I Formed the Strongest Swordsman Group

I don't know if it's my misunderstanding, but I feel like there's something wrong with this book. How can I put it this way? Compared with the previous book, it felt a little more frivolous, which gave me the illusion that "this book has a sense of mindless frivolity". This is purely my temporary opinion, and I will save my life.

If you want to understand the background of Japan's Bakumatsu and like Japanese swordsmen, you can read this book. Tachibana Aoden travels through the end of the Bakumatsu, rises with copying talents, and gathers Okita Souji and other swordsmen to form a new group. The most attractive plot is the swordsman duel, political conspiracy and the process of forming swordsmen.

First, I was targeted by terrorists for my life, and then I was targeted by the underworld for money. I thought I would think about how to solve it, but after reading more than 10 chapters, I was still learning swordsmanship and introducing messy things.

Young Nioh

The worst thing about this book is the bunch of ******* numbers at the end of each chapter where the author asks for votes. Author, do you know how annoying these * numbers are when listening to a book?

By the way, where are Ogata and Atachi's children? I'm so curious 😆

There is an anime with the same era background as what you wrote, with doubles at the end of the Akatsuki and so on. I don't know if the author has seen it.

I've read Chapter 35 and I feel pretty good so far. Keep up the good work and try to write more chapters.

Ninety percent of the Japanese samurai of that era were garbage, no problem, right?

The writing is very good, but don't let this book give birth to a few bad days.

Tachibana Aoden: "Is this the living legend, the unparalleled sword in the world that kills countless people? Sai Ogata's power? What a terrifying sense of oppression!" Ten seconds later... Nani, he doesn't have any talent!!!

Just to make a complaint, any time traveler with a good IQ would not support the shogunate in any era, right? Not to mention the political and ideological courses we have been learning, which makes us instinctively hate feudal oppression. No matter how romantic it is, it is the romance of gentlemen, but the common people below are suffering the same. The author is also familiar with history and should understand what the silent majority is like. If you don't ask the sun and moon to change the sky, and don't move three mountains, the protagonist relies on one person (a small group) to make physical repairs, and he is nothing more than the second shogun.

I wrote this post just to scold him I really don't understand the author's brain circuit. This novel is countless times worse than the previous one, "The Swordsman". First of all, in terms of the main plot, the main plot is the growth experience of Nioh Aoden, but the context cannot be said to be unclear, I can only say that it can be seen. It is true that the speed of growth and the growth experience can be seen, but there are too many miscellaneous things inserted in the middle. The relationship between the characters is not much but confusing. Then there is the part that I want to criticize the most, the emotional line. I was so angry that I couldn't sleep while reading a book in the middle of the night, so I came here to write a special post about it. It's true. First of all, let me explain that I am a single-heroine person, and I am not interested in novels with multiple heroines (if there is no heroine, I will tell you otherwise), unless the writing and plot are good. As a reader, I have a preconceived notion that I like Kinoshita Mai the best, but! ! ! ! ! ! ! ! ! ! ! ! What did you create for me? The emotional line was inserted into the ambiguity of Sanako, Okita (Historically, Okita Souji was a man), and even the young widow. No, brother, what is the difference between you and a scumbag when you write like this? The characters and personalities are not consistent, and opening a harem will lower the quality of the plot. Secondly, the previous book "The Swordsman" has a single female protagonist, but you are not capable of writing a harem. It is easy to get involved if you go too far. Thirdly, the market for harem novels is not big anymore. It is not what it used to be. Two female protagonists are relatively stable, and there are many single female protagonists/no female protagonists. Finally, I want to say that it's not that I can't see your hard work, but the quality of your new work is far different from your previous one. If you continue to write based on this, I think it will be difficult for book friends to pay the bill ps I am a Kinoshita Party member, and I am really convinced! ! It woke me up in the middle of the night 😡😡😡😡😡😡😡😡😡😡😡😡[ fn=47]😡😡😡😡😡😡😡😡😡😡 The above is my personal opinion.

