Folk Custom Begins with the Blood God of Xiangxi

First of all, the interesting thing about this book is that it brings history, a dead thing anchored in time, to life. Why live? Because there are archaeologists who dug out living and forgotten things. Memory is meaningful. If you remember those things, those things will stick with you. But the clever point here is to see the big from the small. If a small thing made those eight beams and three branches look like this, what would the great sacrifices of Xia, Shang and Zhou become like now? I still like seeing the big from the small, just like Liu's alien who didn't appear in person, but only relied on a small jammer to cut off your technology. Just like why Master Gu writes so well, it is because he writes abstract things such as the way of luck and the way of reading into things that actually exist. The writing methods here are almost the same. It's a pity that the author wanted to write too much, and there is no rubbery reality like A Nightmare on Elm Street, or there is, but not much, a wonderful deviation caused by the difference between what the audience and readers understand from the perspective of the protagonist and what the protagonist understands. If everyone knows some of the truth but the protagonist doesn't, there will be a wonderful reaction. On the contrary, the author uses an approach that is almost the same but from a God's perspective (probably because he has been bad-mouthing, but the author has no point to resist the pressure. He recommends going to Zaan to play more. You can practice it when you are criticized without saying a word and your mentality is not affected). This makes the originally very interesting situation drop to three points, and the ten-point plot only brings out less than half of the excitement. It's not a pity. Then there is the writing method. Reality and games should complement each other, but for unknown reasons, reality only plays a supporting role. It may be that the outline is not well detailed. And the author likes to intersperse explanations in the plot, and in some cases the explanations are longer than the plot, especially when the plot points are not reached. For example, in Guo Degang's cross talk and the Three Kingdoms, he talked about it very clearly, such as how the great eunuch He Jin was so powerful that He Jin died. Dong Zhuo came to the capital to meet, interspersed with a paragraph about how Dong Zhuo was so powerful, and finally told everyone that this was Dong Zhuo. The audience knew what was going to happen next, but Guo Degang told the audience why it had to be him. In Nanyang Rising Evil, the first half of the story was okay, but the rest of the story went to Rigla Island, where they were rescued, rested, visited, Reek was tricked, the dog was in trouble, and then there were the indigenous people, and then miscellaneous things continued. The main line was that the protagonist didn't know what to do, and he gathered the five conditions without knowing what to do. Even if the system reveals in advance that there are five elements to be raised, everyone will have a good idea and won't feel like a stream of consciousness. Here we can return to the rubber reality mentioned in the previous part. The author tried hard to express the world he thought about, but his perspective was too high, which caused the plot to be pushed forward in an inexplicable way. In other words, that's why some people in the comment area think it's a God's perspective, because the nodes were not considered well, causing the entire seemingly smooth plot to be inexplicably advanced without any purpose. Of course, it cannot be ruled out that the author wants to write about the powerful fifth uncle in the protagonist's methods in history, and link it to the confused struggles of those beings in the distant past. But the final suggestion is that even the Great Love Immortal will not just use the Spring Autumn Cicada. The reason why the Spring Autumn Cicada setting is so smooth to use is that on the one hand, Fang Yuan has intelligence and cognition, which gives the audience a longer perspective on the current situation. The second point is that Master Gu has handled the nodes well. He focuses on one point, and after one point is finished, he will write this point thoroughly until the audience knows, oh, this is the end of a plot point, but another trouble comes. It's not until the reader's thoughts run with the protagonist but it really doesn't work anymore that the protagonist has no choice but to go back to the past and put things together from a higher perspective. The author's situation of pulling out the second one before finishing it is what everyone calls the stream of consciousness. That's why I gave the above evaluation that the plot design is very good, but the writing is problematic. I have not read many novels, only about five or six hundred. I am truly lucky to have come across such a novel. I hope the author can finish it. I really like almost all the settings in it. 🙂

The author of this book is somewhat capable, but unfortunately his ability is not as high as he imagined. It is recommended to take the role of Little Bully, it will be endless fun. To level up, you need to reach the highest three S's. Since your life is repeated, it means that Act 1 and Act 2 can have higher levels. The settings are conflicting. Similar games must be popular. If you want to be higher than the game, it is impossible. Your writing method does not have this ability.

