Shh! Cultivation of Immortality Is Prohibited

Brother, are you serious? You almost got tricked just now, and you dared to run out with a nine-year-old maid to look for immortals without the ability to protect yourself? Bring an oil bottle. Does the little girl behind have any special physique? It's the old Renaissance, this was a routine many years ago

The protagonist was a fool at the beginning, and I was persuaded to quit. Taking a 9-year-old girl out to seek immortality and asking questions makes people want to complain. After reading the author's explanation, it is consistent with the character. I feel that it is very inconsistent. The author only considered the protagonist's character itself and completely ignored the series of resources that the protagonist should have as a family disciple. The protagonist should not only have a 9-year-old maid as an option. Because if you carefully think about the background reasoning arranged by the author and extend it, the idiot protagonist may have a good relationship with brothers. In this case, the parents have no plans for the protagonist, find a good confidant for him in advance, and then throw him beside the protagonist to help him grow up? The character of the protagonist + family harmony, if you look into it more carefully, there are several arrangements. The above things will eventually become the resources of the protagonist, as the resources of a family member, and the family resources obtained by the protagonist with this kind of character are bonuses. Roughly speaking, character and identity are two basic points that make up a novel character. The author only considers character and ignores the component of identity. Anyway, I'm quite persuaded to quit.

I saw a lot of people replying to my last post. Let me talk about it again. It's normal to meet a ghost and then be rescued. It's normal to go to the mountains to find immortals. But how dare you take a nine-year-old maid and run into the deep mountains and forests just after you meet a ghost? It's normal to bring a servant, and I didn't say you couldn't bring one. The question is, what's the use of bringing a nine-year-old maid? Take care of the protagonist? So let me ask you, what should I do if I encounter a wild beast robber? If there is no food, who will find it? Who hunts? Who will find the firewood needed for the fire? Does he take care of the protagonist or does the protagonist take care of him? The protagonist, the eldest young master, can't think of these things that his father can't think of? Even if he won't encounter wild beasts and bandits, his father won't worry about this? Wouldn't it be more useful to have an experienced adult male servant?

No, what wealthy family would give a 16- or 17-year-old young master a nine-year-old maid? Is this a child bride? Jia Baoyu, who is sixteen or seventeen, watches nine-year-old Qingwen cry to death

With all due respect, it is reasonable and reasonable that there are many fools like the protagonist, but I am not here to see fools.

After reading a few chapters, the idiot-type protagonist is withdrawn.

What are you doing with a maid? Isn't it a burden? You just know how to enjoy it 😂😂😂😂

I saw some posts saying that the indigenous people had bad reviews, which were boring and lacked a sense of empathy. So I want to understand with you, do fantasy novels really need time travellers? What role does modern knowledge play in the fantasy world? Everyone is welcome to have a rational discussion here.

Bad reviews from natives are just a fool and the road is narrow.

The poison is introduced at the beginning. It seems that he is relying on the fact that the old author has a reader base and doesn't care.

It's a pity that the Weapons Master fell into the trap. The author's writing is good, but unfortunately it is always very arrogant, with a bit of a stubborn literary youth. Things that go against the laws of the market are destined to not survive. Let's read the next book.

The author typically starts high and then goes low, getting worse and worse.

Just cut it off. Living is also a punishment.

The protagonist's family was dragged to demolish the temple because they thought it had nothing magical about it. As a result, the sect behind the temple came to take revenge and destroyed the protagonist's family. Although that sect is indeed hateful, isn't it even more hateful to see the protagonist's family unknowingly offend people behind the scenes?

When I see that the author does not think carefully about how to write a book, but is more serious with the readers, then this author is destined to fail.

I didn't want to read it when I read the comments that it was aboriginal. It didn't make me feel like I was immersed in it.

Author, are you sure you want to write about trickery? Ghosts and ghosts are not the same species. Humans die as ghosts. They are easy to kill, but ghosts are not easy to kill. In a world with ghosts, there are no civilians. Because there are not enough people to kill, ghosts can only be born when the world goes to destruction. Otherwise, no one will have anything to do. Are you sure you want to write like this? If you write like this, you should abandon the book and don't read it. It is illogical. There is nothing wrong with anyone in the world of ghosts.

Factory Gong Bai Ning, Lu Shusheng, Crow Xia also looked at the results, and it was okay. I couldn't stand the following, and the results were okay. Why?

Bringing a pretty girl to seek enlightenment? What will happen to a pretty girl if she becomes a Taoist? Raised as a child?

There is no problem with Aboriginal protagonists, but they are also the most difficult to write. The main thing is not to apply modern thinking to Aboriginal people. Otherwise, what is the difference between this and those crappy time-travel novels? Writing time travel stories under the banner of being indigenous?

It's a bit middle school, and I feel like it's for junior high school students.

The weird feeling of Crusu in "The Doctor" is still too complicated. The writing is still good. I plan to watch Crusu's video before watching it.

I don't quite understand why I have to kill all other sects later on. It looks weird...

I gave up reading one chapter in 2-3 days and looked like a coward.

Come on, come on, come on

Come on. I haven't been back for a long time.

The writing is actually good. I suggest you read less comments and read a few chapters before deciding whether to read it or not.

Gone? Why did this suddenly happen? It feels like it's coming to an end

Only a few dozen chapters, is this the end?

Song Jiang in Xunyanglou wrote an anti-poem, but Huang Wenbing took advantage of it and wanted to arrest him and hold him accountable. "Don't worry, brother, Wu Yongnai and I have been friends for many years. His name is Zhiduoxing, and I am the King of Ideas. We have a good relationship for a while. As long as I use a little trick, I can help my brother out of trouble!" Dai Zong laughed. "What's the plan?" "Brother can mess up his hair, splash his urine on the ground, pour it in, and pretend to be a wind demon." "High!" One day later. Song Jiang was in the lobby of the government office. One Buddha was born after being beaten, and the other two Buddhas passed into nirvana. Their skin was torn and their flesh was dripping with blood. Unable to fight, he had no choice but to take action and was taken to death row, waiting to be executed. Dai Zong went straight to Liangshan for help. "Don't worry, dear brother, as long as I use a little trick, I can help Brother Song Jiang get out of trouble!" Wu Yong laughed. "What's the plan?" "Write a false reply. When the wise brother goes back, he will say that the Grand Master will send Song Jiang to Tokyo, and we will be robbed nearby." "Wonderful." Three days later. Dai Zong was tied up and beaten until his skin and flesh were torn, and blood flowed out. He really couldn't stand the torture, so he had no choice but to surrender. He was put in a big yoke and thrown into prison. "Don't worry, brother, I have a plan to keep me waiting for a few days." In prison, Dai Zong comforted Song Jiangdao. "The plan is out?" "I have a good friend Huang Kongmu..." Six days later. Song Jiang and Dai Zong had plaques tied on their necks, glue was applied to their hair, and a red silk paper flower was inserted into their heads. Having a long break and saying goodbye to wine. "Don't worry, brother, I have another plan..." "Brother, I want to be quiet, you'd better stop talking."