Okita

Qingdeng: Five flowers in the harem, I don't know whose house I will stay at tonight, I am so sad that I am thinking about the moonlight 🙂

Ogata Issei Class: saber Rarity: five stars Character details: (1769-?) A legendary swordsman and ronin samurai active in the Edo period during the Kansei period. Born in Hirose, he escaped from Tibet for the crime of killing his lord and was wanted by the shogunate as a "thug". It is rumored that he killed countless people in his life and is full of legend. Starting from killing a tyrant with one enemy against a hundred, he also had brilliant achievements such as capturing the burning Kyoto castle tower, wiping out the Shiranui Ninja Village, and retreating thousands of troops from Ezo alone. At that time, he won the majestic titles of "Ittosai the Executioner", "Shura" and other majestic titles. His legendary experience is still talked about today. The kabuki play "Ittosai" adapted by the Edo period playwright Nishino Jiro based on his debut battle is still very well-known and popular in modern Japan and even around the world. Ogata Issei did not make any outstanding contributions in the field of swordsmanship throughout his life, but his shocking achievements earned him the title of saint. Along with Ueizumi Nobutsuna and Tsukahara Fuden, he was revered as the "Eternal Sword Master" by later generations. Parameters: Strength B+ Durability A++ Agility A+ Magic E Lucky E~EX Noble Phantasm EX Skills held: Mind's Eye (True) A+: Grant yourself invincibility (3 times·three turns), increase defense (three turns), and increase critical star concentration (one turn). Magic Release•Thunder (Pseudo) EX: The performance of one's own skill command card is improved (three turns), the power of one's own Noble Phantasm is increased (1 time·three turns), and a large number of critical stars are obtained. Breath of the Source EX: Increase own attack power (three turns), remove own weakened state, own NP +50%. Class Skills: Immortality B: Recover 2% of the upper limit of your health every round and grant yourself the perseverance status (1 time). Response to Magic A: Increases own weakened state resistance by 20%. Transparent EX: The performance of own skill command card is improved. Noble Phantasm: Asura Path • Transparent World (Blue Card Noble Phantasm) Class: EX Type: Anti-person, Anti-Army Noble Phantasm The performance of the own skill command card is improved, and the invincible penetration is obtained (one round), and a powerful attack that ignores defense is launched against all enemies, and the own critical strike power is increased (3 rounds). Personal information 1: Height/weight: 170cm·64kg Source: historical facts, literary works. Region: Japan Attributes: Neutral • Moderate Gender: Male The legendary Ronin samurai experienced a legendary story. The true extent of his legendary story has not been verified so far. Personal information 2: Character There are different opinions on his character. It is said that he was fearless of power when he was young and killed tyrants by himself; but there are also rumors that he killed too many people and killed countless people in his life; there are even rumors that he was a lawless maniac. In folk dramas, there is a legend that a woman set the tower on fire. But there is no doubt that whether he is eager for justice or cruel and tyrannical, good or evil, right or wrong, has become history and will become part of the "legend". Personal information 3: Immortality B: It is said that Ogata once encountered the undead in a fantasy adventure and gained immortality. As long as his injuries are not fatal, he can heal quickly. Transparent EX: Ogata reached the highest level of martial arts with kendo, and he was still able to exert magical power in the Edo period when there was no magic. Profile 4: Mind Eye (True) A+: Ogata's instincts have been honed by countless battles with people throughout his life. He can deal with all kinds of enemies in the best way and find an opportunity to win. Magic Release•Thunder (Pseudo) EX: There was no magic power in the Edo period, this ability was sublimated from legends. Ogata once triggered a thunderbolt from the sky during a life-and-death battle with a powerful enemy, and killed him with a single stroke of lightning. It is said that the then veteran Matsudaira Sadanobu witnessed this scene with his own eyes and spread it. Breath of the Source EX: The matching breathing method of the swordsmanship style Mugo Nito-ryu created by the "hidden swordsman" Kinoshita Genichi in the Edo period. It is the foundation of transparency, the supreme realm of martial arts. Ogata practiced it to the highest level, surpassing its founder Kinoshita Genichi. Personal information 5: (please add) Personal information 6: [Asura Road·Transparent World] Class: EX Type: Anti-human, Anti-army Noble Phantasm The ultimate sword that combines Ogata's life-long killing career, legend and martial arts realm. Integrating with the world on the basis of a transparent realm, thereby mobilizing the power of heaven and earth, can be called "a mystery that is not a mystery" in the Edo period, an era without magic. Be sincere to the sword, and the world will respond - Kinoshita Genichi

