Who Said You Have to Be Loyal to the Witch?

To be honest, the best thing about this book is the creation of Faria as the heroine. It shows the charm of the tsundere heroine very well. Some authors only highlight the arrogant side of the tsundere, which makes them naive and not cute at all. Others only highlight the coquettish side. Although soft and soft, they are cute but not really tsundere. Moreover, a tsundere is different from a yandere. A yandere is not only delicate but also "sick". The result of this "sickness" is often harm to the protagonist. But Faria is different. Faria truly cares about and likes Asgen. This kind of care and love is not just about possessing him physically or mentally, but also about gaining Asgen's approval. Although she always talks hard, Faria actually cares about Asgen's reaction. In sociology, people are nothing more than a collection of social relationships, and social relationships are often based on interests. However, this does not mean that interactions between people only involve interests. Pure friendship, family affection and love are all beautiful and innocent emotions that we praise. Faria is a poor, emotionally deprived girl. She has been deprived of her family ties since she was a child, and her friendship is in jeopardy due to the friction with Avna. Her innocent character was actually on shaky ground at the beginning of the chapter. It was Asrang who gave her new hope, ignited the fire in her heart, and dispelled the uneasiness and coldness in her heart. The love between Faria and Asjean is mutual. This love not only warms Faria, but also changes her attitude towards getting along with people and Asjean's view of the world. The two achieve and shape each other, just like the lotus in the water and the winged bird in the sky. The fate of the two is closely connected and inseparable from the moment they intertwine. All in all, I really like the story between Faria and Asjan, praising the great love, kindness and justice between them. The background world of the book is a very cruel world. The threat of the dragon clan is like a dark cloud weighing on everyone's heads, and the twisted social system is alienating everyone. Perhaps Aisha's original intention was good, but it was impossible for a system to operate without problems for a thousand years, not to mention that due to its historical limitations, it was impossible and incapable for her to seek a millennium plan for long-term peace and stability. Under this system of witch rule, witches are both rulers and victims of oppression by the system. They enjoy privileges and become cruel and debauched because of this, but they are also deprived of basic human rights such as open free love and reproductive rights. Because witches are not a group that relies on blood inheritance, and their generation is random, any hereditary feudal rule is impossible to exist among witches. So they are essentially a group of poor people who have been cut off from family ties, have no past, and have no future because they cannot give birth to children. They all lack the most basic family education and humanistic care. The average moral level of witches who grow up in this environment can be imagined. On the one hand, they are unfortunate and suffer the torture and oppression of the previous generation. On the other hand, they try their best to play the role of the oppressors of the next generation and continue to frantically carry forward the "fine traditions" of the older generation. I think the typical representative here is Tiffany. She does have a pitiful and tragic past, but it is also she who forced Faria to become "Parricide Faria". Therefore, such a society is actually a big prison for everyone and an object that needs to be broken. In order to avoid the recurrence of tragedy, what Asgen actually needs to do is to eliminate the source of the tragedy and build a better new society on top of this miserable old society. Here I have to mention another resistance force, the Celestial Sect. I believe readers with historical knowledge can see what the Celestial Sect cosplay is. The spread of the Celestial Religion under the rule of the witch largely relied on the resistance of the people. However, people's resistance without advanced experience and leadership is often passive and blind. But can we blame the people for this? Who forced the people to be like this? Who caused the people to become numb, passive and ignorant? Isn't she a witch who rules? So many people can accuse this generation of witches of not being good, but only the witches who rule are not good. The evil consequences were sowed by themselves, but the whole society suffered. The reason for the Celestial Religion's resistance is just, but the result of the resistance must be unjust. This is why Asgen will not collude with the Celestial Religion. The fatal problem of the Celestial Sect lies in two points - first, they actually have no way to solve the dragon problem without the witch. Second, they did not really achieve social justice. They just replaced one group of people who were not good people and expelled another group of people. Isn't it pitiful for the witch to be treated as a blood bag? Aren't the people who are fooled by religion pitiful? Their methods of controlling the people are neither noble nor any better than the previous witches. The entire organization is in a state of reverse elimination - the heroes who are the most ideal, the most daring to be the first, and the people who never forget their original aspirations are all dead, while the surviving upper-level ones are all scum. Society should not become oppressed by witches and continue to be oppressed with a halo of sanctity. In the current situation where Western fantasy is difficult to write, I actually really hope that the author can write a result that satisfies me. Of course, this does not mean that we have to cut corners and find a sword, and reach any capital or society in one step. In the final analysis, this is not a three-dimensional world. This is a real fantasy world with magic. But I also hope that justice, kindness and courage can permeate this land. Back to Faria, Faria is undoubtedly proud. She also has proud capital and proud achievements. Her magical attainments are undoubtedly genius, and her soul shines like a gem after suffering so much. Faria's initial behavior and thoughts were undoubtedly unpleasant. She despised "difficult people" and had wild imaginations. Her motivation for buying Asgen was not so pure. But after all, she is only a 17-year-old girl, shrouded in huge mental trauma from the past. Even with Stacey's guidance, she has never actually come out of the shadow of the past. She has been deceiving herself, thinking that she has no choice in everything. But when he met Asgen, who was in a similar situation, he used his actual actions to tell her that people have choices. There are many kinds of tragedies, some are caused by force majeure, and some are self-inflicted. But even if it is a tragedy caused by force majeure, you have to ask yourself when you take action, is there really no choice? Why does it have to be me who does it? No matter how powerful the external forces are, the human heart is always free. The most powerful tyrant cannot subjugate a free mind. But under the coercion of external forces, is it really destined to succumb to tragedy? Asjan stood up and showed Falia a huge "no". People can resist fate and resist this injustice. Even at the cost of life, the brilliance of human nature is enough to dispel the darkness in the heart. So, the light illuminated Faria's originally dark heart and led her into the sunshine. She found the sustenance of her life in Asgen, and also recovered the emotions that a human being should have. Under Asrang's care, she tried to be a human being again, and the bright seeds that were supposed to sprout sprouted. She deserved to be a better girl, didn't she? Asjan's contribution to Faria is not one-sided and unrequited. Faria is also giving back to Asgen and working hard to prove her changes. Therefore, they are truly equal, and they are a perfect match who respect each other as if they were guests. I sincerely pray for these two protagonists here, and hope that the author can give a happy ending. Finally, I would like to send my best wishes and hope that this book can continue to be written well. If it can be written well, it will definitely become a classic in Qidian.

