been missing for several chapters happens to be here; the male protagonist has no clues at all and only knows to follow the prompts; he is obviously looking for someone, and the time is tight and the task is heavy, but he has to spend a few days waiting for the little Luoluo to come to seek revenge so that he can pretend to be a slap in the face, no Yes, do you think this is the right time? In the later period, the image of the male protagonist is getting more and more devalued, and he has no responsibility or responsibility. At some point, he only wants to spend time in gentle countryside. With this condition, he does not want to bring peace to the world, but only wants to please the harem. The villains are all in the same mold. When a girl sees a girl, he will be small and dominate the big head, while the female will be jealous and full of ugliness. Let's talk about Ran, her image plummeted after the wedding. I think that the male protagonist is like that in Ran's mind. He kills the male protagonist with his own hands and acts like a normal person. He doesn't think about saving the male protagonist or helping to defend against the enemy. If other people didn't come to help the male protagonist, he would be dead. If Ran had mostly good intentions, she should try her best to save the male protagonist; if she had mostly evil intentions, she would drag the whole world with her. Ran somehow escaped before the male protagonist was resurrected, and then took the red demon heart and evolved directly. She didn't feel any guilt at all, and her death with the male protagonist was in vain. After I recovered, I asked if it hurt. You only want to be big, and you will kill others if you are suppressed by others. How can you have the airs to ask the male protagonist for conditions? The male protagonist is also abstract, and there is a 30% chance that he will survive, right? Are you worthy of your sister Ye? Are you worthy of Hong'er? Did Ran put some kind of poison on you to make you become her dog? She was killed without any complaints, and she still said with a shy face that she was not worthy of her. I have never seen such a bitch, you are not as good as Lu Renjia. Then there is Jiang Yi, what kind of naughty character does she have? She keeps saying that a hedgehog pricks someone and then sheds tears. This is a description of the phenomenon, not an explanation of the cause. Where does this naughty character come from? Why are the people watching so unhappy? The wealth behind her is so rich that it can rival the country. No, how can a Silver Moon Tower come with so many things? I think Jiang Yi's strength was just like that before Shuang Cultivation. I thought this amount of wealth was obtained by squeezing the common people. You don't even know how to search the government. Sword Demon, how well-shaped he is in the front, but a pure tool in the back. There is no psychological description of knowing that his daughter is a pregnant woman. The male protagonist and his daughter appear out of nowhere during the final battle. Li Guanshi, the dual cultivator who has been preparing for so long, just took him through it day after day? Meng Niang disappeared inexplicably midway, and came back inexplicably a long time later. I don't know what she was doing in the middle, and I don't know what she was doing in seclusion or why she was in seclusion; Nightingale, she hid her identity for so long, but in the end everyone knew it, and she hid it in vain; Uncle Xia He Qiu Ye Li, who is this? I don't know, where did it come from? In summary, it was all about foreshadowing, but in the end, the outline was that the characters were in a mess, not as good as Lao Lu chasing Qing Niang.

