
Mysterious Hunting Ground
神秘猎场
- Status
- Completed
- Length
- 1.8M Words
- Genre
- Western Fantasy
- Audience
- Male
- Subgenre
- Mystic Fantasy
- Updated
- 2y ago
- Source
- Qidian
Stats
0Monthly votes
39.7kRecommends
98.3kFans
405Chapters
Tags
Synopsis
Reader comments
In booklists 6
Recommend Good Books That You Have Never Encountered [2100 Good Luck Loading]
Recommend a good book, Seedlings. There are some that I didn't pay enough attention to. I was too lazy and didn't want to update it. It's all white text. Update by chance. I have read a little bit of them all, and I don't even want to write a book review.
39Books194Follows1yUpdated
Record and Complain About the Books You Are Reading or Have Read
Save some of the books you read. I mainly pursue light and interesting things. I don't like bitterness, hatred and pretentiousness.
70Books95Follows1yUpdated
Ji Caihua's Book List
I haven't watched much, but the main focus is Weiwei's support
67Books64Follows2yUpdated
A Mixture of Various Types of Immortality and Fantasy
There's a bit of it in all types of novels, right?
10Books8Follows2yUpdated
Personal Reading List
Not good-looking, eat shit
40Books2Follows7moUpdated
I Am a Bookworm of Ten Years, and My Reading Is Relatively Complex, Logical and Written.
They are all books that I am reading. I don't look at the list specially. I read books casually. There is no book to enter. They are all readers. Every book is a world. At least this world is exciting and logical.
25Books2Follows1yUpdated
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After reading the comment section, some of the comments are quite extreme in wording. Personally speaking, this book has flaws, but overall it is pretty good. In my opinion, a serious plot-based book has no loopholes or design flaws in its worldview structure, and the contrast between the ability system and the worldview is too great (unless of course it is a book that requires a sense of contrast, but then it is not a plot-based book); The characters of the protagonists and supporting actors must be three-dimensional, The character's behavior style must be consistent with the personality, knowledge level, and status shown in the book; The direction of the character's story and how to write the ending are actually the author's rights. As long as it is a tragedy or a comedy, as long as it is handled properly, the story logic is clear, and the emotions are well laid out, there is no problem even if it is a tragedy. As for writing style and basic writing skills, as long as you don't go too far, you can still get along in online writing. Then there is the three views expressed by the protagonist. After all, if it is a reader who does not have too many childhood shadows, has gone through modern education, has been tortured by society, but at the same time accepts all kinds of positive energy propaganda, then the character of the protagonist who can be substituted must not be too extreme and not too naive. Even if the protagonist has extreme behavior for a while, there must be a reasonable motive. I feel that as long as there are no problems with the above points in the novel, it is at least readable to me. If one of the above points is unreasonable, then I can abandon the book, because it will be really uncomfortable to read. As for this book, I have read it to Chapter 85. In my opinion, the above corresponding mistakes have not been made in this book, and it has bonus points for the description of combat actions. Among the several events I have experienced, except for the one where I camped in the mountains, they were all pretty good. As for the emotional line, I can only say that it is very American.
A young man with a big agenda? I want to change the script. The growth trajectory and character arcs are great. And there are a lot of foreshadowings. The story is ordinary and a lot of ink is spent on the inner world of pig's feet (the problem here is that all the inner activities and growth arrangements are reasonable and even igniting for the original owner, but the pig's feet time traveler is an "outsider" in theory. The original owner is a few years older and has cheats, so it feels like a pig's foot. The explanation given is the influence of the original person → Personal evaluation: I can only say that it is better than nothing) The contradiction in the character makes it difficult to substitute, so it seems cumbersome and pretentious, and the pig's foot character is not established. From Chapter 30, the identity of the time traveler is just to explain the golden finger, but it brings bugs to the plot, so it is better to become an indigenous pig's foot.
What can I say about this book? It's okay. I just want to ask the author if you can make the main character have the same IQ as a normal person. You previously made the main character's IQ as a moron. It's a good book, but it just made me angry.
The writing is not bad. Whether it is writing, plot or world view creation, it is all above average. Compared with the original Witcher, I think the progress is obvious. The problem is that the pace is too slow and the number of updates is not as good as before. It is now more than 80 chapters that the world view has begun to gradually unfold, and the key extraordinary world backgrounds such as the Law of Convergence and Darkness have appeared.
Immersive slow heating type
The protagonist integrates into the world like a real ordinary person, but it is difficult to attract people in the first few chapters, but there are pitfalls in the story, and it seems quite fun to have some brains. It is recommended that readers do not treat the protagonist as a genius and muscle tyrant, but as an ordinary person.
