A Japanese Novelist Starts with Sadako

Very good, the copy should also be warm. You have so many classics in your hands, what do you want to express with these classics? What kind of social responsibility does it assume? Or just to make money? These are all different options.

A novice, one sentence is as plain as water, without any waves, just try your best.

It's not bad. I've read novels of the same type before, and they describe the storyline straightforwardly in large sections. In this novel, the storyline is compressed, and most of it is introduced by dialogue. However, I hope that I can omit a small part of the dialogue and write more about the daily life of the protagonist. Daily life is also part of the test of skills. It can be regarded as food and grass.

There is actually nothing special about the novel, it is just a copy of the book. But what attracted me was the part about causing trouble and exorcising demons🙂

On the one hand, the work affects reality. I have seen other book friends mention this. Judging from the current perception, the author does not intend to write a plot such as the recovery of spiritual energy. This leads to a kind of dislocation, that is, the work is out of control, and the protagonist is restricted by his own words. Writing supernatural novels leads to hauntings, and writing mystery novels leads to real murders. If you continue to write, if someone is really killed by a ghost, or is killed by someone using some secret room trick, should the protagonist take responsibility? The author may have also considered this problem. The solution is to advance the incident before the protagonist's work comes out. The previous incident of the innocent soul in the subway station had this tendency. Because there was not much ink, he barely managed to get past it. Now it is the astrology murder incident. Although the case happened decades ago, the protagonist's subconscious reaction is still that after telling this story, he will never touch mystery novels again—— Isn't this just a crime of guilt and self-inflicted crime? If you feel that reality is not affected by novels, why don't you continue writing mysteries? If you feel that as the protagonist of a magical time traveler, your every move can profoundly affect the world, then can death, violence, or any other negative content appear in your future works? Previously, the protagonist wrote about the despised Songzi. In reality, there really wouldn't be a Songzi who went through a miserable life and finally collapsed on the eve of dawn? The author replaced Matsuko with Akina Nakamori, but readers would not think that if you write about Sadako, curses turn out to be real ghosts, and astrology murders turn out to be perverted artists, then does Matsuko really not exist? So did she originally exist, or did she appear because of the protagonist's creation? Rationally speaking, her tragic fate is entirely caused by her character. Perceptually, can readers really separate Songzi's experience from the protagonist's works? If this continues, I won't be able to write about the protagonist, and I won't be able to write about that. In the end, I can only thank Zi Gong for his work on Hejiahuan. What's the point of that? Or there is another development, in which the protagonist abandons boring compassion and writes shocking tragedy, death, conspiracy, and terror, and finally makes reality completely plunge into darkness. If this is the case, although it does not suit my appetite, I will continue to wait and see for a while. Finally, my original intention of reading this book was to see the protagonist write a horror novel to scare readers, just like I used to like to read novels about making horror games. Other kinds of reasoning, fighting, healing, passion... There are literary novels that specialize in various categories, and all-round novels have been in the market for a long time. If the author really intends to give up supernatural horror, I can only wish the author to write better and better. We are destined to meet again in the world.

I saw the comments on the book's release. Author, it's not that you didn't turn to fantasy, which makes people feel anticlimactic. In fact, most of the people who can catch up here are entertainment readers, and no one wants you to turn it. Many people say that the reason why it starts but ends is because you have prepared enough atmosphere in front of you, just like holding up a loudspeaker and shouting "The big event is coming!", But when everyone gathers around, you just give up. You want to leave it blank, of course you can, but there are many ways to choose the worst one. It jumps directly to the end of the matter, and there is still a storm ahead, but it ends suddenly and abruptly. The incoherence of the connection gives people the illusion of almost not breathing. To give a simple example, if you want to leave it blank, you don't need to write about the protagonist during the exorcism. You can write about the supporting role outside the house. Write about his anxiety and nervousness before starting, his concentration after starting the ceremony, his admiration when he saw the protagonist enter the house without hesitation, his shock when he was hit by hailstones, and his shock and awe when he saw thunder and lightning striking the house. Then, transfer to the protagonist, the person involved in the incident, to express his thoughts after everything is over, explain the whole story, and lament the outrageous nature of the development of things. Wouldn't the plot be better and smoother this way? This is just a relatively simple and easy-to-use way of writing, there are many better ways. I don't understand why we have to do this before putting it on the shelves...

The topic of "exorcism" has been in the works for so long, and it's really an anticlimactic ending. Anyway, we are off topic. The hasty ending of this plot will make the people following the update look stupid.

Author, can't you even copy homework? You said yes, you said it was written based on the original version of Sadako, but the original version of Sadako was hermaphrodite, and many things were wrong. Have you checked it carefully?

Look at the title of your book, and then look at what you wrote? Wouldn't it be great to write horror novels and cause trouble in Tokyo? If you listen to inexplicable people writing things, how can you still be competitive?

True story of my own experience I graduated in 2019 and was working on projects in Hangzhou, but it was not civil engineering, but mechanical and electrical, so it was relatively clean? The project I went to at that time was in Xiaoshan, Hangzhou. In 2019, the project was still driving piles. At that time, a company in Building 11 was hit on the head by a drill pipe, but it survived and seemed to be in the ICU. At that time, I thought it was an operational error. After all, I had just graduated from college and was full of materialism. As a result, the next year, when the steel support of the foundation pit in Building 11 was removed, a worker had half his head knocked off by the steel support. He was stabbed on the spot. However, I was in a meeting at the time and was pulled away before I could see him. I didn't think much about it at that time, I just felt that I had to pay more attention to safety. As a result, in the third year, a worker installing an elevator fell down from the first floor and fell down. It was still Building 11. It was then that I felt something was wrong. I checked with my colleagues and found that they were all in Building 11, and it was mid-August. That was when I felt something was wrong. After discussing with the sand sculpture group friends, I found that it was the Ghost Festival at that time. In addition, the general contractor later invited a mage to perform the ritual. After that, I never dared to go to Building 11 again. As a result, the fourth year, that is, 22 years, passed without incident. I even told my colleagues that it might be a coincidence. As a result, I had a big problem last year. An old man in Building 11 drank at night and fell into a well with a wooden cover for no apparent reason. Then, a steel support from another unit's construction site on the north side of Building 11 killed an unlucky guy who was passing by riding a scooter. A piling worker died at the construction site on the south side. On the opposite side of Building 11, one of the projects we had already completed had a guy jump in and jump out in the middle of the night. Head on the ground, I saw it when I went there to take pictures in the morning. When Brother Jing came here, he told me that there is something good about your project. I feel like the time has not come yet this year. If it still happens, I will come back and tell you when the time comes.