Starting from the middle, the plot is extremely confusing, with no clues. The author may have an outline, but the further the readers read, the more confusing the plot becomes. The turning plot that should be described carefully is not explained in detail. In the later stages, the plot is fragmented, giving the reader the feeling that the author is a little confused. There are obviously a lot of typos, and the character names are confusing. The plot written in the later period is completely out of mind. Don't try to argue with the readers, just fool around and follow the outline. The more you read, the more you feel that the writers are not the same person. Some parts are so low-level that they look like they were generated by AI Let's go back to this female character. There is no need to write so much. What's particularly taboo is to intersperse the plot of the female character. The lack of writing skills makes many characters not three-dimensional. I just can't understand the initial cost. The older plot describes four maids. They disappeared without even mentioning in the later plot. After a dozen or twenty pictures, they were suddenly brought up to talk about the situation. If it is not important, they can be replaced with the heroine's role in the early stage. The four maids are mentioned in one stroke. You write one of them as the heroine, and suddenly there is no plot later. This is why you are said to be delirious, and what you said yourself is because of your second marriage. You have a plot and want to write an imperfect plot like Zhou Zhiruo and Zhang Wuji, but have you ever thought about a problem? From a rational point of view, there is no problem with the way the male protagonist and the female protagonist deal with each other for the first time, and the female protagonist's character image is also well established. Although the writing is not strong enough to forcefully establish the heroine's character of being decisive and belatedly aware of what she likes, but after the first marriage to the second marriage, The plots are relatively complete and can be watched. Why is there such a forced misunderstanding in the second marriage? It can be seen that you have laid some things before. However, in the second marriage, it can be said that it is because of your insufficient level that the writing collapsed. Strictly speaking, the protagonist does not have a complete position in your writing, and does not belong to the imperial court or the demon force. Why? It makes no sense that the ex-girlfriend was exposed during the marriage and caused the current girlfriend to run away halfway through the marriage, or that the ex-girlfriend showed up and caused the current girlfriend to turn evil. You foreshadowed the fact that the two heroines are sisters, but you made some cognitive errors because you didn't know the identity of the male protagonist. Moreover, you also foreshadowed the emotional experience of how the male protagonist slowly got married to the second female protagonist. These two foreshadowings are doomed to get married for the second time. It is impossible to go towards the tragic ending you hope for. The tragedy of Zhang Wuji and Zhou Zhiruo is caused by the inconsistency in the outlook on life and values, which is the so-called public and private, or the ego and the big self. The male and female protagonists in your works all have small egos and no big egos. How could such a big mess happen just because of a misunderstanding? This is why the plot was completely rotten after your second marriage. You can't do it for the sake of revenge. To get rid of conflicts, you can't write tragedies just because you want to write tragedies Speaking of the small self and the big self, another heroine Li Guanshi is introduced. This person has repeatedly exaggerated in front of you and said that the great monks regard human life as trivial. In order to forcefully give it to the male protagonist, he must practice dual cultivation in order to ascend. Later in the plot, it becomes sacrificing oneself in order to clear the way for the later monks. Don't you think the personality is somewhat split? This is not normal at all.

What you like to see is that the background of the character is clearly understood as soon as it appears, without any detours, everything is explained clearly, and the result of the next step can be guessed. The author's current style seems a bit abrupt to me. It's good to have suspense and reversal of suspicion when writing a case, but it's a bit confusing when you get into the relationship between the characters. Some characters suddenly come out to do very weird things (Ye Hongchan, Qu Hongling and the male protagonist live together. Qu Hongling is now Ye Hongchan's ex? I don't understand. Ye Hongchan has been following the protagonist all the time, and she gave the marriage certificate and dyed Qingchen. Why?？？？？？？？，？……) ，， In fact, the author has clarified it clearly. The expression is hidden, and the holes are filled in many but not obvious. It is not on the shelves now and the number of words is so small that you don't know what you read after reading it? You have to read dozens of pictures and hundreds of chapters together to know that the characters behave normally with each other. It is really a slow-heating type. What makes me feel bad is that sometimes I can't tell what is written in a chapter. Well, that's all I have to say. If you want to read it, read it slowly. The author still has some skills. Just be more inclusive and don't scold and complain as soon as it comes up. This is wrong and that is wrong. We should give correct guidance and give some good comments. Writing a book is very tiring, and it cannot meet everyone's requirements, but it is not easy to satisfy everyone as much as possible. Come on!

I feel like the emotional drama is going to be over this time, and the relationship between the male and female protagonists is forced to develop, and the water plot is coming...

According to my humble opinion, the character and mentality of those in high positions and positions of power should be greater than humor and fun, otherwise the authenticity and sense of substitution will be lost, which will affect the reader's feelings about the entire plot.

The author, who I know from my wife, also added some chapters this time to express support, but the wedding chapter really can't support it anymore. Not only is it not as exciting as everyone likes to see it, it is even a little panicked (Zhang Wuji's behavior is also quite controversial). Alas, I've already typed a message. I wanted to say a lot, but I thought it was nothing. I'll support Douya for the next book (ps: I really liked the lady's free update)

Almost all the old fans who watch Douyao come here for the harem.

I'll give you two monthly passes to speed up updates.