L🙂 😜Iaoer, Too Morning v Liverpool and2
The background setting is quite interesting, full of the flavor of Stranger Things, but the character design and plot arrangements leave people speechless. The protagonist's experience of the previous setbacks, conflicts, contradictions and subsequent revenge cannot be said to be extremely happy, but can only be said to be extremely frustrating. The performance after having super powers, the FBI setting is also speechless, hey. To be honest, if you can't write some aspects well, then you shouldn't write them. Like John Wick, if you write about the gangsters, you'll destroy the gangsters. In Stranger Things, if you can't write about the situation in Ugly Country, then just don't write it at all.
The writing is disgusting. The last book was also written by young people. This book still has the same problem.
The protagonist of the original witcher was a bit benevolent and a bit of a saint. Every time someone came to look for the witcher, the protagonist wanted to answer even if there were other dangers around him that might cost him his life. Every time he accepts a commission, the protagonist asks Snake Sect Master Leisuo, "Can you bear to watch them suffer?" Or the description of the protagonist being hesitant to speak when Leisuo refuses to accept the commission, which is quite disgusting. Everything else is fine. I wonder if the protagonist of this book still has such Madonna tendencies.
After seeing the latest chapter, according to the current way of writing, the protagonist actually does not need friends. I can emotionally accept my knife friend. But the mother who sacrificed everything to raise her child by herself was a bit unbearable. Maybe it's because after graduation I have been working outside and spending less time with my parents and more separation. Now I can better appreciate the sacrifices made by my parents and the things they bear that are heavier than mountains.
The author himself relies on Western stereotypes for the characters in his novels. Strong whites and blacks, weak and cowardly Asians. Asian girls all like whites and blacks. Is this exporting reverse nationalism?
Is the literary youth suffering from a disease? This is an online novel, maybe you should find a publisher to publish it
I watched two plots and skipped twice. The ex-girlfriend died, and then she killed that Bob. How to say it! Wenqing's disease was a bit serious, so he just traveled through time and space, and then his emotions were like a roller coaster and he was speechless. Now it's about cutting the grass without eradicating the roots. You will understand when you read the catalog later. The protagonist does not eradicate the roots, and then Bob's father comes to the door. I really don't understand. I really think that the privileged class is telling you the evidence. Just send people directly, and then the protagonist will fight back. It's the same destiny. Push and move, even the puppet will feel embarrassed. If you practice writing, you can still do it.
If you want to write more seriously, then you have to do the details well. The police will be played by you like NC. Do you really think that criminal investigation can be done by one person? If you want to write something enjoyable, then don't push the plot for the sake of pushing the plot. You clearly have superpowers, but you have to let people take the initiative to trouble you without eradicating the roots. Isn't this just to preserve the plot? Emotional scenes are like child's play. They are meant to pass through the soul. You have been dating for so long and you have been a literary youth for so long. It is not impossible to write like this. Then you can be more intense later and finish his family directly. Don't engage in love in the next few dozen chapters. You can at least give readers some room to accept it, right? Writing this way will make you happy and the readers happy too. You are now a bitter lover, and later you added a girlfriend for no reason. I am really convinced. So were you so bitter before just to torture readers? At least my emotions were aroused in the first few chapters, but after the killing, I felt like I had a lump in my throat. I couldn't go up or down. When I saw the song writing, I also had a question mark on my face. Are you kidding me? Is this plot really appropriate here? Your strength does not deserve this result, but you are only worthy of this result. The book "Go Away" carries one concept through to the end. Muscles are beauty, fists are beauty. I told you in the first few chapters. People who like to read this will naturally keep following it.
Reading the first 21 chapters can put you in a good mood for the whole day.
What are you writing about? Who can brag about writing better?
What is it about? The first 20 chapters are so stupid that I can't stand the rest of it. First, I couldn't find my girlfriend, and I suspected that my girlfriend had cheated me out of two thousand dollars. At that time, I felt different. But later I found out that the woman loved the hero, but she was harmed by someone. It's true at first glance. The murderer was found, and he was overturned mid-game even though he was throwing away money. He also told the protagonist how to melt a girl with acid. Then two chapters later, it was said that he had grabbed a gun and killed the person with one shot. . . . Does the author feel that he wants to promote before suppressing his writing? ? ? ? By the way, the emotions of the protagonist traveling through time and possession of the person will be revealed once in each of these twenty chapters. . . . . How long has it been since I read such a funny novel? ? ?
This protagonist's image is so poisonous. He can always be affected by a dead person. Is this still a legacy of your emotions? This is obviously because the natives ate the time-travelers, and they can still influence the time-travelers. The natives are not dead at all, but they are alive in another form, which is frustrating to watch. Originally, the readers are taking the perspective of the time-travelers, but as a result, they can always be affected by a dead person. You might as well just write about the memories of the aborigines accepting the time travellers. It would be strange if you try to change the readers' mentality and not become polarized.
