Isn’t This Common Knowledge?

I thought I was the only one who couldn't stand it, but it turned out that they were all, how could a new book with potential be included in it? Are these editors pulling the strings?

After reading more than a dozen chapters, let me comment: Is this the author's first time writing a novel? The whole article is an explanation of the settings (Tower of the Heavens, own abilities, dungeon world), nothing like a novel or a story. And I just explained whatever came to my mind, I was really dizzy. 😅😅 The novel must be interesting and easy to understand, and it must be step-by-step. The protagonist cannot be like a narrator who only throws away settings and fights. Alas, the imagination is there but it doesn't feel as good as it should.

The BOSS in the game: super long health bar, abnormal resistance, diverse and powerful skills, the top level that breaks the version limit, gorgeous multiple transformations, a large number of cannon fodder boys... The BOSS in the novel: ceiling-level power and combat power, evil-doing subordinates, the inexplicable strategy of queuing up to kill people, the iron will with negative resistance to verbal abuse The BOSS in reality: meetings, working overtime, deducting money, hanging street lights...

I didn't understand it after reading it for a long time. I remember I was reading a novel...

To put it nicely: it's obvious that it's not a studio article, at least it was written by a real person To put it harshly: Brother, you are really not suitable for writing stories, just learn more studio articles, at least they know how to speak in an easy-to-understand way, if you don't know how to improve, you deserve a lifetime lv1

I'm really speechless. Some things don't need to be written in such detail. Listening to this novel, I was confused and even a little dizzy. Also talking about settings, there are too many. It's not that we don't talk about setting. We either write it briefly or write one or two chapters, otherwise it's really boring. Also, don't talk about setting again. I've said it before and I'll say it again later. Really speechless. I hate this kind of repetition the most. It will make me think that Rory is rude.

I'm confused and confused. Don't know what the protagonist is doing? All I know is that the protagonist has a cheat that can modify data. Unlimited copying of items, storage space, modification of own attributes {but detailed data is required}, and the protagonist's cheat finger has the upper limit of unlimited copying, causing the backpack to be full and exploded. Items spilled.

Brothers, I like novels with many settings, good development skills, and big imagination. Can you recommend a few more books to me? No one will be turned away.

I don't know why, why do you have to explain so much? I just read novels to relieve my boredom, but you just waste money. Are you going to let me make a system for myself after reading your novel? You told me so many reasons why! But I really don't want to see why! I think it's enough for you to tell your story well. You don't have to explain to me how your story came about, what power and ideas he used, what direction he communicated with, what words he said, and what tone he used. Why did he use this tone? Who is the person opposite you when you say this and use this tone? What impact will it have on him? Should you change your tone to talk to him? Should you do pre-communication before speaking? Will it affect your tone of conversation with him after the communication? Oh my god! Why are you telling me this? Everyone is here to listen to your story! You are wrong!

Ju Shui's plot progresses in leaps and bounds at the same time, skipping several times in the first 10 chapters. The protagonists Bai Ye and Zhang Min were chatting, and there was no time travel. In the next chapter, people will go directly to the world of full-time hunters, and then the author started to talk about the setting. While talking about settings, two people suddenly appeared directly at the hunter examination room. Before starting the exam, you can modify the settings of the protagonist's golden finger, and then read the ability in the attribute panel. As a result, during the long-distance running test, a slug appeared out of nowhere and could trade lives. It can be said that apart from the various settings in the chapters, there is no way to smoothly connect the fragmented plots. No wonder I wrote a million-word work, but it's still Level 1, and it can't be put on the shelves even after 150 chapters.