The characters in this book are too childish, and both the dialogue and behavior lack the stability and dignity of an adult. The villains in the article are also extremely stereotyped, and the villains are all lustful, which makes people speechless. As villains, they can have clown characters and brainless designs, but they cannot talk about men and women (this is not only true for villains, but also for decent and lack of stance) Almost all of them are about having weekends all day long, love, desire), whether the villain can do something big, whether he can be successful, and opposing the male protagonist all day long, but the key point is that many times the conflicts arise inexplicably, and they are basically related to the women around the male protagonist. Regarding the female protagonists, as mentioned before, the characterization is very childish. Let me first talk about how the female protagonists fell in love with the male protagonists. It was really unexpected. Basically, except for a few big female protagonists, the younger female protagonists only fell in love with each other in one or two chapters. I really doubt that some female protagonists just like the male protagonist's appearance. After a simple contact, if something unexpected happens, such as physical contact or doing something like that, the relationship will come naturally. , The young female protagonist fell in love directly, but the male protagonist still had to hold on for a while, "Ah, I am a gentleman. We have known each other for too short a time, and our relationship needs to settle. Of course, if you really insist on me, I am not unable to accept it, but you must consider that I have many women, and you must be mentally prepared, but you are definitely very important in my heart." This process creates an image of a deeply affectionate (playful hypocrite). Although some heroines can only be regarded as supporting roles, the formation of a relationship is really not that simple. If you think there are too many female protagonists and the emotional scenes are too long, there is really no need to write so many female protagonists. No one is forcing you to write. If you want to write, write it seriously. Let's talk about the eldest heroine. The eldest heroine is nothing more than dye, red, and calendar, because most of them haven't written about the romance. Although the relationship process is more complicated than that of the little heroine, it is really embarrassing. I didn't see the Shura field that I really wanted to see. What I saw was a few elementary school students fighting over who is more powerful and who is older. Then there is the drama of tearing clothes and pieces of cloth. The character's language style is very like that of a primary school student. While watching the movie, I felt that the writing of the heroine Ran was very awkward. Sometimes I wanted to portray her as aloof, sometimes she was portrayed as tsundere, and sometimes she clearly didn't pay attention to feelings, and she often went crazy and cared about the male protagonist everywhere. As for Hong, I originally thought that as the leader of the demon world, Hong, not to mention being domineering and heroic, must have some authority so that he can lead his men to do big things. But after looking at it later, I found that she is just a simple little girl, and I don't know how she became the leader of the demon clan. All day long, I was thinking about brother Xiao Jiang, and then I was entangled with Ran, either competing or worshiping. There was no sense of strategizing like a sect leader. As the male protagonist's boss, Li is the author's classic XP. He has had a good impression of the male protagonist since he appeared, caring for and protecting him everywhere. But where does this good feeling come from? I don't understand. The male protagonist traveled through time and only lived with Ye Hehong and Nightingale for a while. Time, not long after that, I joined Six Door Dark Light. I can't remember how long I joined. I just remember that it wasn't long. That Li's good impression came out of nowhere. I seriously doubt that Li likes the male protagonist purely because the male protagonist is handsome, otherwise there is no reason. I won't talk about some of the female protagonists who will be given away for free in the future. The implication is very obvious that the male protagonist basically did nothing, and the female protagonists rushed PUA to deliver it themselves.                                             The world view of the plot at the beginning of this book really surprised me. I thought it was a magnificent production. However, from the perspective of each character, I felt that the previous judgment was a bit arbitrary. After all, I have subscribed so much and spent money, but I still hope to read good-quality novels, especially now that there are few novels of this type, so I'll just make do with it.

The rhythm of this book is very strange. Apart from other things, if you like this kind of daily life and detectives, and downplay the level, there is no need for so many plots of bitterness and hatred. In the beginning, the Supreme Bone is taken away, and the wife is killed, etc. The style of the game doesn't match at all. If it weren't for those messy things, the male protagonist would actually be quite happy. It feels like there's something stuck in his throat, and every chapter feels like he's getting deflated.

I don't know why the whole plot is suppressing the male protagonist, and any male supporting character will covet a certain female protagonist, but the male protagonist is not strong enough. Although there is no obvious poisonous point, it just feels like a stalemate and useless, and it doesn't have the feeling of a refreshing novel. Especially the first volume, I almost couldn't watch it anymore. Since everyone is reading a story with multiple female protagonists, they must be watching the emotional drama between the male and female protagonists. Every time the writing is sadistic, why not write it sweeter?