Seeing the knife, my friend's mother couldn't handle it anymore. If things keep happening to people around him, what's the point of becoming stronger? The price of becoming stronger? How many normal people can accept this price? Reading novels requires a sense of immersion. The story always revolves around the protagonist, and the pattern of what happens is really small. What would you do if you were someone the protagonist knew? Not to mention cutting off contact with everyone, at least try to minimize communication and go to new places to reduce the probability of something happening to people you know. If you like watching tragedies, go read Yu Hua's works. The small scenes are well written, but the big narrative is really bad, creating a great sense of fragmentation and making people unable to realize that this is a dynamic world. The previous book is not perfect, but its flaws do not hide its merits. It is one of the few that I have read. Why is this book like this?
Why does the author always show English there? Even the LOGOs on other people's clothes have to be written out. What's the point? Some of the English is also written incorrectly. The protagonist is having a fight and there are lyrics included in the narration. You are making a movie, and there is BGM.
I just watched the beginning, and I feel like it's not so much that the protagonist has traveled through time, but rather that the indigenous protagonist has absorbed the memories of the time travellers.
After reading dozens of chapters, I feel that this book is too selective for readers and is not suitable for general readers. It is a dark style. It's okay to be affected by the remaining original body during the previous time travel, but the plot is not logical. The girlfriend is an orphan and lives in the sewer, why don't they just live together? The subsequent series of plots of the girlfriend's case can be said to be like the behavior of the original person who was transported through time, passively pushed by the villain. This is also the case in the following cases. The protagonist is driven by the villain and the system, which is completely an NPC behavior pattern.
You really put it in your mouth, TM forced so many accidents, why did Mona write so much ink and description, just because of that disgusting paragraph, right?
The shaping and description of the protagonist in this book are not even as good as your previous book The Witcher. The more I read, the more speechless I become. There is no breaking point in the whole text, but it is filled with an inexplicable feeling of self-righteousness by the author. Don't understand
Your precious thing was destroyed and you punished the person who destroyed it. You just like punishment. That thing is not precious to you.
It's a very good book. Although there are some flaws in the front, it becomes more interesting the further you read. I think the description of the character's psychology is more eye-catching. I hope there will be more 🐉🐉🐉
Well written
I think the writing of this novel is okay. I don't know why there are so many people criticizing it in the comment area. I have almost finished subscribing to this book. I feel that the writing is okay. Many people say that there is no main plot. How is that possible? There are two, one is that the protagonist keeps getting stronger, the other is more obscure, it is that the protagonist keeps getting closer to the nocturnal species, getting closer to Baphomet.
It's the end of the year. Where's the new book? This book has been bombarded, right? It's time to make a new book. If that doesn't work, it's still about witchers.
How to say it? It is a novel that is not suitable to be published in Qidian. The writing and story are both good. It's just not very exciting, and there's no climax Or maybe the author was heavily influenced by foreign detective ethics dramas. Relatively clear. Some details are not pleasing to the eye. Especially in the expressions and transitions of some characters, I think too much and write too lightly. The protagonist can be called the lone star of the evil spirit In order to promote the advancement of the story, the protagonist is forced to participate in a certain event. You can't help yourself and move forward passively. Creased a huge sense of frustration in reading. Especially the cases that the protagonist has experienced along the way. It's a tragedy. It's a tragedy. The protagonist participated in the early stage but ignored it completely. Then a tragedy happened later. He wanted to save it, but he could only shake his head helplessly. The protagonist has the ability to save no one. Do you have super powers? It's all a tragedy, so this super power is in vain. If we are looking for the shining point of humanity in tragedy, the author's story feels like there is no shining point of humanity at all. It's just one twisted and powerless tragedy after another. Horror for the sake of horror. It doesn't matter whether there is a protagonist or not. In addition to having a systematic protagonist, the writing technique is completely like the American annihilation horror film. The protagonist feels detached from the story. The protagonist's expression style is completely that of a loser who is constantly pushed forward by tragedy. The main character keeps killing people. It seems to be a refreshing flow of decisive killing. But I have always been unhappy. Because the protagonist's killing has no purpose. Impulsive, chaotic and neurotic. Like a psychopath driven crazy. It is neither like the traditional reasoning genre nor the cool writing from Qidian. Not going up or down makes it look even more uncomfortable.
(Fan) Tribeca's Weird Files—The Strange Demon Host
Race: Alien Demon Host First Found Individual: An 18-year-old mixed-race Asian and Indian boy named Dean living in Las Vegas Monster Characteristics: An alien monster that can occupy the body of a recently deceased person. During the occupation, the occupied body will return to a healthy living state. After the possession is completed, the host's soul will also be enslaved by it Monster abilities: super strength, agility, resilience, mental power, perception and willpower. It can control the ghost of the original body it occupies, has telekinesis, and can plunder some of the abilities of the supernatural beings it kills. Danger: safe (powerful, but with a high sense of morality and empathy, low harm to humans) Weakness: unknown
It's not good. I'm not my type. I feel aggrieved. Even though I have superpowers, I still feel aggrieved. Anyway, I will destroy all the people in my motherland who threaten me.