Anyone who reads strange books will be amazed by Faria. This girl is not an ordinary arrogant girl, she is a rare treasure wrapped in ice and fire. The author's wonderful strokes are when he turns the word "Ao" into a thousand-foot icy peak, and the word "Jiao" into a sweet sweet wine. Ordinary hands in the world may fall into the rut of arrogance and perversity, or indulge in the sweetness of softness and bonelessness, but this work uses the exquisite heart of the seven orifices to make the pride of the cold plum and the tenderness of the spring water completely natural. The most precious person is one whose pride is not a mean thorn, and whose tenderness is not a flattering attitude. They are just like the frost blade under the moonlight, which is both cold and cold, but also gentle. The love between Faria and Asjan is truly a spectacle of two mirrors reflecting each other. The so-called love in the world may be like a burning fire cooking oil, or it may be like a gentle ripple in stagnant water, but these two people are like the moon reflecting in a deep pool, with ripples forming in each other. The so-called "summation of social relations" in sociology turns into an inextricable fateful entanglement. Faria lost her father when she was young, like a kite with broken strings fluttering in the storm, while Asjan used his heart as a thread to weave the broken soul into a beautiful fabric. This is not a one-sided redemption, but a mutual rebirth of two things - when Faria regains the warmth of humanity, Asjan also breaks through the confusion of the world. Just like what is said in "Faust": "Two souls live in the same cavity", the aura shining from the intersection is enough to make the pale human world shine with splendor. The world ruled by witches is actually a prison made of bronze. The dragon's shadow hangs high like the sword of Damocles, and the yoke of the system is stronger than the iron bed of Procrustes. Aisha's old system has become a man-eating monster, and its millennium-old disease cannot be cured by repairs. The witches appear to be well-dressed and well-fed, but in fact they are trapped in an eternal prison in this world - they have neither the roots of blood inheritance nor the future of reproduction. They are just like Garuda whose wings have been cut off, leaving only the twisted screams in the golden cage. People like Tiffany are just specimens of the evil consequences of the system. They are both perpetrators and victims. In the chain of violence passed down from generation to generation, human nature has been alienated into ferocious totems. The paradox of the Tianshen Rebellion is like an eternal prophecy in the long history of history. Although his rebellion is stained with justice, the core has long been infiltrated by the poison of power. As Plato's parable describes, the prisoner who breaks free from his shackles eventually falls into a new barrier of light and shadow. The fatal flaw of this religion is not that it lacks the skill to slay dragons, but that the new order it builds still adheres to the law of "dehumanization". Relegating witches to blood beasts and treating believers like lambs, this "holy revolution" is nothing more than replacing the sacrifices on the old altar with new ones. Asjean did not join in with it precisely because he understood very well: the real salvation lies not in changing the executioner, but in smashing the guillotine itself. Falia's Nirvana can be called an epic of the return of humanity. This girl, who was charged with parricide, was originally a porcelain doll broken between the sharp teeth of the system. The more brilliant his magical talent is, the more shocking the cracks in his soul become. However, Asjean used his life as a torch to illuminate the spark in his heart - the innocence buried by trauma, finally emerged from the cocoon and became a butterfly in the fertile soil of understanding and tolerance. When she said the words "I choose", it was like Prometheus breaking free from his chains and completing the astonishing transformation from a chess piece of fate to free will. The profound meaning here coincides with Pascal's motto: "Man is a reed that can think." Regardless of the universe and the world, all things are like rotten dogs, and a free mind can never be imprisoned. The most moving part of the book is the sublimation of a romantic narrative into an existential fable. When Faria saw her reflection in Asjan's eyes, it was not only the emergence of love, but also the awakening of subjective consciousness. They use love as a boat to cross the sea of ​​emptiness; they use courage as a compass to cross the fog of the system. This kind of soul resonance reminds me of Byron's poem: "They walked side by side, but each looked up at the stars." In this world where rituals are broken and joy is broken, they use their scarred palms to lift the Holy Grail of humanity together. The layout of this book has already surpassed the ordinary Western fantasy. The author uses a huge pen like a rafter to outline a group of people in dilemma among the dragon shadows and traces. The prophecies of the disintegration of the witch system and the decline of the ideals of the Celestial Cult are all mirror images of the dilemma of civilization. The story of Faria and Asgen is like lightning tearing through the darkness, showing that even if the world is so absurd, sincere emotions and unyielding will will eventually bloom flowers of hope in the ruins. Just like the magical halo dancing on Faria's fingertips at the end - it is not only the brilliance of spells, but also the immortal spark of human nature, which will surely set a prairie fire on fire.

