The Deconstructionist Wizard

The worms that parasitize on the extraordinary road, the despicable people who steal extraordinary knowledge, and the final buyer of all extraordinary achievements - Your Majesty, the respected wizard of deconstruction.

I saw many people discussing whether the protagonist had been treated unfairly by the empire and whether he should betray him or not. Let me give you an example. You traveled to the Qin Dynasty and your neighbor committed a crime. According to the law, you have to sit down to build the imperial tomb. At this time, you have the ability to run away and go into the mountains to wait for the world to be in chaos. Can you run away?

The ending of the Empire part of the plot has a bit of a "Shawshank Redemption" flavor. The final leap has the same sense of relief and redemption as the scene in Shawshank where the pig's feet crawl out of the pipe in the rain. Out of the sea of ​​suffering, I can swim in the vastness of the world.

It's really well written, but I'm curious as to why a family that taught a university assistant in the magical version of the Industrial Revolution had such a large debt, and there were no problems before the car accident, which means that the original family was able to repay it? The protagonist loses his abilities after the car accident? What did the family originally do? I don't seem to have mentioned it.

Catch up on the latest chapter and write a book review seriously this time. Currently, for me, it is a masterpiece that I can give an 8-point rating. It's a bit slow but interesting, and the inner transformation of the protagonist is well documented. The writing is smooth and there are no serious flaws. As for many of the issues mentioned in the comment area, there are actually reasonable explanations in later chapters, which are relatively logical and self-consistent. The problems mentioned by most readers are basically manifested in forcibly using the laws and morals of the earth to restrain people from other worlds, which is a typical concept of using the sword of the previous dynasty to cut down this dynasty. But if you can substitute the world view of this world, there is actually nothing wrong with the logic. After exaggerating the advantages, let's talk about the shortcomings. The shortcoming of this book is actually a mistake made by many authors, which is the plot bug of writing the book from the author's God's perspective without considering the reader's perspective. In this book, the purpose of the protagonist is unclear. First of all, the only wizard system in this book is the undead wizard. Judging from the elements currently displayed by this faction, it requires killing, corpses, and souls. It can be said that the above-mentioned things are difficult to obtain in large quantities in a legitimate way without leaving the battlefield. At present, the three views of the protagonist are relatively positive, and there is no tendency to go dark. Then the conflict arises. The protagonist wants to be a necromancer or stay in the border area - there are many corpses here and there is free knowledge. For the time being, the focus is still on it. Either you have to go back and kill people, dig up graves or join a cult, which is obviously unreliable, let alone being wanted. And even if the protagonist leaves the army, how can someone who has such close contact with the undead not be monitored? From my perspective, this logic is definitely wrong. At least the current path of the necromancer is definitely not as reliable as the biochemical path. Another problem is that people from other worlds often make swords. I can only say that whoever touches them will die violently. There are really more than one or two starting points. Moreover, this kind of world view with natural disasters outside and extraordinary inside is not suitable for this game. The reason is very simple. Even if the protagonist leads people to defeat the empire, in what capacity can the protagonist lead the people around him to fight against the undead? The protagonist himself and the people he brings will be immediately promoted to new nobles, because the world naturally needs someone to protect ordinary people against the undead. Of course, if the protagonist is invincible, then I won't say that.

It looks good, but the protagonist doesn't follow the academic stream and then goes to the library to buy knowledge for free. It's a bit frustrating to find a teacher to hold his thigh. He keeps pretending to be a thunderstorm sooner or later. It's better to hold a real thigh. At least he doesn't have to be afraid of other magic institutions. In addition, the idea of ​​the protagonist becoming a knowledge broker always makes me feel like the protagonist wants to take on the world alone. Knowledge is too precious. If you want to sell it, others will find out that you belong to your own school. For proprietary knowledge, people will definitely hunt you to death. If you have the ability to defeat them all, then you don't need to be a knowledge broker. You can directly become the Witch King and establish your own governing body. There is no need to be a knowledge broker. If you don't have this ability and you have to be hunted to death, it is equivalent to challenging the order of the entire wizarding world. There is no need for it, so no matter what, I feel that the protagonist does not need to do this. Why do I feel that something is wrong with the protagonist's meditation method? The losses and gains are too bad. Is it a problem with the meditation method or an algorithm problem? If most people have to meditate in the same way as the protagonist, then a large number of people will die.

If you plan to have no female protagonist, try to write as few ambiguous plots as possible. Unless there is no need for a sense of substitution when reading, readers will follow the character's behavior (not the character's psychological activities, because the substitution is not to that extent, and it is most common to simulate one's own psychological activities based on the behavior and results) and become emotionally involved. A book that is too emotional will be unreadable.

Does the author have any misunderstanding about the word intensity in soul intensity? It's obviously something that should be called soul energy, but it's always said to be strength, and the inherent attribute noun of an item is used as a quantifier.

The author's content is very good, but the introduction made me think it was a bad article at first. . .

It's a pretty good novel with some academic meaning. From "My Blood Regeneration Is 100 Million Points Fast" to "Deconstruction Wizard", the writing style has improved. It takes deconstruction as the core and begins self-improvement and redemption. The overall setting elements are many and the deconstruction is rigorous. It is worth reading. However, the starry sky part in the later period is a bit unclear. Instead, it feels like writing for the sake of writing. The feeling of refreshment is not enough. Similar to the previous book, it is too extravagant and cannot be concluded later. The plot expands freely and the content takes a sharp turn. From a chess player who uses deconstruction to slowly seek development, he becomes a chess piece. The ending is inexplicable. There is a sense of fate and boredom of forced deus ex machina, which makes the whole book meaningless. There is no redemption and it is extremely empty.