
The Mastermind: I Rewrote This World
幕后黑手:我重编写了这个世界
- Status
- Completed
- Length
- 1.0M Words
- Genre
- Urban
- Subgenre
- Superpowers
- Updated
- 2y ago
- English
- Request a translation
Synopsis
Stats
375Chapters
6.7kRecommendations
65.8kFans
More by this author
In booklists 2
Readers also read
Hong Kong, 1978: A Tycoon Who Started by Growing Vegetables
Chinese Showbiz: Starting by Bonding with a Contract Beast
Conquering America by Opening an Apocalypse Shelter
Blazing Red, 1975: My Wife Wants Me to Take on a Whole Row of Them
In the Americas, From Security Guard to Call of Duty
EN
The Main God's Infinite Dimensions
Tokyo: I Use My Avatars to Invent Myths
A Literary Master in Ancient Greece
League of Legends: Being an Honest Support Is Boring, Isn't It?
I Play the Gods in America
I Do Whatever I Want While Creating a Spiritual Qi Revival
I Created a Civilization in the Sea of the Subconscious
Reader comments 31
Google Translate













Having watched behind-the-scenes stories for several years, I have a suggestion: the segments in each of your stories feel too disjointed. The first ten chapters tell one story, then immediately jump to another, and that story is rarely mentioned again later. It's like each story is a short film, relying solely on one or two characters to connect them—the disjointedness is too strong.
I feel the synopsis is too discouraging. The supporting characters in the synopsis feel too disconnected from readers who haven't read the book, which could easily discourage some people. I suggest revising it. (Don't participate in the argument; whatever you say is right.)
Honestly, the author's three golden chapters were poorly written. The protagonist's character was completely underdeveloped. He was hypocritical, then later he was shown caring about human lives, but he didn't ask for the protagonist's consent before bringing him in. If the author wants to make money, he should remember that this is a novel, not a real person.
The plot starts to decline from Nightmare on Elm Street, and it gets even worse in the Japanese section. I've found that the author is better suited to writing local supernatural tales. Other parts feel rather jarring.
It's too much of a hodgepodge. I saw someone say it's like an episodic drama, which I think is okay, but to me it feels more like a big mixed bag, with everything thrown in: mythology, folk supernatural elements, fairy tales, history, anime, games... Of course, some people won't like some of the elements. It's like finding a vegetable I don't like in a soup that I thought tasted pretty good; then the whole pot just tastes disgusting.
I have to complain about the book title. Either "I rewrote it" or "I revised it" would be fine, but "I rewrote it"? What the heck is that? It doesn't make sense!
This department only has three people? Two of them were specially recruited! Are you kidding me?
After reading for so long, I would like to give my opinion: it is clearly the best behind-the-scenes story on Qidian. Although it has more achievements and more readers than the author in most other aspects, it is indeed the best written. Aside from the lack of progress in connecting various dungeons, there has been no improvement whatsoever.
I wonder if anyone likes this kind of saintly protagonist.
This kind of "resurrection" usually doesn't last long. Once everyone's gone and the train of thought is broken, the author usually finds it difficult to continue writing, and it's estimated that it will be abandoned a second time soon. 😰