In the later stages of the novel, the author got completely excited about it. I thought it was a novel written for myself. The transitions and connections between the chapters were so severe that it became increasingly difficult to understand.

If you like novels about upgrading novels and cultivating immortals, don't come here. The suspense section is full of fanfics about mysterious resurgences. It's hard to find a book that suits your taste. Is it possible that you guys will ruin it? It pissed me off. The protagonist is now practicing the "Qi-Eating Technique" and has become a natural god or an ancient Qi practitioner. Don't worry about your bad Taoist priest. Don't look away. If you like folklore suspense and weirdness, come here. If you like Sanshu's flavor, come here.

There is no doubt that this book has a reading threshold. Based on my meager analysis, I will explain the recent chapters of 12.15. If you can summarize and analyze what you can help me to add, thank you. 1. Currently, the identity of the protagonist Guanqi Historian in the dungeon is being considered. The great elder replaced the three people saved by the protagonist, changed the protagonist's memory, and tried to make the protagonist think that he was the one who survived, and used this as an anchor to make himself immortal. 2. The protagonist's memory is unclear and has been blocked/deleted a lot, but he is awake outside the game and knows the situation inside the game, and is trying to find ways to solve it. However, when he returned to the game, his memory was blocked again, leaving only some memory fragments, but he now realized that his knowledge was the key to solving the Great Elder. What I don't understand here is that consciousness determines cause and effect in "Tomb Robbers Notes: Qinling Sacred Tree". 3. The professor is currently in the state of "Silent Hill" and is out of touch with the real world. 4. The death of the kiln factory worker was caused by the evil ghost in the sanatorium. The protagonist and the evil ghost have no cause and effect, so he cannot see the evil ghost, and the evil ghost cannot harm the protagonist. The kiln factory worker and the evil ghost have cause and effect. They can see each other and kill each other. 5. The professor enters that view, has the ability to predict, and guides the protagonist to do things. He should be a friendly NPC now. 6. The protagonist wants to create a golden elixir for himself.

Typos and sentences appear frequently. It's okay to read ten lines at a glance, but gradually it becomes difficult to see. The logical development looks like it was written by multiple people - hiss~ Let the AI ​​writing author make symbolic changes? It's not impossible. Deliberately leaving errors for fishing, or just too lazy to correct them - no matter what, I was screened out and this book was not suitable for me.

I feel like this is the real Cthulhu

It's very, very good, so sometimes the language may be too jumpy and the logic is a bit confusing, but the author's profound skills blend a large number of folklore elements without any sense of inconsistency. This is great~ As for the slightly confusing narrative method, it is still good for the radio as long as you watch it for a long time.

The imagination is excellent, the information is excellent, the subject matter is excellent, the plot is okay, the words and sentences are beautiful (especially part of it), the jokes are on point, and the thinking is out of the ordinary (a small failure). The author's expressions are a bit like those written by an alien being who has learned the language for two and a half years, with a kind of fragmented beauty (yes, beauty) (ok, I admit, it's still a bit artificial).          [()()()()()(，ID)]     ：Don't let readers read it in a dull way. Of course, the meaning and rhythm must be brought out, and the turning points must be smooth and smooth." After moistening the pulp, I feel that reading online novels is a "coherence", and I can write down some things in a copy in detail (I think). Then when sketching, I feel like some of the information can be incorporated into the conversation. But I don't think the problem is serious, it's just good and better choices, not Bai Shuangwen's argument in the comment area!                        (，)()

Conjectures about the role of Qi-watching historians: Railway switchmen of history 1. According to the description of this book, history is not a definite chronicle relative to reality, but rather biographical stories similar to historical records, and the endings of these stories are changeable. 2. A single story can have multiple endings, but there is only one ending that can be recognized by history. It is the role of the historian to anchor this only ending to reality. 3. The previous "yin and yang dip" was to break the connection between history and reality from both sides at the same time. The result was to turn a part of history into a forgotten story and isolate it from reality. (The road is broken) 4. Correspondingly, things outside reality can also be anchored to reality through Guanqi Historian, which is equivalent to an extra branch.