Pictures of Souji, Sanako, and Kinoshita Maibai Muzan～

This book is really tiring to read. The author writes too seriously and always makes three unnecessary detours. To explain the identity of a stranger, you first have to look familiar, and then you can't remember it. Then your friend tells you the name, and then the author narrates the identity, status, and experience. Isn't it tiring? Keep it simple. The protagonist introduces the appearance of the person when he sees it, and the friend introduces other information. Do you always look familiar and can't remember it? Is it in the front, has photographic memory in the back, or is the protagonist suffering from Alzheimer's disease? The same is true for plot promotion. A plot involves several parties. You need to write down the decision-making process of this matter from several perspectives. The protagonist's line, the protagonist, the victim, the villain. Are you writing a criminal record? Remember who and who said everything, and you don't need to explain the overlapping ones. You can keep it simple for non-protagonist lines. Some villains are written in detail to create characters, but your villain is written in detail to explain the situation? Neko Monk and Mai are the same person, so she doesn't have to explain why she showed up in Fujisawa to catch a thief. Everyone knows what happened, but she still has to explain why she went there, why she caught it, how she caught it, and whether you were tired or not. There is nothing wrong with imitating the tone, wording, and sentence patterns of the time to reflect the sense of place of the times, but haven't you noticed that the protagonist, supporting roles, heroines, passers-by, and villains all speak in the same mold? The differences in character in the setting cannot be reflected in the language, and can only be determined in the plot. The contradiction is very uncomfortable. This is a novel, not a textual research document. This thing of yours is said to have a low number of words, but it is very careful. It is said that it is not watery. All kinds of unnecessary repetitions are like filling the sea. The result is that the pace is as slow as a turtle, all the characters, including the protagonist, are all NPCs with no personality, and the plot is as boring as foot bindings. Riqing Riqing, some of them were written in China, and they were all written according to the Japanese style. Didn't you feel uncomfortable writing it?