Why does the story begin? A warrior who has been baptized in the sword fighting arena is captured physically and mentally by a witch, and then they live together happily? ? What makes a novel a novel is that it often has more than just a beginning. After leaving the precarious days, Asgen is like a person floating in the long river of fate waiting to drown. He will neither sink nor struggle, but will only wait longingly for the time to drift upstream. Power, status, and money are like grass without roots, but he is neither noble nor great. He looks sadly at the arrogant Keren who lacks love, and his whole heart is tied to the witch below. Of course, readers love the heroine. Every time he describes Faria, he can feel the author's preference for her. The lengthy ramblings reveal more than just Fly's feelings for the hero. When it comes to the plot of fly, readers can naturally experience the warming and changes of emotions. But aside from the sweetness in the spotlight, there are no anchor points or main lines at all in the story involving Asjean and the witch. The protagonist is like a passerby next to the protagonist in the story. In the journey of nearly a million words, Asjean took Fly to several places, made a dragon, and now solved a villain boss. I can't quite feel the changes in Asjean. His skills seem to be better. Is it because of the engraving? Was his status increased because of forming a team and being appreciated by the witch? His love, oh, I understand this. And this is why I think the recent battle plots are dragging on. There are no twists and turns in the story. The protagonist may definitely win, the world will be overturned, and beauties will surround him. But the twists and turns of the story all depend on what the author wants to express. This book does look like a light novel, which has its pros and cons.

Dear author, please don't mess with Lily. It's written so well, so don't seek your own death.

After reading some, I can feel that this book has a strong two-dimensional flavor, which reminds me of some Japanese two-dimensional works published more than ten years ago. Specific examples are: Zero no Familiar, Shakugan no Shana, and GOSICK. These works have something in common with this book. The heroine is the absolute core and focus of the work, and the male protagonist is mostly a foil. However, as the male protagonist, he is not ambiguous at all when he should take responsibility at critical moments. If you have read Zero: Familiar, Shakugan no Shana, GOSICK or other similar works and like this genre, then this book is definitely not to be missed. But in practice, although I am an old two-dimensional person and have watched a lot of anime from more than ten or twenty years ago, works such as Zero no Familiar, Shakugan no Shana, and GOSICK are rated as "pretty good" by me. I actually have other genres that I like more: teenage fantasy adventure, royal blood, etc. Specific examples are: A Certain Magical Index, Lelouch of the Rebellion, The Legend of the Legend, and Tokyo Ghoul. Compared with the works similar to this book mentioned in the previous paragraph, the biggest difference is that the male protagonist is the absolute core, and I also found a similar feeling in the new book "The Knight and the Wand" next door. I even came here after reading the above book that was recommended by book friends. Of course, what I said in the previous paragraph is not to disparage this book. This book can make me feel similar to the feeling when watching Zero no Familiar, Shakugan no Shana, and GOSICK anime when reading. I highly recommend people who have watched these anime and like them very much to try this book. However, this book is actually not my preference. The two do not conflict. Just like I am not interested in Jay Chou's songs, but I will not deny its excellence when asked. Finally, after comprehensive consideration, I decided to contribute an initial subscription (the reading progress is still ahead), reward 100 points, and keep it on the bookshelf to eat dust. I may come back to read it when the book is exhausted, but now, I should leave now after saying what I want to say. ——I was inspired when I saw a book friend's comment on May 11, "The female protagonist doesn't attract me, and the male protagonist can't stand in for me either. It's run out."