Damn it, so many readers know about Shengxian Village, what kind of enhancement does it need to make? The writing is very good. I paid for the ticket immediately after the free prostitution, and also provided the monthly ticket. It can be seen that the author is an old two-dimensional person, and he has played a lot of jokes, and I feel that the author still likes the man in the leather bag. Although I was influenced by a certain girl, I have a ptsd of Nanyang, but the author has written new things in the Nanyang chapter, some of which will be used throughout the subsequent settings, such as: fuzzy concepts seizing power, the identity of the protagonist, the emergence of meaning, etc. It feels like it will be an important chapter in the early stage. Then the relationship between the Land Liuyin and the Yak God that appeared in the Han Dynasty always feels like a foreshadowing, and judging from the time of the Northwest Chapter, it cannot be the relationship between the protagonist-the Yak God-the protagonist. Generally speaking, I feel that the author's book is logically self-consistent so far. The interpretation of history and legends makes it refreshing for someone like me who has never studied history. It feels like I am watching a novel setting of mysterious recovery for the first time. I hope to work hard this year and end with 3 million words by the end of the year.

The author's writing style is very good, it has a cinematic feel, and the sense of mystery is among the best among the books I have read!

The plot is just that, but the writing is also unexpected. According to my standards for Qidian Sanjiang, Sanjiang is just around the corner. It's just that the number of words written now is not up to standard. It is comparable to last year's Shengui Da Ming. That book was also recommended by Sanjiang. I think this book is not as good as that book purely in terms of writing style, but the plot is not limited and is far better than the previous Shengui Da Ming. It should be possible to write a result. After all, the author of this book is relatively good at writing. Shui Yi Shui has enough words, and Sanjiang is not difficult.

This book gave me the same feeling as when I first read "There is a demonic spirit here", but it is a little bit messy. The author himself even said that he didn't know what he was writing.

This novel is very strange: I suddenly felt panicked after reading it at 1:30 last night, so I stopped reading and planned to go to bed. As a result, I couldn't sleep and my chest felt tight, and I didn't fall asleep until around 3 or 4 o'clock!

Invincible is super good to read, but some chapters jump too fast, and I always feel like I missed something. I go back and read it, and realize that I didn't, several times - ̗̀(๑ᵔ⌔ᵔ๑)

I don't quite understand it, but it's wonderful. I've always wanted to read it. This is the first genuine book I support. Big support for the author (ง •̀_•́)ง

The plot content is quite good, which attracts me to keep reading. However, there are also shortcomings (of course it may be the characteristics). I use too many Enter keys... Sometimes one sentence can be written, but the Enter key becomes two or three sentences, not to mention that one paragraph of content can solve the problem, which becomes two or three pages... The spaces should not be counted in the word count... ... 🤔 This way of writing makes me feel that the content that was not very compact has become more fragmented. My suggestion to the author is that if the writing can be more compact (literally), the reading experience will probably be better Another point can only be said to be a personal feeling, not a suggestion: the content is not compact enough. I don't have a specific opinion, I just feel it's a bit too divergent. It can be seen that the author has a plan to write in a big way, but when it comes to a specific chapter, it is relatively scattered. Some background knowledge or settings that have little to do with the current plot. I wonder if there can be a more natural interlude method. This kind of laxity in content and prose combined, I feel that it will make the reading experience less good.

It feels quite interesting, but in addition to swordsmanship, should we give the protagonist some other Taoist skills? Otherwise, it feels like the identity of a Taoist priest in the first place is completely useless.

