Reborn in the Golden Age of Animation

Regardless of whether the author is good at writing romance lines or not, at least the professionalism of the animation and the update and completion rate are very trustworthy. I like this kind of suggestions to follow up. I hope it will still be a single heroine, and not engage in stock speculation or polyamorous ambiguity. I feel that the author is not good at this aspect. In the middle of the last book, I found that the teacher's side plot was a bit awkward compared to the Nanami plot, so I jumped into reading it. I hope this one will at least be as comfortable as the one that tortured the audience.

I definitely support the author's ability to write this type of book with love, but there are still many limitations due to the text carrier. What is inevitable is a large number of drama plot descriptions and audience reactions.         Considering the background of the time and the general environment of the industry, some of the dramas that were very popular in the past now seem to have many people unable to get the points that seemed very powerful at the time. As a small house owner who has only been in the house for seven or eight years, the author's extensive selection of materials is not a big problem  How should I put it? I still hope that the author will follow his own pace and not speed up or extend the plot length of a certain drama. I have seen a lot of similar dramas that failed to control the mid-term and quickly collapsed The last thing is the selection of dramas, not to mention popular originals or gal adaptations such as Steins; Gate, Madoka, Xingetsu, etc. These will definitely be available in the future. One thing I hope for is some good dramas that seem to be less popular now, such as KyoAni's Daily Life, etc. These can be ignored Describe the plot too much, go through it a few times, popularize a lot of science, add it to the production plan of the protagonist's company, and then provide some good things to do after it has not yet had a second season. This is the yy of a small house. I will probably only see the follow-up of a certain series in novels in my lifetime.

Come on, I think the author should come in and leave a message before leaving.

Trivia: In fact, Chinese animation used to be better than Japanese animation.

I hope it won't be like the previous book. I really don't like the main character in the copywriting genre to have a vest. If the protagonist goes to sea in the early stage to get a vest in the later stage because he has no money, I have no problem with it. But if it is for the sake of a vest, it is very unpleasant. The author did not read this book because the protagonist had a vest in the later stage. I hope the author will not give the protagonist a vest in this book. Thank you.

What can I say about this book? It's just too dry. It's not much different from your first book in content, and it's not as interesting as that book. It feels like the protagonist is just a robot. He only knows how to make animations without any description of the circle or social interaction. In game terms, there are only main tasks and no side plots. The world is incomplete.

Regarding Lelouch, since the author adapted it when he was making Death Note, let me also give some suggestions from Lelouch. I saw it on NGA and it is in line with my opinion The best pace for Lelouch should be to film three seasons. Season 1 remains unchanged. From the second season to the 19th episode of Betrayal, things like Nunnally or the Knights of the Round Table were supplemented in the novel. This part of the novel is Nunnally's role as governor, and the interaction between Nunnally and the Knights of the Round Table. Basically all of it has been deleted from the animation, so it is difficult to see what kind of growth Nunnally has, what made Lelouch finally run away from Japan with confidence, and the ins and outs of the "million-dollar miracle" strategy were also briefly mentioned, causing the audience to only remember zero of this episode. In addition, the marriage with the Flower Planting Federation also has antecedents. That is, the strategic animation of the second brother's alliance with the Flower Planting Federation to encircle EU was basically not mentioned. In the animation, it is as if Lelouch suddenly got married as soon as he arrived at the Flower Planting Federation, which is very abrupt. If the first 19 episodes were stretched into 25 episodes as I expected, these problems would probably be alleviated a lot Drag it into 25 episodes, so that in the last episode Lelouch is betrayed, C. C. Loses his memory, Lolo dies, the emperor is about to cause trouble at the first sight... All kinds of gimmicks are packed, enough for the audience to look forward to the third season. It is difficult to shoot 25 episodes for the third season, but it is too easy to shoot a 12-episode season. Catch up on the superpower setting of code geass, catch up on the Blood Crest rebellion of parents, catch up on what "bad things" Lelouch did after becoming emperor, catch up on what those people were doing before Zero Town.

Mayumi Nanakusa of "The Irregular Student at Magic High School" is only one character different from the heroine

Emmmm Weather Child To be honest, I quite like the current ending. It is anti-sacrificial. Nature has been operating this way since ancient times, but humans have been interfering with the operation of nature. Look, they can do whatever they want now. The weather is abnormal now, and the glaciers are melting. Isn't it considered the sin of humans themselves? As for Weathering with You, didn't an old man say that? The city after being flooded was like this in the past. Personally, I think it also reflects the land reclamation.

Is there any hero who can tell me which are the love lines? I can't stand the ambiguity in such a serious career line.