The Strongest Adventurer in Another World

The author is very handsome, but it's a pity that it's not easy to use 🙂

I heard that the author is very handsome? Let me take a look

Haha, it's so interesting. I thought it was a harem stud novel at first, but it turned out to be a fantasy adventure novel. Come on.

After reading it, the author just loved it. I feel that the writing is good, but the ending is too rushed.

Something, but not much The subject matter is okay, but the writing is not good and the plot is vulgar.

Light novels are okay, fantasy novels are boring

Come on, author, we have invested and strive to put it on the shelves as soon as possible

Isn't the author stunned? You can still get the monthly welfare ticket

The first investment earned more than 100 starting coins, giving the author some blood and help

Emm, I think instead of labeling it fantasy, it's better to label it light novel.

Let me talk about a few loopholes that I think The first is the price issue. One use of the teleportation inside costs 200,000. The protagonist kills a high-level monster and only gets 1,000. Then the carriage master pulls six people and it's 1,200. This price is completely ruined. Then there is the issue of combat power. The protagonist has cleared the 59th floor of the dungeon, so he should be very powerful. However, I felt that when fighting against slaves, I did not feel powerful, but instead felt restrained. Although I won easily in the end. Also, the protagonist's magic shouldn't be completely immune. The setting that a piece of armor can be completely immune to magic is too buggy. Not to mention that the protagonist releases single-target killing magic. It would be understandable if the group damage magic was immune. There is a bit of a bug when single target magic is immune. There is also the matter of time. Now I have read more than thirty chapters of what you wrote. The timeline feels a bit confusing. Although I can understand it, the character dialogue is also a bit cumbersome, mainly when the protagonist explains that he is not a summoned beast. There is a bug here. There should be a contract between the summoned beast and the summoner. If the elf can't feel the contract, it won't think it is a summoned beast. Also, if you write that the protagonist signs a contract with the elf, I think you can first write that the protagonist comes to the past due to some accident, then signs the contract, and returns to the future to find him again. Now that you write it like this, it feels like it just came out of nowhere. There is always a sense of dissonance in my heart.

The part about the princess knight is very problematic. In theory, things like dragon eggs should not be left to outsiders like this, and the knight also wanted to take away the dragon eggs. Although the knight's behavior is acceptable in terms of bloodline suppression, the protagonist is a bit out of his mind. In theory, temporarily selling the custody of the dragon egg can be exchanged for magic books and much-needed historical information, but this part feels inexplicably aggrieved. In terms of combat power: Now that we have a game system, can't we give some powerful skills? For example, invincible enchantment, true damage must be hit by spells, otherwise how can you beat the Witch and the Disaster Tree? You don't need to give powerful skills now, at least in the future. It doesn't provide strong output skills, at least full of hiding and escape points. As a result, the space elf teleportation fails, and there is no identity concealment skill. The whole article is enjoyable but not that exciting. The Calamity Tree has no brains and can run away if it cannot be defeated, but it is a failure to be targeted by the witch so quickly. Overall, this is a qualified Japanese light novel. Good luck to the author.