The author is very bad at mathematics. I have this problem with this swordsman. He always likes to give specific numbers, and the numbers are not correct. This Bakumatsu book has the same problem. For example, time, the author always likes to use minutes as a unit to describe how fast the protagonist is, how many moves he has fought, and then says "only five minutes have passed." One minute and sixty seconds. Count silently how long sixty seconds is. Look at the modern US police law enforcement record video. The black suspect jumped out of the window and ran towards the policeman with a knife. He jumped on him and stabbed him four or five times for about three seconds. It took 0.5 Seconds for a white prisoner to go from surrendering with his hands up to suddenly crouching and half-kneeling, pulling out a gun and shooting the policeman. The policeman shot the enemy with a Taser in his left hand to interfere, then threw away the Taser, leaned back to dodge the bullets while pulling out his hand with his right hand, lying on his back and fired four shots. The prisoner fell to the ground after being shot but still wanted to shoot. The policeman's pistol jammed. After unloading the bullet, the policeman shot the prisoner again to subdue him. Finally, he used the intercom to report the situation. So how long did it take from the prisoner raising his hands to surrender to shooting, to the police reporting the situation? 4.3 Seconds! Five minutes and three hundred seconds! Enough to repeat this duel seventy times! In the book, in the early stage of the plot, the protagonist had just fought a ninjutsu master with less than twenty or thirty moves, and said "only five minutes." Five minutes was enough for me to run from the classroom to the cafeteria in college. Assuming that thirty moves have been made, the average confrontation between the protagonist and the opponent takes ten seconds. In other words, starting from Bolt's 100-meter run, the protagonist begins to attack the enemy with a knife. By the time Bolt reaches the finish line, the protagonist has not finished the move. What is the speed? My grandma hid even when she came! 😠 When the protagonist first became a thief, he and his subordinates took turns challenging each other. After beating one person, he waited for ten seconds to defend passively, and then solved the battle instantly with one move. After beating ten people, the author said "just five minutes", and I was confused😮, ten people, ten seconds per person, which is just over two minutes at fifteen seconds per person. What did they do in five minutes? Do the math yourself, wave your arm once and see if the time is less than 0.5 Seconds. Count the time you wrote silently. At the same time, imagine that your protagonist is fighting in front of you. See how long it takes for the protagonist you wrote to finish the set you imagined. Are you secretly massaging the enemy? 😠 What you write about is a martial arts world that transcends reality. It is a low-martial world view, a world where swordsmanship can cut masts, swordsmanship can draw thunder, and people can fly into the air when fighting! Is it reasonable that the result is that the fight is slower than that of a five-year-old child? There is also distance. The author is insensitive to all numerical problems in reality. In the early stage, the protagonist ran out for about 200 meters to fight an enemy with a gun. In reality, a sharp weapon can kill people in less than one second. If the protagonist steps on a stone, the knife is broken, the handle is loose, etc., He will die in a few tenths of a second. At this time, Kuro Mamiya, who was two hundred meters away, said that he could protect the protagonist and would take action in time if there was a problem. You may want to ask, why did he take action from two hundred meters away? He once learned some sword-control skills in Shushan? He wants to liberate the Noble Phantasm? Does he know how to pause time with Sword Twenty-Three? Can he sprint 200 meters in a fraction of a second with a single sword and gun? He used a big sniper door to hold the opponent's head? 😰 No no no! The answer is no! This is nonsense! Mamiya = san is an actual mortal! ! 😡 When he ran to the place, Ju Qingden = San Jueming Fei had finished reciting, everyone could be buried, and the grass grew up after the people were buried. After the grass had grown, everyone ate it, 🐮 gave birth to sons, sons gave birth to grandsons, and the grandsons were served as steaks. The chef asked how mature they wanted them to be? At this time, Mamiya slapped his head, oh! Not protected! 😇 This means that the author has no concept of distance and does not know how far two hundred meters is. I knew the author was bad at math from the last book. The key point is that this book has not changed at all, and the author himself doesn't know. He always likes to write specific numbers, which makes everyone frown when he writes them. How about you, the author, use your strengths and avoid weaknesses, hide the specific numbers, and just write "in a blink of an eye", "in the blink of an eye", "turning your head", "in an instant", "in just a moment"... Etc., Isn't that enough? Or you can check the calculations when writing to see if the time and distance numbers are reasonable. Stand up and step forward, wave your arms, and twist by yourself. Imagine that the protagonist is four or five times as fast as you and see how fast it is. After you finish writing the entire countdown on your phone, you stand there and wait for the countdown to reach zero. At the same time, you imagine the protagonist fighting in front of you and feel how long it is. Or you open a martial arts movie, such as Ip Man, Once Upon a Time, Rurouni Kenshin, and The Fuse. In such movies, there are no slow-motion shots of "fighting fast with fast". If you turn on double speed, imagine that this speed is the speed of the protagonist in your novel. Then you look at the actions of the people in the film and how many words it would take you to write them down. Compare them horizontally with how many words of description and actions the protagonist makes, and how much time it takes. Or if you watch a boxing match video and see how many moves the people in it can do in three minutes, then think about how fast a master in the martial arts world must be. Or simply follow this standard: one or two moves take less than 0.5 Seconds, twenty moves or less are less than 10 seconds, and the unit "minute" should never appear. Even if the total duel is really longer than sixty seconds, then put a summary of the time in the middle and say "it has only been twenty seconds so far." I have read both the previous book and this one, and I have to say these things, because this is actually a problem that is easy to notice and easy to correct. When I read this book, I thought the author would find it soon, but it turned out that the author didn't find it for several years! Many people say that the author is a bastard. This is a matter of opinion. The author just likes to summarize one thing after writing it, describe it more after the summary, and then summarize the previous thing after the description. As a result, the two thousand words written in the past are still the same thing two thousand words ago. This kind of personal habit is difficult to change, and there is no right or wrong. Some people like this? But! 😠There is right and wrong in mathematics! Unreasonable data is unreasonable! This is an undoubted question😠 The author cannot write about chasing wind and lightning, but when the data is given, the old lady gets under the bed! In the world of martial arts, even if you are low-level martial arts, you can write as exaggeratedly as possible. If you write too fast and too powerfully, if you write that the protagonist cuts through the vacuum like a sword and dodges machine gun bullets, everyone will only say "Powerful! Domineering! Strong." ! Nioh humiliated Maxim! " But your imagination is too poor and slower than reality. People will think, "Are they really not flirting when they fight so slowly?"

