Ninety Thousand Li Above

This kind of writing style in which the protagonist is so weak that he gets involved in various major events is like the divorced engagement flow, waste material flow and revenge flow ten years ago, forming a genre, the puppet suppression flow. The plot of the story follows the protagonist after the marriage was broken off and the person became a waste. This kind of puppet flow relies on all kinds of things to bump into the protagonist. The plot makes the protagonist unhappy, and at the same time suppresses the protagonist's strength, making it disgusting in all aspects. Then make a reversal and achieve a destined victory. The plot is deliberate and unnatural, and at the same time it is wise, the villains also collectively use their wits. Look at the Black Horned King and the Stone Dragon King who are so powerful, but alas, there is no way to make the protagonist look like an ordinary person. There are all kinds of garbage plots and coincidences that are forced on, making the protagonist jump around like a flea in front of a bunch of strong men, and it does not improve the protagonist's strength. Specializing in this kind of plot that seems reasonable but is actually extremely intellectual, to highlight the special characteristics of the protagonist, and then forcefully lead to the following plot, and then connect the previous operations. The characteristic is that as long as the protagonist's strength improves, the villain behind will always be stronger than the protagonist. The protagonist is always in "thrilling" situations and relies on various so-called "chance coincidences" (intellectual plots) to complete counterattacks and defeat the weak.

Why does the author always think that monsters are monolithic? Those who are not of my race must have different minds, and the same applies to monsters. The fox spirit will not regard the rabbit spirit as the same kind, and the tiger spirit will not regard the lion spirit as the same kind. The so-called monster clan is just nonsense. They forcibly knead different monsters into a whole. Believe it or not, these monsters can be killed by themselves. If these monsters could gather into a monster clan, the human race would be wiped out. Monsters treat other monsters and humans equally. At most, they are more hostile to humans because of the greater threat from humans. However, this does not mean that they are less hostile to monsters of other races.

When I read the introduction, I thought it was about farming, but it turned out to be a story about selling dog meat over someone else's head. He was just wandering around without any strength.

，， I have read about 300 chapters so far. This book actually has the skin of a cultivator and a farmer, but the core is a suspenseful novel (not thriller) set in a Cthulhu-style world view. The protagonist is half an ordinary person, but has outstanding abilities in certain aspects. As a plug-in, Mr. Wen seems to be very strong, but the protagonist also needs to use his abilities to make up for it and advance the plot. In terms of the world view, the immortals with the highest level of combat power look a bit psychotic from a modern perspective, but it actually makes sense. After all, the higher the level, the less likely ordinary people will understand their intentions. This is a normal thing in Christian novels. Summary: I personally think it is quite interesting, but I need some patience to read it slowly. The main pleasure is not to watch the protagonist cheat and pass levels, but to watch the protagonist explore the world. The reader's happiness is not simply pleasure, but the desire for knowledge and curiosity that is satisfied by gradually understanding the world view set by the author. It's quite a picky reader, and it may be a bit hard to pass the time reading, requiring some independent analysis and thinking. In addition, the author's strange cold humor made me laugh very happily when Ding Bao came out.       ：，， The underlying logic of this worldview setting continues the restrained flavor of Bug House. The plot advances faster than the previous game, and there are fewer daily parts. It is a bit like the style of Bug House in its later period. It advances quickly and talks about what the world is like rather than personal situations. To be honest, it's not very likable, and it's normal to have polarized reviews. If you agree with the world setting, you'll have a lot of fun reading it, but if you're looking for something short and quick, you'll basically have a hard time reading it. But having said that, it is a bit exaggerated to say that the author's writing style is not good. This writing style is still very comfortable to read.                                                                                                                                                but

I was very fascinated and read more than 40 chapters. I didn't know what I was talking about. There were all kinds of riddles. I just wanted to say that the pit is not a pit, the answer is not the answer to the riddle, and there is no introduction to the various characters. The Black Horned King, inexplicably turned into the Black Horned King, died in one chapter. The foreshadowing was very smart, but after meeting the protagonist, he turned out to have no IQ. There is also an introduction to Xunhua, That thing is really invincible. You can stay in the illusion all the time if you smell it. You won't even know if you beat it to death I don't know. I'm just a fan of it. As far as I can see, the realm is not detailed, the items are not detailed, the characters are not detailed, the story is not rested, the abilities are not detailed, it cannot cultivate immortality, but it can kill all kinds of monster kings and monsters.

Her mother can't even defeat a little monster but she still dares to go to the monster den. This woman is mentally ill.

Why don't you just delete your introduction to the last sentence: I also want to see the scenery at Ninety Thousand Miles.

If you get the tattoo, if you don't study hard, why are you running around every day? ! Can you calm down and study hard? ? Bad plot

I'm happy today. I ate two side dishes.

I couldn't hold it back. It was very attractive at first, with one person and two cute little monsters. I thought it was finally starting to grow slowly, but the more I looked down, the more strange it became. First it was Taoist Wen, then Qin Tianjian, and then Immortal. Messy. There was no preparation, a pot of stew was laid out, and I couldn't sort it out. There are too many characters, and the protagonist has no strength, so he can only force various plots. The strongest thing about a time traveler is probably the mind that actively drives the plot. It feels the same as if you didn't travel through time, the natives are pushed by the plot. He is very similar to Xu Zhu, a little monk who is pushed along by the plot and has nothing to do. Without a strong writing style, this style is too difficult to write. It is easy to reverse priorities and lose track of characters. The audience can't get into it either. I have been reading books for more than ten years, and good books always feature protagonists. Characters and clear themes.