Faster, faster, more, the donkeys in the production team don't dare to rest like this,

That's it after seeing Chapter 50! I can't stand it anymore.

? ? ? There were still 16 chapters left last night, but today there are more than 80 chapters?

It has been chaotic since the Nanyang chapter, and the Soul Conjuring chapter is even more chaotic. The author obviously got too excited by writing it himself. Moreover, the game skill system settings of Shengxian Village in the early stage were almost completely discarded. He also made his weird strength too high, making it seem like humans are always trying to survive on the edge. They are obviously a bunch of things that have been hammered into the garbage dump of history by humans. They didn't make any achievements when they were alive. How can they become more powerful after death? The plot is both fate and a closed loop of time, which is particularly baffling. The protagonist entered the past dungeon through the game console. Does the dungeon know? Even if you turn the copy inside out, it will have no impact on the outside. Especially the appearance of the Guanqi Historian was a particular failure. The protagonist is a low-level cultivator, and it's just a piece of history. It's so awesome, but it's nothing in the real world. No one knows the protagonist, and he's separated from the real society. Now you can say that the protagonist is a psychopath, and everything in the book is his imagination.

What career did the protagonist end up in? Now I feel like a wild man with strange stitches. He is obviously a swordsman on the surface, but there are also miscellaneous wild foxes, shamans, spiritual mediums, Jin Yiwei, dragon tiger energy, and mountain god power. They all seem to conflict with each other, which is a bit low. It is better to inherit the high-skilled Taoist template in scene one and learn to master various ritual skills and knowledge upgrade bit by bit. It is powerful and cool. Now I want everything but am not specialized. It is too uncomfortable.

Abandon the book, I really don't understand what you are going to write. I saw Chapter 140. You, Xiangxi, have been writing endlessly. It's as complete as destroying the world and destroying the world. The key is still not clear. There are more than a hundred chapters about a ninth-level shaman, stirring up trouble and rain, high-level Taoist priests, and eminent monks dying one by one. You are a Xiangxi, what do you want to write, and where do you want the faces of the founding emperors of the past dynasties to put their faces. I was lonely after reading "Key Points". I got into it because of the game and the system, and I stopped writing when I reached more than 100! The mall, skills, and final novice rewards mentioned above are all taken away in one go! It sucks anyway

The book is a good book, the subject matter is very good, and the content is fresh, but the plot is too confusing. Not only the plot, but also the dialogues and characters are shrouded in mist, especially jumping, and the climax is always unfinished. Every word feels fragmented, without any sense of substitution, and only curiosity is left. However, there are too many side plots and insignificant new knowledge points, which dilute the main plot and take over the main role.

The writing is indeed messy, but the writing style is okay and I don't feel embarrassed or out of touch. However, there is one thing I don't like about the protagonist who is too loser. The so-called Internet hot words and so on are really vulgar. What's wrong with me, I'm so young, I feel like the protagonist is too immoral.

The setting is very good, the imagination is very strong, and the writing is terrible. The biggest problem is that the writing is too bad, punctuation is used indiscriminately, the words are reversed, there are many language errors, the sentences are not fluent, and many setting details are not handled properly. It feels like the author wrote the book from a God's perspective. The author knows many things, but he did not write them out. I don't understand that it's other people's own understanding of the problem, which often makes other readers incomprehensible. Go to the white text. To be honest, the writing style of many white articles is better than the author's writing style. At least the sentences are smooth and there are no grammatical errors, which will not make people confused. Those who want to refute me take a look at my homepage. I have been reading books for 11 years. Is it because the author's poor writing style makes people incomprehensible or there is a problem with the readers' understanding? Can I not tell the difference?

It feels like the author is on the verge of death repeatedly, and the setting collapses at any time!

The writing is so messy, I don't know who I am imitating. My suggestion is to go over the main plot again, increase the proportion of the main characters in the story, and try to compress the information into dialogues for effective output, rather than writing expositions.