The look and feel is getting more and more confusing, there are more and more pitfalls, and the protagonist's personality is too different from the previous one, which was more calm, and now it's getting weirder and weirder (too much contrast? It feels a bit like a gangster?). I really don't know how to like the character Miaomiao, maybe It's my own viewing problem. The relationship between Hong and Ran's good sisters actually depends on his previous work (Li Nanke and the Princess). I really didn't expect it. At present, the best one is the 4 sisters. I plan to keep it for a while 🙂 Of course, I will still subscribe.

Come on, author, book friends all say that the author is very handsome, and I think so too. 😁

The plot has really fallen apart recently🙀 The wedding scene felt a bit disgusting. As a sect leader, Hong doesn't even try to disguise himself when he comes to the enemy's base camp (the capital)? Being recognized so easily... Then Xiao Jiang was also a mystery. He didn't explain anything to Ran and ran away with another woman on the wedding day? As the protagonist, wouldn't it be a bit disgusting for readers to do this? Leaving a mess is really uncomfortable. The wedding plot that I originally expected was like this: after the three people recognized each other, the Shura field started, and Hong was not recognized. Then the main plot was slowed down first, and a small daily life of the three people in the Shura field was written. Let Xiao Jiang find a way to solve the Shura field or delay the Shura field. At least explain it, and then encounter an opportunity to continue the plot. Of course, all this happened in the context of Wu Hong's identity being discovered 😅

I originally wanted to finish reading before posting, but I couldn't bear it and I really have to complain here. First of all, the setting of the male protagonist, Golden Finger is close to him, and there is the best sword in the world. The sword demon teaches him martial arts, but can you think that he is a waste? The author sets him up as having very poor martial arts qualifications, and his martial arts skills can be said to be average, but at the same time, he is given a golden finger, and why is he asked to be taught by such a bad master? Tell me, I've read more than 200 chapters and I still can't understand them. Why do you write them like this? I originally thought that the male protagonist was holding a sword and preparing to fight to become the best in the world step by step. His grandma's legs were out of the capital, but he was still a small dark light with no reputation in the world and no status. He was also a small dark light in the officialdom. His own martial arts was rubbish. He was useless against the five scum even with a golden finger at his side. What are you going to do with this setting? Setting up the male protagonist's combat power is based on using his brain, but as a result, he can't compete with other scholars with his words, kill people with his mouth, and play tricks that are unparalleled in the world. The force is not good, the brain is not good, and then you shout every day to avenge Sister Ye, your grandma is stupid, the best sword demon in the world teaches you martial arts and has a golden finger, you don't work hard to improve your force, just kill the whole world to avenge you Sister Ye, there are so many foreshadowings to bury you all day long, there are more than 200 pictures, the male protagonist really has no personality charm at all, like an empty shell, now I feel that he is worthy of the male protagonist? What abilities and qualifications, status, status, military power, financial power and brain power does he have to make so many women worthy of him? Do the two words go together? The portrayal of the male protagonist is really a piece of shit. I actually saw more than 200 pictures and I just had to read it. The male protagonist gave me the feeling that he was just playing with his brain. His brain is not very strong, and his strength in fighting is average. I really don't think it's enough to portray the female protagonist in a harem. After watching it for a long time, I think this male protagonist is fine even if he is dead. He has no social status, no identity, no financial power, no strength at all. Why does he accept so many women? Is he worthy? I just asked. The author should first portray the male protagonist, and then the female protagonist. The two words that make me read this book are frustrating.

This is really the most disgusting book I have ever read. I have read over one million words. Let me tell you how you feel. I just want to ask why do these women like the male protagonist? Inexplicably, only one person can judge the case? Forget it, there's still a lot I don't want to say. Anyway, it's just one sentence. Are you worthy? ? ?