At least it has to be a niche product. The main plot and the bedside plot are actually pretty good. But the most amazing thing is that the text alone has a charm that attracts you to read it. Instead, you won't pay special attention to the main plot. Anyway, I can't describe it. I just feel that the text of this book is very comfortable to read.

I like the heroine very much 🙂

The book has a strong literary flavor, a bit like a book written in the Republic of China, and the way people speak reminds me of French novels, such as Maupassant The heroine is very well written, and at least three of them are quite three-dimensional, especially the first heroine, who is very well written, and the emotional line is very good, but the author is really weak in combat.

The trauma of "parricide" was buried deep in Faria's heart. Time and time again, countless times, the girl asked herself in the middle of the night, Was there a better way at that time? What would happen to me if I didn't kill them? And could not get the answer. One day she was in the stands of the bloody arena and witnessed amidst the enthusiastic shouts of the audience, the young sword fighting slave threw his sword on the ground, refusing to cater to their bloodthirsty wishes and kill his teacher - even at the cost of offending all the spectators and being sent to duels one after another for the purpose of letting him die. Irresistibly, the girl had a longing for that humble gladiatorial slave. A few days later, Faria emptied her savings and borrowed money to buy Asgen. ...... The original poster saw that someone seemed to have asked, "Why did Faria fall in love with Asgen?"

This article is indeed a light novel, and it is still filled with so many cute things in such a cruel world. We can see two major contradictions in the world view of this book, one is the survival contradiction between dragons and meta-humans, and the other is the class contradiction between mortals and witches. First of all, there is no doubt that the first major contradiction is the most important and fundamental contradiction, because the competition between dragons and metahumans is not a contradiction between different races in ordinary Western fantasy works. Generally, in Western fantasy works, there are only competitions for living space, civilizational conflicts, religious conflicts, etc. Between different races. The conflict between dragons and metahumans is a competition on the food chain, which is similar to the struggle between Homo sapiens and lions and tigers. This is a battle with no retreat. There is only room for one at the top of the food chain. There is no runner-up in this game. Therefore, mankind must win, no matter what the cost. The oppression or sacrifice of one or even several generations is not worth mentioning. Homo sapiens has made hundreds of thousands of sacrifices in achieving this goal. The losers do not have any bargaining chips, the lighter ones will be kept in captivity in the future, and the worse ones will be reduced to fossil remains. The second contradiction is the issue of equal rights that we are more familiar with on the surface, because the class contradictions in this world are under the first contradiction. If the second contradiction is about survival and distribution, then the first contradiction is about life and death. For the butcher, he doesn't care whether the blood on his hands belongs to the innocent exploited or the criminal slave owner, he just wants them to die together. However, those in power are also prone to falling into survival difficulties and ignoring internal problems. In the absence of hard power, we should actually pursue improving the efficiency of using power, that is, social efficacy, which is the key to victory. Homo sapiens did not evolve to be stronger than other animals when climbing up the food chain, but used tools and efficient social organizations to win. So for humans at this time, if the witch's power is enough to win, a caste-based society is inevitable; if the witch's power cannot win, then it must unite with other forces, at least not be their enemy. Otherwise... It is not uncommon for a ruling group to drag the entire society to death... Finally, I would like to say that this article is indeed a light novel, and it is still full of so many cute things in such a cruel world.

