Milo Blue Scroll

The world view of this book is also very grand. The land of Hanxia is isolated and polluted (located in the east of the world) by the emperor (the incarnation of the earth or the earth is the incarnation of the emperor). The three islands in the south are not friendly neighbors (there is also a great god who controls the time sequence with the emperor). In a realm, both enemies and friends), the northern countries often think of invading invaders (I wrote a Jianmu Taoist who doesn't know whose vest wants to control the underworld), and there is the Guixu Sea in the west that separates the Western Continent (there is a Holy Seat that feels like Jesus swallowed the sun god). In the land of Hanxia, ​​there are also various illusory realms or small broken worlds, and there are also broken worlds outside the entire big world. The protagonist came from Taixu Illusion in his previous life and was the emperor's back-up man. His development path is suspected to be the same as Hanxia's human way, the emperor (the earth way), and the protagonist's palm (the way of heaven) to form the three talents of heaven, earth and man. Moreover, the style of writing is also very fairy. It is extremely rare to find true fairy writing. It has a fairy spirit and is not the kind of novice who only cares about leveling up.

Forgive me for being a layman and I can't understand

In the book, Emperor Jin Hong thought it was a coincidence with Emperor Yuan Shen at first, but later on he discovered that they were very similar. The book also mentions many times that the emperor returned to seclusion with all the immortals. Later, there was the panda Po and the owner was a cook, and he was simply a rice cooker. The conversation between the emperor and the soldier later revealed that this was indeed the case.

The detailed explanation of the three-pointed talisman magic weapon gives people a deep understanding.

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You wrote Across the Worlds, and your book is absolutely popular. It's not that it can't be done, and it's too fast, a bit like Infinite Flow. The main reason is that it's too complicated and makes you feel dizzy when you look at it. The character of the protagonist is quite to your liking.

If you have finished writing the Jade Emperors of the Three Qing Dynasties, then let's write about Nuwa hahh

1. The protagonist has an awkward personality. He often does something he has clearly decided to do, but ends up giving up on compromise due to various reasons. 2. The protagonist's IQ fluctuates from high to low. He clearly has the experience of sitting on the throne of the Emperor of Heaven in the fantasy world, but in Hanxia, ​​he did not believe that the enemy would dare to attack him several times, and placed his hope that the enemy would not dare to attack him. 3. The supporting characters are awkward. Regardless of the protagonist or villain, it is probably to increase the conflict. They are always unable to do what they want to do for various reasons. 4. The content is too procrastinating. It is normal to write twenty or thirty chapters in one holiday, but after reading it, I felt that it was so long-winded that I didn't have much impression. It felt like it talked a lot but seemed to say nothing at all. 5. There are a bunch of setting introductions that look a bit fairy-like, but they all have no outstanding points. The more you read, the more confused you become. In general, it is obviously a good story, but the content it tells makes people tired and unable to stand it. It is tasteless and it is a pity to abandon it. Don't listen to what the family says

I have finished writing The Three Purities, and I really want to write about the Jade Emperor

The writing of this book is average, the relationship between the characters is too naive, and it is very embarrassing for you to read. Can't the title be more natural? When you meet a Taoist priest, call him Taoist friend, Taoist brother, or directly by his Taoist name When you meet a monk, call him master, mage, eminent monk, or even monk directly When you meet a god, you can call him Zunshen, or directly call him by his name When you meet a man, call him brother, Xiongtai, or Calling cousins When you meet a woman, you can call me miss, girl, fairy, or Mrs. Too formal.

This book doesn't add so many messy things. It says that the results of traditional cultivation of immortals will definitely be doubled. I don't understand it.

I have probably read dozens of chapters, but I still want to complain about the chapter about Elder Qian. Many people criticized the author in this chapter's book reviews, and I think they were right. Because the author simply stated the incident as Elder Qian was fighting evil cultivators to protect the place and unintentionally caused the death of the girl as a sacrifice. As a result, his mood was shaken. Later, because the girl's body was stolen, he could not improve his cultivation. To put it bluntly, your statement like this will only make people think that Elder Qian is weak-minded, and then Qian is a monastic genius. It would be strange not to be scolded. Of course, you patched it up in your book review and said it wasn't finished. Indeed, if you add that the girl is a relative and friend of Elder Qian, and then died to save Qian, there will be no problem with this matter. But your patch must be applied in the previous article. Just like on the Internet, if you want to say that a man does not honor his parents and insults them, then this man will only be scolded. You must state that this man was abused since he was a child and his parents failed to fulfill their responsibilities. Then he ran away from home and struggled on his own. His parents only came to him when he grew up. Only in this way can someone speak up for men. What you wrote is as if you were only posting the first half, so it would be strange if you didn't make a fuss.

