Period: The Good Life

Everyone says Qin Huairu is wicked, but don't forget that Qin Huairu was extremely kind and righteous to Jia Dongxu's family. She did everything she could, regardless of her own reputation, to take care of the elderly and raise the young. In today's society, you are truly blessed to have married a wife like this!

Seeing the idea of ​​sleeping with other people's wives is enough to make me give up. If you transmigrated with a cheat system and your crotch is itching to get married, why would you need to sneak around sleeping with other women? What's wrong? Afraid of not finding a wife?

I've read fifty chapters, and it's all about the male protagonist's petty calculations. He's terrified that family, friends, or neighbors will take advantage of him in the slightest, so his mind is constantly filled with schemes and tests. Is this the author's personality or intentional? In short, I haven't read much of the story; it's all about people testing and scheming against each other.

You all think Qin Huairu is bad, but you don't know that most people in that era were like that. Qin Huairu is just a microcosm of the times, and she's already quite perfect. It's people like Yi Zhonghai who cut off people's escape routes who are truly ruthless.

At first, I thought it was okay, but as soon as I saw the courtyard houses and all those "Third Uncle" and "Second Uncle" references, I felt incredibly disgusted. Is it impossible to write a book on Qidian now without a courtyard house theme?

Personally, I don't think Qin Huairu is that bad. Qin Huairu and Sha Zhu were simply willing to give and receive. Sha Zhu himself had impure intentions, and Qin Huairu was doing it mostly for the sake of the children. There's no right or wrong between them. Besides, Sha Zhu had the right to choose, and he didn't choose, so who can he blame?

Why do all historical fiction stories feature courtyard houses?

To be honest, I still don't understand why the author changed the map for the protagonist, letting him leave the courtyard and go to Hong Kong, and making him a billionaire. Why does the protagonist return to the courtyard and get involved in those petty squabbles after returning to China? What's the point?

Going back to that era and living a prosperous life is a bit of a pipe dream.

Do you know what readers dislike most about historical fiction? It's when the protagonist goes to great lengths to acquire antiques. Why? Because antiques only become truly valuable after 2000. Which historical fiction can extend its timeline beyond 2000? So, from the reader's perspective, acquiring these antiques is pointless.