I saw that many people said that they couldn't remember the names of unfamiliar people, so I compiled a list (simplified version) that can be compared to deepen their impression. Due to time reasons, the compilation is too concise, there may be errors and omissions, and they need to be supplemented and corrected. Asjan The protagonist of this book, first appeared in a chapter, whose real name is temporarily unknown, is suspected of being a traveler from the Celestial Dynasty, and is currently exiled (eloping) with Faria as her slave (owner). Itinerary: Forced by Tiffany to leave the "Holy City" and go to the province of France, he first stayed in Graystone Castle, and then went to the capital of France to convey the news that the Young Dragon King had followed the witch Alisa to cooperate with the main battle elves. At present, in order to avoid losing his homeland, he will join the expedition team to hunt dragons at the cold spring base. Falia The heroine (one?) Of this book first appears in chapter one. Due to the psychological shadow of betrayal due to his childhood experience, he is extremely dependent on Asrang. He has an awkward personality and doesn't like to communicate with others, but he has a kind nature. She attaches great importance to the commandments, is extremely talented as a witch, and worships the witch Elsa, the founder of the "Holy City" who had a similar fate to herself. She is currently staying at the Cold Spring Stronghold with Asgen. Avna Farya's fellow senior sister, first appeared in Chapter 1, seems to have been friends with Faria since she was a child, and has secretly protected Faria many times. Woodlow As Asgen's mentor in the gladiatorial arena, he was highly skilled and took great care of others, and was respected as a master. He let go of water during a fight with Asgen and was "executed" by the witch to death. Stacey Falia's teacher, the elder of the Witch Academy, first appeared in Chapter 4. He abides by the commandments and once saved Asgen. Tiffany The veteran of the Witch's Monastery, he first served as the governor of France. First appearing in Chapter 5, he formed a secret society called the "Homeless Society" in order to maintain his rule, instigating the hatred of witches who had been persecuted, and once induced Faria to "parricide" and spread the word. Forcing Faria and Asjan to leave the "Holy City". Eric A dwarf with a simple and straightforward personality, he first appeared in Chapter 8 and witnessed Asgen defeat the Broken-Winged Sand Dragon in the arena. Currently in the Dragon Hunting Group at Cold Spring Stronghold. Elenia The tribune of Greystone Castle, first appeared in Chapter 15, a half-elf whose expression changes slightly due to her elven blood, and whose heart is gentle. Alissa The witch of Greystone Castle was once ostracized for becoming a witch, and also went to extremes due to the influence of the Homeless Society. After discovering the larvae of the Green Dragon King, she led it to the elven territory. Now she has reached cooperation with the main war elves based on the hatred in the larvae of the Dragon King and some elves. Fiona The witch working in the Governor's Palace of France first appeared in Chapter 35. The village where she lived was burned down by the Homeless Society. She survived as a witch after awakening, but left burn scars, so she was called "the ashes" by some witches. Caroline Governor Frank, is suspected to be related to the loss of his hometown. First appeared in Chapter 34. Vanessa The Witch of the Homeless Society first appeared in Chapter 39. When Asgen and his party went to the cold spring, they attacked the villagers who blocked the road and were killed by Asgen. Mei The Homeless Witch who regards Vanessa as a friend first appeared in Chapter 40. When getting along with Vanessa, he prevented her from killing her indiscriminately. After Vanessa died, she failed to seek death and is currently being escorted to Stacey in the "Holy City" by Elenia. Joanna The person in charge of Cold Spring Stronghold, a golden robe witch on the same level as Faria. First appeared in Chapter 52. Related to the Cold Spring Dragon Hunting Group Leilu The witch behind the Silver Lion Hunting Group and the veteran of the Witch Academy seems to be old. First appeared in Chapter 65. Polka The leader of the Silver Lion Hunting Group, he seems to only serve as a mascot, and he admires Mu Lelu very much. Puchman, Moulton, Foster, Dude The backbone of the Silver Lion Hunting Group, who tried to spread gossip and was punished, first appeared in Chapter 63. Puchaman is currently being hunted by Blackmarsh Dragon. Alcain The most outstanding crossbowman of the Silver Lion Hunting Group, first appeared in Chapter 67. Astrid One of the elves who was exiled for advocating not to start a war went to the cold spring to look for Asgen. It seems that he was sent to the cold spring by a witch and his life is in danger.

I saw a comment a few days ago, and I felt that when Ge Ge wrote about Faria, Faria always avoided the topic of love. I think 🕊️may also be avoiding love. He has not yet been able to sort out the ambiguous and painful love around him, so how can he help Faria overcome the difficulties. Faria's sensitivity and suspicion stem from the distortion of her native family. Unfortunately, the same is true 🕊️. Although Tiffany and Stacey played the role of Faria's parents to a certain extent, they were not. As for the humorous Beifu, if he eats the old and eats the young, he has lived to a high level. The Desolate Dove projects his heart to Faria, but he does not have an ASR. If someone thinks that the gods in the group are his ASR, I have nothing to say. Faria is an excellent tsundere, and I'm afraid 🕊️ is also a tsundere. Sometimes I can't help but wonder, 🕊️What kind of reaction do you actually hope to get when you make various comments? The character Mei is aloof, sometimes sharply pointing out some problems, but she also has a split personality. She is probably 🕊️ rational. She can recognize problems, but she keeps avoiding them, and her different viewpoints often tear her apart. 🕊️Often accuses pre-modernity, but he himself is not a stubborn product of pre-modernity, living in a pre-modern environment. So asr🌿fly and Mei =🌿Sad Dove, can Dole Dove let us🌿? It can't be that the harmful young lady falls in love with the down-and-out Dove Dove.

