Mistress, Why Are You Blushing? I Am a Villain!

Travelers experience the immersive plot of the Sufferer???

The author has discussed the male protagonist's mentality issue, but I won't mention it for now. He frequently throws out settings to round out some plot points, which is too rigid. Take the plot of the male protagonist distributing weapons as an example. The male protagonist distributes weapons to gain favor and change his character. Not to mention whether a family that controls weapons on such a large scale needs so much favor and whether the existence of such a family is reasonable. What do I see? Where do I need weapons? The city of braves. Well why weapons? You gave this place a setting that was so poor that it was a slum, eh. Then I thought about why the country didn't care if the country was so powerful. This went against the elements you had to create a talkative emperor. Well, you gave me another emperor who either didn't want to be cured or had a curse that couldn't be cured. Me: ... I have read more than 20 chapters and there are many such situations. For example, in order to set off the noble character of the male protagonist, Timely Rain, a setting with a high casualty rate was given. Then I remembered that this is a city of braves and cannot be too low. The monsters here are too strong and too difficult. In fact, the average strength of the people here is much higher than in many other places. Have you ever wondered why there are so many strong men staying in the City of Braves, which is poor, dangerous and has to face the oppression of big families (in the past)? Is there another reason why they have to stay? Too many uninteresting settings are used to supplement the useless plot, giving people the feeling that they are not even close to catching up. The author needs to hone his skills. No matter how interesting the gimmicks are, no matter how noble the character is, no one will read it.

. . . .

In fact, it's quite good, but I feel that what the book friends said makes sense. Pig's Knuckle's attitude toward the heroine who was hurt by the original owner should be pity rather than guilt. After all, he is just a junior, and things are not his own doing.

Author, you don't even know what kind of people you are dealing with? No matter how long it takes to write, it will definitely still be the same

I don't understand. The heroine is no longer involved, and her career has not been done. You don't really just want to be a good person, do you?

The IQs of both the protagonist and the supporting characters are worrying.

Giving away girls and licking dogs are already suspected in the first few chapters. You have to understand what the audience likes to see. You have to slowly change and let the heroine lick you instead of licking you eagerly yourself. It makes me uncomfortable to see it.

The protagonist's feelings are inexplicable. He is so sad when he is rejected by the saint. The problem is that you don't have any deep feelings for the saint now. Why are you so sad when you are ignored?

The starting strategy, and the power training itself, this is simply a Tianhu start. If you don't abuse people as a dead woman, then there will basically be no problem. Did your predecessor offend someone? If the other person is important, just apologize. If the other person is not important, just ignore it. You are a Duke! ! ! It's not just a matter of walking down the street to make someone change their opinion of you. Can't you just take it easy and not cause trouble and bully men and women for half a year?

There are a lot of little bits and pieces, and the writing style is relatively young, so I'll just practice my writing.

I saw a lot of people asking why the protagonist should take the blame for his original body? When you wear a person's body, you remember the good things he does, enjoy the luxurious life of a noble, and just cut off the bad things he does, right? I have written it many times, he is Xiaodai and also Wright. But isn't the protagonist the Grand Duke, an invincible warrior? First, there is no magic power for the time being, and second, the power of the Duke is in Tia's hands. You are so invincible, kid. Also regarding Emily Wright's suicide because of one sentence, some people said that she would be like a useless licking dog. I'm sorry, this 17-year-old Wright is indeed a waste. Didn't I write clearly enough? If the little Loli wanted to kill Wright at that time, he didn't have to do it himself. She didn't awaken the Dragon Rider, but she already had part of the Dragon Rider's power. Didn't I write it clearly enough? Some people like to say that Grand Duke, the affairs of the original body are not my business, I am invincible, you can do whatever you want. I won't write this kind of thing. If you want to continue to support, please do it. I will also read your opinions. I posted this just because I saw a lot of people reacting to this problem, so let me say something. Thank you!

Too little, give me more to death

It's obviously very well written! Why isn't it popular?

In fact, I personally think there is nothing wrong with the male protagonist traveling through time to make up for the female protagonist, but being too accommodating makes the male protagonist's image too weak. Of course, this is understandable, after all, Japanese Asashi is also very popular. But the real flaw is that the male protagonist's way of dealing with setbacks is too childish. He doesn't think about making up for it, and just drinks to drown his sorrows after just one setback. To be honest, if you want to save Wei Ya's relationship, you should do something. However, it is difficult to judge that the male protagonist was made decadent and gave up on himself by his previous experience just because he took the first step. How should I put it, there is a pretense of being deep, I can only say that the image is a little flat, the story is too thin, I just want to write the vicissitudes of life or the image of affection (actually I can't tell), but I am still a little anxious in it.

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After thinking about it for a long time, I finally decided, so I'm going to talk about this issue. First of all, the heroine is only the heroine in the set game, not the heroine of the book. In other words, anyone can be the heroine. Secondly, there is the stereotype, why is it that if there are too many female characters, if they don't have any relationship with the male protagonist, they will definitely end up in a harem? Can't be friends? If you have the ability, you can completely abandon the relationship between men and women and depict the friendship or family relationship. This point of view can be viewed without looking at my book. After all, I do have too many relationships with the male protagonist. If there are only three or four, it would be okay. And I am now ready to write about the harem, but I still want to refute this point of view. Finally, some people still talk about dog licking. I can only say that benevolent people have different opinions and wisdom. Maybe everyone's dog licking is different. I can't figure it out and can't explain it clearly. I don't want to reply to this question again. I will delete it (The author has only been in a relationship. Love, I have never been a licker, but I had someone I liked when I was in school, and then I confessed my love to someone and was rejected, so I would often emo, but I really never licked anyone, don't over-interpret it, thank you) Some book friends also said it well, you should not feel guilty but pity for the heroine. Maybe it's both, whether it's guilt or pity. If the protagonist wants to be a good person, he inevitably exudes kindness. In the eyes of most people, he will look like a licking dog, just because he is right for the heroine. That's it for now, I'll post it later if I have anything to say, eh

When I first read the introduction, I thought it was a nationwide large-scale physical therapy, cold... Then I took a closer look, and it turned out to be a nationwide large-scale physical therapy, adventure.

Nowadays, most men are mentally and physically tired. They read novels to get spiritual comfort. In reality, we can't control it, but in novels, we can achieve it.

There is too much space on women, please re-open it.

The writing is passable, but there are some problems with the plot. After reading the whole story, I found a duke. The style given by the author is indeed there, but the power is not reflected at all. From the beginning to the end, when the male protagonist was wandering around, I did not find a powerful guard.

The update of this book is unstable. Please send it to:

The plot of this book has probably been published elsewhere before. Why are the contents so similar

It's been almost two months, and I've only updated seven chapters. I don't even want to complain.

There's something wrong with this guide, I've never read a book about a villain, so I'm speechless trying to push it

After reading fifty chapters, I can still read it, but if the author continues to waver, I can only say goodbye? This thing has to be set when you open the book, and it has to move when you place it here and there.