What does Bushido say? In fact, no matter how you say it, it is just a matter of the samurai class. As for whether Bushido is noble or not, we only need to look at the social stance and social division of labor of the samurai class to make a fairer evaluation. First of all, the warrior class is the product of a backward farming civilization. The main functions overlap with those of the army, but the details do not have as many rules as the army. They belong to a loose class that maintains the rule of the shogunate and supports the authority of the imperial family. If we explain this class in terms of rights and obligations, we can clearly understand its advantages and disadvantages. The duty of a samurai can fundamentally be said to be to respect the king and resist the barbarians. The rights of a samurai fundamentally mean that they can obtain the means of production without engaging in agricultural production. This gives you more time to enhance your personal strength. The duty of a samurai is to maintain social stability and ensure long-term social peace and order. The rights of the samurai can enable the samurai to possess high personal force, easily suppress the rebellion of small-scale peasants, and be at ease on small-scale battlefields. For an island country like Japan, the Bushido system is a very effective system. After all, Japan is not like a mainland country. It has a huge territory, rich products, and a large space for operation. It can use the country as the main body and use a large amount of resources to raise troops on a large scale. It can only use Bushido as the main body, the Bushido spirit as the centripetal force, and a small amount of resources to maintain an absolutely loyal class and ensure stability in all directions. From the above, it can be concluded that Bushido played a pillar role in Japanese history. As for the part about bushido not being human, that is naturally disgusting, just like some scum in Confucianism, it looks really disgusting. But just as Confucianism played a role that cannot be ignored in the Tang, Song, Yuan, Ming and Qing dynasties, Bushido is also difficult to replace in ancient Japan. If we look at various ancient countries on a global scale, we will find that all countries were not human beings for a period of time. So, to sum up, Bushido is certainly bad, but it is the result of backward productivity. Every country had this problem in ancient times, so everyone can criticize it rationally and use our superior system, culture, and grammar in the 21st century to criticize it.

I have a question to ask, was the protagonist a little devil before he traveled through time? If so then no problem, if not.

This is a detailed popular science novel written by an author who is in the second grade of secondary school after consulting a large amount of information. Because he is very young, it is full of private information. The author enjoys it and considers it to be thoughtful. This is probably the kind of book it is. As for me, my patience has reached its limit.

I feel like there are too many descriptions of women, and why the male protagonist is always tempted. There are always descriptions of chest throbbing. Does the male protagonist have a heart disease? 😥

It's a bit boring. After the love story started, I basically skipped and watched. The same old plots one after another. What's the point of flirting with the boss at the post-war celebration celebration party in front of half of the lovers? This scene almost made me vomit 😅 Doesn't every woman who has a harem want to become a harem? Can't the Souji be a female hero like the second palace in The Grandmaster? Describe the unique personality and persistence of each woman, which is better than yours.

Ancient Swordsman is a bit boring after seeing it. King Ni couldn't stand it when he saw the harem. However, novels like this that are different from traditional martial arts are indeed better to read. Various kendo schools, bushido spirit, battle descriptions, and heroic stories are closer to reality without the exaggerated and distorted fantasy. It feels just right.

1867-1885 History of Central Official Positions of the Meiji Government

Because of the author's previous novel, I planned to finish it no matter what, but as I read the second part, it became more and more disgusting. I felt that my IQ was constantly being challenged, and I almost vomited.

I read this book because I had read The Swordsman before, and it was very interesting. But now that I have a harem, the book has changed. I don't want to read it anymore, so I gave up the book.

Because I quite like the author's narrative style, I feel very uncomfortable with what is mentioned in the title. Take the male protagonist of this book as an example. He has read Natsume Soseki's haiku, and also has a deep understanding of the works of other traditional Japanese literary writers after the Meiji Restoration, and can easily read their works. This level is absolutely unique in China. But he had never heard of the Shinsengumi. This thing is very incredible. Because as far as I know, when normal Chinese people come into contact with Japanese culture, they should first come into contact with popular culture, and then traditional culture. In Japanese popular culture, there are three mountains that cannot be bypassed related to history, namely Minamoto Yoshitsune, Japan's Warring States Period, and the end of the Tokugawa period. As a policeman, the male protagonist has learned traditional Japanese literature on his own without any job skills requirements, and he still doesn't know the history of the Bakumatsu at all, which can be said to be very strange. It was as if he had been lowered when he traveled through time, specifically erasing the memory of this period of history. The author did not set it up like this, and then made the protagonist frequently suffer losses that could not predict the future in the later period, which had a big impact on the reading experience. I hope the next one won't be like this. By the way, the level of understanding of a Makoto policeman who doesn't care about Japanese culture at all should be as follows: The protagonist of "The Tale of Genji" is Minamoto Yoshitsune. This is what a distant relative of mine who has retired and has a relatively high position in the police system said when he mentioned the Japanese books he had dabbled in when he was young. I blindly guessed that what he watched back then was "The Tale of the Heike". By the way, if the author needs the protagonist to know some future popular culture but does not know the historical direction, just set the elders in the protagonist's family (parents and teachers are acceptable) to be time travellers, and there is no need to force the protagonist to become wise.

Emmm, I originally wanted to save one to one hundred before the end, but now that I have graduated from college and started an internship, I really don't have the energy. I only read updates every two or three days, so that's it. Friends who have the energy can try it, but I think I am already very good at dio. Please give me the essence. The essence of such a picture will not be lost for half a year,