The Villainous Empress's Favorite Retainer Can't Possibly Be Cao the Bandit

First and then the real test comes after the world view and so on are fully unfolded. Main line and branch line, emotion and astringency, female supporting character and male protagonist, enemy and male protagonist, confrontation and daily life, etc. Each of these parts has different weights in each chapter and the rhythm of the whole. If you grasp it, it will be fairy grass. If you grasp it in general, it will be food. If you fail to grasp it, you will understand everything. But no matter what, I recommend finishing it, because after finishing this book, the author will most likely have the potential to become a god. Before many great authors write a book about becoming a god, most of them will write a book that serves as a "step" or a "whetstone". I feel that the author put a lot of effort into the book, so this book has such qualities, the qualities of a "whetstone". If the writing becomes more and more clumsy later, just pretend that I didn't say it, because there is less thinking, and it can no longer be called a "whetstone". In the end, the plot is the core, and the astringency is just the icing on the cake. If you insist on writing "seriously", you will become a god in one to three books, especially after you develop your own style. The above comments are only my personal opinion. I am very sorry if it caused any discomfort. It was never intentional. Come on, author

I have read Chapter 30 so far, and I feel that the author has no awareness of lightning protection. I can't help but make a brief review. Please point out if something is wrong (I will continue to read it later, and I will post other findings below) 1. The protagonist has been the empress's companion since childhood. Every time the empress finishes practicing, the protagonist has to give him a massage (very intimate), so I always treat him as I was reading for the protagonist who was the only male companion, but then more than 30 former male companions of the empress popped up and I was dumbfounded. As for whether they had close contact with the empress like the protagonist, I don't know. The author didn't write it 2. When the protagonist was massaging the empress in the court, should the male ministers below be kicked out? I know they didn't dare to peek, but Is it because the dignity of the empress is gone? Moreover, the main character massaging the empress is breathless and lusty. In this case, these male ministers should be called out. If possible, I hope the author can pay attention to it 3. Actually this is okay, but to make up the number, it is the imperial concubine. It seems that there is a big boss hidden in the soul of the imperial concubine, so the former imperial concubine He said that he had never touched the Crown Princess, but after the protagonist and the Crown Princess were done, the Crown Prince came in and took the Crown Princess's hand and touched her. The Crown Princess was in a daze and did not resist. It was obvious that she had already said that she had never touched her before. There is really no need here. These are the three for now. If there are any mistakes, please point them out. If there are other findings, I will post them here later.

I don't know that since you are writing about a villain, you have to write about the characteristics of a villain. Whether it's hugging someone's thigh or being obscene, I just want to kill you, instead of always emphasizing about the protagonist's aura and immortality. Since you are afraid of this and that, then just stick your neck out so that the protagonist can chop it off.

The protagonist is restrained everywhere, especially the character Li Longguan. The author should make some adjustments and get him offline quickly. What everyone likes to see now is that the protagonist is always happy, instead of being defeated first and then fighting back like he was 10 years ago.

Let's evaluate the setting. It's like 😅😅😅. It's the same as rebirth in the past life. Although it's a game setting, the most outrageous thing is that even a woman can be captured. It's not just my imagination. I have traveled through the game world. I can't say that the previous ones are all fake. 😅😅. I deceived myself. Lu Maogui's rebirth and salvation?

This book is rubbish. It tricks you into killing you. It has only one female protagonist in 300 chapters. However, the title is very ambiguous. It just teases you and treats the readers as fools.

Just like your neighbor, there are two main points in this kind of writing, one is the cool operation, the other is the pleasure, you have nothing to do and you are still whining.