Thanks for reading, meow😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

It's good-looking, but not good enough Let's talk about the advantages first. The heroine's character is really amazing, the tsundere never goes out of style 😌, and the inner monologue is the best I've seen in the past few years. Okay, there are no advantages anymore, the rest are all shortcomings 😒 (Personal opinion, does not represent the taste of all readers) 1. The male protagonist's combat power. Although this book is mainly about witches, the male protagonist cannot really be a tool. The author took inspiration from Zero: The Familiar at first glance. But in the magical world, this talented dog has strong fighting power even with his swordsmanship 😎. 1 Vs. An army of 100,000 is a real man. In this book, it seems that the male protagonist is playing a trick, but it is basically the same as nothing. At least it does not reflect the personality charm (combat level) that the male protagonist should have. He looks like a tool. I believe that a few witches can defeat him without the female protagonist (it seems that the male protagonist cannot be killed, but this trick is very confusing, so it is better to use the expression of a talented dog). The final impression is slightly frustrating 2. The rhythm is discontinuous. The rhythm of a good novel must be one after another. At least the fun moments should be continuous. Even in daily life, there can be some fun moments (for example, the daily dialogue with the heroine in this book makes everyone clap their hands), but the author has to intersperse a bunch of irrelevant characters. Either you write the main story line and resist the witch, or write more about the heroine in the daily line. I like to read, but the other characters are not very outstanding. I can't wait to fast forward to the next appearance of the heroine in ten lines. It's okay if you want to have a harem, but your other female characters are not impressive at all. I think Ji❌'s books will have at least three or four favorite female characters, so I support the creation of a harem. The author's female characters are all average except for the heroine. It's really better to write more about the heroine making love. What is the meaning of the harem 3. World view. It blends well, but don't melt it next time. I've watched Western Fantasy a lot, and I've played Monster Hunter a lot, but the world view it created is really weird. Either use swords and magic to resist tyranny, or you can fight monsters and become a legendary adventurer. When the two of them come together, the writing is really confusing. They want and want at the same time. In addition, the protagonist's attack has no offensive power, which made me even more frustrated. Only the interaction between the heroine can alleviate it 4. The main line conflict. Like Zero's Familiar, Saigo has a clear goal of returning to Japan. Like the article on cultivating immortals, the goal is to become an immortal. The main line of this article feels the same. There are so many swordfighters written about how miserable the common people are. Then you resist the witch, no, you don't have the ability, you know, it's too easy to worry about. The peaceful transformation of witches is not possible either. Your male protagonist is not charismatic enough. It is difficult to imagine changing evil witches with words. That would have to be something like a date, a gift from the sky, something that a male protagonist can do. Then live a happy daily life with the little witch. Not yet. The author insists on a bunch of empires collapsing and the world changing drastically. If you can write it, just force it in. The result is that the male protagonist seems to be incompetent and even feels a bit depressed and useless. Either you kill more decisively, or you completely write a super good guy like a brave man. Now he is an indecisive person who is a little sinister but always wants to save people. In general, there are four main poisonous points above. This article is about the size of a high-quality article. You can read it if you don't have a book to read, but it's not the kind of thing you can stay up late to catch up on. The author's writing style and characters are still good, but the refreshing pace and main plot are too poor. I came in and read the beginning and was immediately fascinated by the heroine. I thought this was not even on the monthly ticket list. After reading more than 70 chapters, I felt that it made sense that this would not be enough. Vote three votes and I will keep this book for now. For the next book, I suggest that the author simply change the peaceful world view of Wolf and Spice to write about daily life, or keep this world view of bitterness and hatred, but with the male protagonist being more open-minded, fighting injustice and resisting tyranny. Now In this book, apart from the heroine, I really can't think of anything else to look forward to in terms of plot (similar to The Fader, where you want to see the doctor Ruby get to know each other at the beginning. This kind of plot hook can ensure that readers will not quit before seeing the point they want to read). I really don't have any expectations for this book except to see the male and female protagonists getting married, so I kept it. (If you have different opinions, you are welcome to communicate, discuss peacefully, and lightly criticize. I typed about 1,500 words and I definitely hope to give the author some readers' perspective. The more I write the book, the better. After all, the heroine is so cute☺)

Support the author, well done to the clear harem. All the bullshit about high-end sex, I am a man, I am a man, I am a man, I am a man, I am a man, I am a man, I am a man, I am a woman, I am a cp, etc. Are all used on men's videos. Don't surrender to those cmg Jimei who are addicted to guidance all day long.

