Daimyo!

The more I watch, the more disappointed I become. On one hand, the protagonist basically plays no significant role and doesn't utilize his advantages effectively. He only achieves results by playing with the wind at his back, without taking any actions that could influence the course of the battle. On the other hand, his popularity within the Oda clan's sphere of influence is extremely low.

As usual, those who want a role should sign up themselves, but don't make it too outrageous, or you'll get nerfed. And the name should fit the Warring States period theme.

Why does the author keep getting stuck in this vicious cycle? Why must they submit to Oda, only daring to turn against him and contend for power after the Honnoji Incident? Why must they wait until Oda has grown strong enough to defeat him on equal footing? Why can't they just form alliances and directly subdue Oda? Oda's power was also built up step by step; didn't Asai defeat him before?

Corresponding to Chapter 1

It's always the same formula; why not change the protagonist to a female samurai and give it a try?

After reading nearly 70 chapters, to sum it up, it's barely readable. However, saying something that might offend the author would be contradictory. The author consistently portrays the protagonist as a coward who refuses to change history, claiming that this is more realistic, and that historical figures would never listen to the protagonist.

The author's writing on daily life and interpersonal struggles, especially on governance, is truly a terrible mess.

The updates these past few days have given this old bookworm a strange sense of familiarity. It's like foreshadowing the happy ending of some historical works, where the father is kind and the son is filial. The time traveler uses modern thinking to educate his son, so that the son can not blindly believe in authority. After the son learns this, the first person he gets to collect gold coins from is his father, who is gradually adapting to ancient society (old man, you are too old-fashioned).

The plot of this book is almost identical to the original historical course. Basically, whenever the protagonist wins a battle, the other members of the Oda clan collapse, forcibly pulling the story back onto the original historical track. What's the point of the protagonist's presence?

My first thought for Japanese period drama beauties is Yasuko Sawaguchi. "Your son, Gao Shi, will never marry the princess of the Hojo clan in this lifetime."