Goldfinger is so strong but the writing is so useless, empty and bulky, not fulfilling.

This book feels much worse than the previous three books. Originally, except for the first book, the protagonists are all kind-hearted people with very upright views, but there is absolutely no Madonna plot that goes beyond ordinary people. But this book gives people the feeling of being a bit holy (not derogatory). Although I admire it, it is a bit too much to put it in an online article. It is like another author Chu Bai who likes to write characters with three views and uprightness, but after writing more books, the protagonist is not as kind as a human being.

Three flowers stand high, nine qi are in the air, and the misty Taiqing Yao Que is the most beautiful. Holding the hibiscus in hand, flying in the air, several people are paying homage tonight. Then he turned over and used the Big Dipper as a ladle. Purple pots of fragrant snow were scattered all over.

The Jade Emperor's palace is extremely high, and the east and west dragons and tigers are even more valuable. There are many things in heaven, and immortals have bright hair on their temples. Ma Gu smiled emptyly and stretched her paws. Pinch the peach blossoms, and the flowers will illuminate thousands of homes.

To wish you a hundred years of leisure in your life, there is a Reuters entrance in Jiang Palace. Bright as the moon in the heart of the pond on a snowy night, as quiet as the mountains after a spring rain. Everyone can't sleep in the soundless sound. Where is the dust and the night is about to end. Qinxin Sansang sits leaning on the building, and the yellow crane goes away leisurely and never returns.

My mother planted peaches across the sea, and the flowers fell and her children became two thousand years old. The sea breeze blows off the most numerous branches, and I kneel down and hold a golden plate to offer to the Emperor of Heaven. The crane returns from Huabiao after a thousand years, with elixir on its head and snow as its clothes. Everyone heard the fairy words from the stars, but they fluttered their wings towards the five clouds.

I think Dao Tianji is also amazing. In a sense, Dao Tianji's love for Han Xia keeps him from going crazy. In fact, people have already gone crazy. Milo does belong to everyone's ideal gods or even saints, but there are always people who do the dirty work, right? I feel that Dao Tianji is very similar to those people who are undercover and can only be unknown heroes. I always feel that Milo is a god and Dao Tianji can only be a ranger. Besides, Dao Tianji not only sees the future but also sees his own experience, which is always worthy of reference. In comparison, Yun Changkong is an absolute idealist, and his behavior is not for the country but purely to vent his anger.

The writing is very good. But as some readers said: the plot is too boring, the characters are not outstanding enough, and the more you watch, the more boring it becomes. The protagonist's subjective initiative is not strong and he is passive everywhere.

What did you write? I thought it was a traditional fairy tale, but ended up writing a bunch of messy supernatural events. It was a complete mishmash.

The gospel of setting up the party. Especially the author's level of naming is quite high. The names of the exercises are also nice and lofty. I really hope other authors who write about immortals can learn more from you and the author has also done a lot of homework.

Is there anyone like me who can't stand reading this book? After reading thirty chapters, I still don't know what to talk about. What the protagonist is going to do, what is the purpose, and the connotation of the story are all very vague. The story is not attractive. The protagonist has no clear goal, and the book is confusing.

Milo: I am a piece of brick in Hanxia. I can move it wherever it is needed!

Although the author wanted to write a classic fairy tale with a fairy spirit, but the writing style was not good, and the dialogue and narration were all verbal. The wording is also too modern. The author can go and see how Dao Zhengfeng uses words.

Take Chapter 41 as an example. The first half of the chapter talks about government studies, and the second half talks about the Qian family. The whole chapter is filled with character dialogue, and I don't know how it advances the plot. This kind of problem is also common in the first 40 chapters. Don't you think you are more interested in writing about the customs of another world than the plot?

Sometimes people will feel a sense of anger, which makes me a little irritable. I talked about Bai Xisou's dialogue for several chapters, and the more I read it, the more angry I became. Good writing is your ability, being wordy is your incompetence.

I forced myself to read Chapter 28, well, I didn't feel anything.

I hope the new book will be Chu Shinhwa Taiyi

The Little Prince