Easter egg↑Falia's 15-year-old commemorative portrait wearing a gold-inlaid robe

I didn't fall in love during the limited-time period, but I read this novel about a week ago and have been reading it continuously to this day. There have been almost no unsubscriptions during this period, so I feel like I can express some opinions. First of all, let me talk about the advantages of this book: The writing is delicate and the portrayal of several heroines is relatively three-dimensional, especially the portrayal of the first heroine Faria is quite good. I personally think that the psychological description of the character who is arrogant, lacks love, arrogant and has low self-esteem is very appropriate and can make people shine. The novel world view creates a chaotic world at the end of the witch's reign, when natural disasters (dragons) and man-made disasters (Celestial Cult) occur simultaneously. Then there are the shortcomings of this book that I feel after reading it so far: First of all, the pace is extremely slow and a bit confusing. Most chapters focus on the dialogue and psychology of the characters, with almost zero advancement of the main line of the world, especially in the middle of the story, which is basically dominated by the plot of several heroines competing for jealousy. As a harem light novel, this is naturally not a big flaw, but the author particularly likes to intersperse some of the misery of other people in his spare time, which leads to an extremely fragmented viewing experience: in the first chapter, everyone is having a party and playing around, in the next chapter, a small character who has appeared for a few chapters begins to talk about his miserable life experience that his father does not care for his mother, and after a few chapters they start to play and fight again. What's more important is that after describing how miserable ordinary people are and how bad witches are, I then tell you that the protagonist can't do anything now, and even the protagonist himself is looked down upon. It's very real (if you're looking for a sense of reality in a virtual web article, that's right). Then there are several battles with the male protagonist. The Green Dragon King is okay, with a small climax. The Celestial Cult boss battle is full of various psychological descriptions and memories, and he is instantly killed at the beginning and hangs up. After returning, there is no way to save the madness. Lan felt that the boss battle with the Lord of the Mountains was extremely perfunctory. The one-eyed blue dragon's huge formation was instantly cut off with a single blow. The blue dragon king also made loud thunder but little rain. In addition, Aisha kept complaining beside him, and there was no atmosphere of a big battle at all. (The author said that this is because he is not good at writing about battles, and everyone said that the writing was not good enough and he stopped writing. Then everyone said that he should not write so many stories about passers-by, but the author still wrote it anyway.) Finally, the portrayal of the male protagonist Asgen was poor in appearance, ambitious, but slow in action. Tears filled his eyes every time he encountered trouble, and he did nothing afterwards. Five hundred chapters have passed, and apart from conquering a few female characters and defeating a few early mini-bosses, there has been almost no change to the world. It seems that he is compassionate, but in fact he has tied himself to Faria.

It's a really good book that gets weirder as it goes on. The pace was pretty good at the beginning, Faria's character correction was also carefree, and the male and female protagonists had many emotional scenes. The further I went on, the more I witnessed, and I wrote about the sufferings of the common people every day, suffering and suffering and suffering. The emotional line is not advanced, and the main line is also pushed slowly. We can't just rely on ASR every time Faria changes in the future. Let's communicate emotionally. Hey, I'll leave it at that. I hope the author won't suffer.

The background of this book is a Western fantasy. To be honest, there are not many political plots. In fact, many readers are not here to watch your political role at all. They just want to watch the male protagonist and the female protagonist get crazy. The result was astonishing. Most of the other groups had group owners and administrators trying their best to ban the group members. Steel Fire Law even had a teahouse dedicated to chatting about the group members. In normal large group chats, everyone would be given a warning, and if they did it again, they would be kicked. In this group, the group leader took the lead and even brought in Huang Na to join the group. After the offenders became angry, Huang Na was kicked out by the group manager, and then the group leader asked him to bring him back. If you like keys so much, you might as well stop being a writer and become a key guy.

The slave society is so rotten, the holy city is so rotten, the witch aristocrats are so rotten, why aren't they killing each other? How can someone who travels through time with the same dollar be so useless and have to be protected by a witch to eat? The umbrella on your head is still a piece of shit

After reading dozens of chapters, I always felt like something was wrong. The writing wasn't bad, the setting wasn't cliche, and the plot had a sense of serenity that I liked, but it just didn't match my brain waves. The more I read, the weirder it felt. Later, I found that more and more female characters appeared, and I saw that the author mentioned that one of the main motivations for writing this book was because he imagined a heroine like Faria, and then he suddenly realized what the problem was. In the author's writing, the male protagonist's subjective initiative is hidden, and the C position assumed in other novels is replaced by Faria. If we describe it as a turn-based game, then the female protagonist has far more action turns than the male protagonist. Asrang is more like an auxiliary in the team, passively following the command of the team leader. That is to say, Asjean does not assume the responsibility of being the male protagonist in ordinary novels. And because of the identity gap between the male protagonist and the female protagonist, it seems that the male protagonist can only move if the female protagonists exist. He needs an external power source like a robot without batteries. If you can't fall in love with these female protagonists quickly, you will feel uncomfortable because you can't take the role of the male protagonist for a long time. So instead of taking on the role of the male protagonist Asjean, it is better to take on the role of Faria, so that you can immerse yourself in the book more quickly (this makes it even more strange that Asjean can have a harem 🙂 Of course this is not to say that this book is not good, many of the author's ideas are quite good, But I feel that this book is too brain-wave intensive. If you don't hate this way of weakening the role of the male protagonist, can accept the quiet and daily plot, and want to experience the author's writing style of "leaving the sun to lighten the charm, leaving the day to lighten the dregs" and his Japanese fantasy world, you will definitely have a good reading experience.