Sorry, when this article collapsed, the whole mask exploded in the extra episode. It was really bad😅😅😅

I have only read more than 30 pictures, and I ordered a few later just to post a review. This kind of book monster has to be popular. The character you created for your current wife is really rubbish. A few of them were really well written. I felt like I had discovered a niche treasure at the time, but later I felt worse 😭😭😭😭😭😭😭

I really couldn't stand the two chapters after seeing the wedding. If you don't know how to write a twist, don't write it. If you can't play with too many female protagonists, just reduce the number of them. All of them have to add drama, reverse, and give us the feeling that this author is really awesome. The result is that the writing collapses visible to the naked eye. Also, I've already written it, and I've been fed this shit, so why don't I insist on writing it down quickly, and then say that I can change it to dry chicken feathers? Don't you know it will get worse with more changes? Abandoned.

So awkward, so white, so watery, so forceful... Goodbye👋, Run quickly, Dashui B

Why don't you stop writing books and go into a factory 🙂 Every book is more disgusting than the last. The ideas are quite good. Maybe it's the author's own outlook on life. The characterization is too disgusting. I have read more than a hundred chapters of this book, but I still can't get rid of it. If you don't have the writing power, don't cover so much, author Chunzhu

I really can't bear to see the second marriage, so I'm going to criticize you. Author, if you don't have the ability, write a few less female protagonists. You rake a lot here and there with a broom and you can't write a single one. If you can't push the emotional line, you forcefully create conflicts. If you copy the plot of Zhang Wuji and Zhou Zhiruo's marriage, wouldn't you think that the first person who comes up with it is a genius, but the rest are idiots? He also euphemistically claimed that he liked Zhou Zhiruo. It was a pure excuse. If his writing skills were not good enough, he would improve them more. Even if it was not good enough, he would find a way to avoid it instead of blindly plagiarizing, which is just bad money. I really want to call the police and be scammed. This book is not worth spending money on, I hope it can serve as a reminder to those who want to read it later.

When I read your first book, I thought you were going to become a god, but each book turned out to be worse than the last.

I was speechless. After the wedding chapter, I sent a single chapter saying that it could be changed, but it still didn't change. I don't know what I mean when I say that I have to choose whether to change it in a big way or change it in a small way. Isn't the biggest problem with the wedding chapter the plot conflict development is too brainless? It's purely to advance the plot, not to mention it has no fun points and Shura field. To be honest, no matter how unhappy it was in the beginning, I could bear it, just pretend that the author really doesn't know how to write. Theoretically, the fun part is nothing more than showing off to slap someone in the face, crushing them with explosive seeds, and defeating them through a battle of wits. It turns out that the author's pretentious routine was embarrassing more than ten years ago, and the explosive power was all played by the demon lord (from a more enjoyable point of view, I think the demon lord's possession is a failure, it is better to borrow strength), the battle of wits is even more numb, and the lonely battle in Qingzhou is really all about luck. The wedding scene was really unbearable. Hong ran to the capital and made a big fuss and was not easy to tolerate. He happened to be recognized. Even if he was recognized, he was shouted out. If he had any brains, he would sneak away and call people to encircle and suppress her. At first I recognized that Hong Sheo's rambunctious behavior was reasonable, but when I was recognized, I really didn't hold back. I immediately portrayed the so-called heroine Hong'er and the protagonist as completely pig-like. Not to mention the fact that the foreshadowing of such an important plot as marriage can be omitted. It's amazing to write a huge chapter about marriage, but in the end, marriage probably only took a few pages. I couldn't bear it.

I'm very curious about how this book came to be so good. While I was deleting details in a hurry to catch up with the plot and produce results, I also talked about how good I thought in a single chapter in hindsight. It was a purely realistic version of the brainless Qu Hongling.

Many of the things he writes are not only fast-paced but also have no foreshadowing. He just writes wherever he thinks, and he also likes to make things mysterious. His writing is not as good as he thought, so he might as well thank more for the emotional line 😅

Someone from the book club wants to know what's going on with Douya? That book is such a shame. If you can save it, you should save it, otherwise it would be a pity.

Sit down and give me an approval letter. Will the new book need to be revised or a new book will be published?

The protagonist is invincible in the illusion or secret realm Whether it is the protagonist at the beginning or the last protagonist who encounters the fantasy and secret realm, he will be dizzy and fainted and be played around The protagonist in the first part is okay, but in the second and third parts, he is just a plaything. Entering the fantasy realm is like losing his martial arts. It has a funny feeling like an immortal flying around but getting seasick.