I Wrote a Showbiz Novel, and Its Villainess Prototype Came Knocking

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Mr. Orange

Sister Meng

Lin Mengying

The author does have experience. The description of evil public relations and some extracted data cases are indeed fresh to see. Compared with other entertainment literature, it is really well differentiated. Although some places are not strict enough, the three key views are correct and comfortable.

It's far less amazing than at the beginning, and it's not even as refreshing as Wen Chao Gong.

I personally prefer entertainment novels, and I have read a lot of them over the years. To be honest, the author's character creation, emotional advancement, and text adaptation of this and the previous novel are quite satisfactory and relatively average. However, the descriptions of public relations, fan circles, marketing hype, etc. That guide Internet public opinion are really top-notch. It feels good to have everything under control and twists and turns. Many of the creative ideas in it are even more exciting. If it happened in reality, it would definitely explode. Compared with the previous novel, the career line of the protagonist in this novel is different from that in the previous novel. The protagonist moves from behind the scenes to the front, has more long-term and ambitious goals, is more proactive in dealing with people, and is very enjoyable to read. However, the emotional scenes in this novel are even worse than in the previous novel. The previous novel was already very bad. The girl group starts off and makes people feel that they will start a harem but the first heroine is determined early. The pure love setting makes people scared and worries that the other heroines will be given up. Although they are all together in the end, there are really few scenes and the emotional foundation is not enough. This novel confirmed the two female protagonists early. It was originally better than the previous novel, but it turned out that Wu Yunfei was added, and then Remy came unexpectedly. It was quite confusing, and there was no clear explanation.

The front feels pretty good, and personally I think it can be compared with Wang Zijun's wild era. Just starting from the protagonist and taking in Lin first, and then taking in Qiu, it suddenly felt wrong! Looking at it, I always feel a little awkward. In the modern urban context, I personally feel that it is difficult to reasonably create more female protagonists. We must not only stabilize the character and dignity of the heroine, but also let them accept two women and one man in a reasonable way... Well, this is unsolvable. In a modern context, from the moment a woman accepts two women and one man, the woman loses her personality and dignity... This situation would be reasonable if the background were Hong Kong in the 1980s and 1990s, or earlier, because the social environment at that time did not discriminate against this kind of relationship. But in the mainland of the 21st century, this doesn't work. It feels awkward, because without legal status, San'er's social status is too low!

The biggest failure is the two female protagonists. It is okay to have a harem, and it is acceptable to write the women as a relationship of interest. However, the two female protagonists are innocent lovers, which shows that the male protagonist is a scumbag. The better the female protagonist is, the more poisonous this will be.

Let me talk about my feelings. This book is well written and very gripping so far. The male protagonist seems to be a city man regardless of his life experience, psychology background, or current planning. The contrast between the female protagonist is also very successful. I don't know whether it will be her own debut or the one behind the scenes. I feel that it will be nice to be the boss behind the scenes and to promote the female protagonist. I look forward to it.