The writing is very good, and the portrayal of Mei and the heroine is better, but if there is a lesbian, run away

After reading books for so many years, I personally have never seen a more stunning tsundere heroine than Faria. I feel that every language and psychological description of the author has been carefully thought out. The occasional sinister smile is a killer, and it is the first time I have seen the use of Yin. The word "compassionate" describes the heroine without any sense of disobedience 🙂 In addition, Mei and other witches are also very unique, especially Mei, who is simply amazing. I have never seen such a strange heroine. The author really has great ideas.

The author made this dish of vinegar-filled dumplings for the heroine. The heroine was so well written. I haven't seen such a fundamentalist and arrogant heroine for a long time. It was so enjoyable to watch I don't hate the harem, but the quality of the other characters in the harem and the heroine in this book are too different. From the beginning of the daily flirting and interaction between the male and female protagonists, a lot of space is allocated to other harems, to advance the main plot, and to give some mess. Not a buddy, I am jealous, it has faded Needless to say, Faria is invincible in the world. Do you think the others are on the same level? The half-elf is old-fashioned and old-fashioned. She is over a hundred years old, which would be more than forty years old in human terms. Mei had some grudges at the beginning, but the snarling witch is still weird. Later, After being washed away, they become mentally retarded, and they are either hungry or astringent every day; the rest are even duller, with residual ash and so on, and it is difficult to label them; the quality of the harem is too poor, and you waste space writing about them, isn't it annoying As for the character of the heroine, I felt that it was a bit broken anyway. The author forced her to accept the harem. Fragile and sensitive, insecure, easily jealous, arrogant, superior in status, and possessing a desire for control. With so many labels stacked up and you say that she can accept a harem, I am quite confused. On the other hand, the male protagonist is an underground slave in the beginning. The open outlook of the time traveler dares to ask that the female protagonist can only have him (although the male protagonist himself has not done it). Do you think this is appropriate for the female protagonist's character? To sum up, I can give you two hundred points at the beginning, and one hundred points is not even enough. But the more space is wasted later, the more uncomfortable it becomes. I wait on my fingers for Fariya to come out. After she comes out, I will still have to drag the harem or discuss administrative thinking. In order to avoid stomachache, let's stop here. See you later.

Can you let the protagonist show some subjective initiative? It feels like the protagonist is just revolving around these witches now, and there is no effect in transforming these witches.

If you keep writing this way, this book will die. Don't die, meow. I've ordered all of it. I want to see the ending and the completion of the emotional line. Meow The author's top priority is not to continue to focus on the unknown witch, but to let more main characters appear. Write more emotional lines, write about what the protagonist thinks and what to do, and give full play to subjective initiative. Like the chapter in "Retracting the Seal" where the three sisters humiliated Bi to create Bi's image, it is completely unnecessary. Is it necessary to continue to write about Bi's life experience and mental journey in the future? Much has been written about the awkward growth experiences of witches. The plot of this chapter is incomprehensible, it's completely clumsy, and it's suicide. It is true that these can pave the way for the images of Futini, Irene and Hilda, and shape the environment of the imperial capital, but it seems too delayed. You have to keep the awareness of the main plot in your heart, so that people can follow it and quickly advance the plot of the hunt for the King of Salon, advance the emotional line of Futini as soon as possible, and there are still plots in the New World to write. The author's delicate description is an advantage, but there is no need to add a large number of little witches and supporting witches, and there is no need to shape unimportant supporting characters in several chapters. The author can then write about ASR showing his subjective initiative, taking over the Colosseum behind Hilda's back, having a dialogue with Tiffany, and asking to promote the salon hunt. You write about ASR's subsequent thoughts, write about Futini's views on ASR, write about Futini and ASR exposing the blood of the gods, seizing the power of the elders of the imperial capital, forcing them to take sides and hunting Sharon with all their strength, ASR and Futini will give some highlights... Ge, what you wrote is not the four famous novels of Red Mansions, but a popular popular novel. If you want, you can also try some. Just focus on the main plot. It will be updated as of 7/19. Except for the inner description of Faria and the appearance of Iphania, which made my eyes shine, the rest are almost At a glance, the inner drama and growth of the few little witches can really be shortened to a shorter length. To be honest, I followed the story just to think about the emotional lines of Fa, Mei and Yi. Once you get the protagonist to the imperial capital, you should quickly finish what he has to do and continue to bring back the dragon hunter and the harem. Leave the political system, power struggle, etc. To Futini. During this time in the imperial capital, you should either accept Futini or establish a good relationship with Futini, and finally help her gain the right to speak in the imperial capital. At least the relationship with Futini should be explained clearly in Chapter 25, the revelation of the blood of the gods in the imperial capital and the all-out struggle should be completed in Chapter 50, the personnel preparation and system construction for hunting the sand dragon should be completed in Chapter 75, and then five chapters should be devoted to thinking about how ASR slays the dragon, and the sand dragon should be killed in the next 80 chapters of 20-30 thousand words.

Hmm...

Well...

Well...

The ruthlessly squeezed medicine refining tools