As a Player, I Lie Low in Dungeons and Live Forever

Another twenty-four hour thing. If your brain can't convert it, just use hours!

I am almost annoyed to death by scratching my head and touching my nose It happens every once in a while (any time, anywhere) Is the protagonist growing fungus? Just want to do that

It's uncomfortable, the introduction is to survive the boss, and the protagonist buys life-burning skills and swordsmanship at the beginning.

It feels like the setting is a bit conflicting. Put it this way. According to the description in the novel, first you practice the top blue skill to the full level, and then your attribute points can no longer increase. Hey, at this time, you change to a purple level internal skill, and as soon as you practice it, your attribute values ​​rise straight up. It feels ridiculous. It's like an infinite flow world covered in game skin. (To put it simply, it's like when a person reaches the world's top level through exercise and fitness, and the attribute value has increased to the limit of the human body. At this time, someone said, I have a better way to exercise here, and then try it. Hey, the attribute value is just like a new person who has just started to exercise. With each level of life-burning technique, the cultivation speed becomes slower and slower. Got stuck at the end. Then after returning, I found that I need to buy two identical exercises and combine them to break through the upper limit of the exercises. Otherwise, you will not be able to practice, and you will be very rigid. Then after the protagonist breaks through the upper limit of the skill, he returns to the Novice Village, and the second copy starts. Then the life-burning skill is practiced so fast that it is ridiculous. Didn't he say that the Novice Village is at the limit before? And why did the cultivation speed soar again after breaking through the technique? In short, many aspects of the settings in this novel world are really unreasonable, almost as if they were set based on game mechanics. It's scary to think about it. Originally, I didn't think too much about it. Just like the first dungeon world that the protagonist experienced, it was all about telling stories, and I was just watching the story. Not bad either. But starting from the second dungeon, there were too many inner dramas for the protagonist, and too many novel settings. Sometimes the story was told, and sometimes the world setting was interspersed. I couldn't help but be led to think, and then I read with my brain, and everything felt awkward. I hope the author's third copy, "Slaying the Dragon," will tell the story well without adding too much water or writing so many inner monologues of the protagonist. In this way, the quality of the entire work will be much better.

This book. . . Just think of it as a copy of a game novel. . . The author's detailed explanation of what he set is too rigid. . . A lot of common sense is wrong. . . The sense of fragmentation is obvious, quite uncomfortable, and twisted 😰😰😰

The protagonist is working hard to upgrade again, and the female supporting characters are carried away by the plot 🤫

The writing was okay, but it was a bit different from the introduction. I came here based on the introduction, just like the first Kumu Taoist. I thought I would wait until he got old and could no longer walk to give him a knife!

Author, according to your setting, is a person who cannot reach level 1 in half a year a loser or a real boss?

Let me make a prediction here. This is a common problem of many authors who are super gods in the early stage and super ghosts in the middle and later stages. The characteristic of your book is that it develops over a long period of time, and the process of losing the watermelon and picking up the watermelon seeds is slowly getting colder. It's written like Infinite Flow, where enemies come in waves, and you just happen to defeat them. Reminds me of Dragon Ball Super Saiyan.

After reading a few chapters, I don't know @_@The plot is biased towards Tomato. The writing style gives people a childish feeling. The specific framework is still okay, but the author obviously can't grasp it.