Thank you to book friend You Never Know for collecting the images of the heroine for this book. Thank you very much! Also, the heroines are appearing one after another, so you understand (cover your mouth and laugh)

Let me tell you my personal opinion. When I saw that the author said in the book review that he originally wanted to write about the protagonist being a pervert and training the heroines, but then he was worried about being punched and reported, so he deleted these plots. Then I suddenly understood why I read it dryly. Did you delete the most important thing about feelings? I can probably tell that the author is very ambitious and has great ideas in this book, but the problem is that the readers are not from the author's perspective. You may think that the three parallel lines of heroine, temple, and destiny's child are good, but from the reader's perspective, I feel that the protagonist wants everything now, but has done nothing. The nickname of the protagonist in the same book is like a clown. The plot is too slow due to the foreshadowing, and the constant quarrel with the heroines has reached the point where I don't want to watch it. Now I just open it occasionally and look at the chapter names to guess the plot progress. What should I say? 18 Heroines are too many, and you said you didn't want to write about bulldozers. You wrote about the harem. In the book, the only ones who express love are the empress and Hongxiu. But buddy, look at your book, which has more than 200 chapters. How many times have they had emotional interactions? Still the same question, there is actually only one princess in more than 200 chapters. How many chapters are you going to write with 18 heroines? Just by spanking constantly, the most important training is gone. There is neither the interaction of love nor the lingering of desire in the word "lust". Who wants to watch your spanking and tugging? I thought you and The Goddess's Nightmare were very good at first, but after the first heroine plot, the protagonist seemed to be doing everything, but seemed to be doing nothing, and I felt uncomfortable.

I felt that the plot was too slow and dull. It basically took one month to tell the story of the protagonist who got the tower and used the opportunity he got to cure the queen. The author started with too many perspectives. Gu, Qin, Yan, Li, and several other officials wrote a little bit each, and then moved to the next point of view as soon as the key point was reached. Finally, it reached the point where all the lines came together and should be the climax. As a result, the protagonist's performance was too bland. He did nothing, watched Li's performance, and was tricked by Guan Jiu to get the tower. The same goes for the rest of the story, with Gu, Queen, Li, Yan, Qin, Wei and Yu, there are too many perspectives and a lot of foreshadowing, and the last scene in the script does not have enough exciting points to explode. The protagonist is plotted again, and then becomes a blessing in disguise. The point is that the protagonist lacks subjective initiative. The protagonist should be able to do more. The protagonist has an imperial edict from the Queen, an intelligence agency from the Queen, and a third-level bodyguard. The intelligence agency should have investigated Li as soon as he discovered something was wrong. Is it difficult to investigate who Li went to the capital with? Moreover, the environment of the Queen can be said to be troubled internally and externally, including the vassal king who clearly wants to rebel, the eunuch who makes small moves, the imperial advisor with problems, the seven people who report to the group, and various foreign forces. As a result, what has the protagonist done on his own initiative so far? At the beginning, the feudal king was managed, but now nothing has been said for such a long time. A basic idea should be to discuss with the queen as soon as Li has a problem and use an imperial edict to send Li to deal with the rebelling feudal king. Firstly, he can find Li's problem and eliminate Li's interference, and secondly, he can solve a problem. Then recruit the seven people to deal with the eunuchs and the imperial preceptor. Normally, the power of the eunuch group comes from the emperor, but the protagonist should find a way to eliminate it immediately after discovering that the eunuch has a problem because it is the most direct threat to the queen, and the eunuch is best without the emperor's help. The eunuchs and the aristocratic families are naturally at odds with each other, and the aristocratic families are willing to deal with the eunuchs, and then investigate the sects of the same sect as the queen to see how much of a threat they are. If the threat is high, they can unite with the seven families to deal with it. If the threat is small, they can directly instigate internal fighting among the seven families. But the current progress is too slow, and all the protagonist is doing now is basically cleaning up the gang. The queen and the protagonist are in danger. The protagonist should have a sense of urgency and take the initiative to do things. However, the current conflicts are all caused by others plotting against the protagonist, and the protagonist just resolves them. Also, the relationship with the female characters develops too slowly. I don't know what the author's obsession with spanking is. Basically everyone's relationships stop at this point.