The Cursed Immortal Between Worlds

I have been writing for a long time, and I have many things to say. The protagonist is obviously a monster like Gokailiu, so when will my sister-in-law die? I can't keep it in my body in the future. At the end of the dynasty, all the heroes dominate the world of Zhuolu. An ordinary mortal woman can show up once or twice in the early part of the book. The protagonist will not stay in one place for a long time. The two people you are writing now are in love with each other. What do you plan to do in the middle and later stages? Is it a passerby? Or do you directly use death to bring conflict to the protagonist and dramatize the plot?

The quarrels in the chapter are actually quite funny. This is a studio article with modular writing and assembly line production. There is no need to have questions or even quarrel with several of the modules. The advantage of studio writing is that the quality of things on the assembly line is somewhat high. The shortcomings are also obvious. They are dull and the same. There are traces of splicing of industrial production everywhere, and there is no aura. So don't expect too much from him.

Let the protagonist become a real God of War like Yang Jian.

After reading the table of contents, I can only say that the author wrote it carefully. There are many reasons for the lack of popularity, but women are a forbidden area. The female supporting character will kill her by herself, or it will be the food for the male protagonist to become a demon in the future. He must kill decisively and plan his supreme path. I will travel the world with only the sword in my hand during the long journey. There is no woman in my heart, so I draw my sword to the God of Nature. Control your desires and unleash them on your enemies. If you can't do this, it will be difficult to become popular.

The author changed the image of the bald man. Erlang Xianshengzhenjun is bald, which is too dramatic. As long as you don't give the protagonist An Erlang the title of God, I don't think there is anything wrong with being bald.

I feel that when the protagonist's skills are gathered together, there will be chaos in the temple.

Let me remind the author to think about how to end it The setting is apocalyptic with man-eating demons and the entire country and sects are in ruins. Although it is very enjoyable to write, the protagonist only needs to kill and kill. If the later stage is anticlimactic, it will be ugly. Don't just kill a few casually and then explain that the people have enough food and clothing to live and work in peace and contentment According to the current situation, the protagonist has to destroy the sect and make the family prosperous. Only by killing the clan can we achieve the level of saving the people. Don't say that if you kill the boss and replace him with a good person, they will change. It's impossible. You have to kill them all from top to bottom Now it belongs to the protagonist. Even if he rebels and becomes the emperor, there is no one available because the setting is that all members are evil. The setting is so excessive in the early stage. In the later stage, when the protagonist becomes stronger and bullies others, don't think about only dealing with those who are against him like a normal world view.

I've read over a hundred chapters and I can't stand it anymore. The author always messes with the settings. The preface and the follow-up are inconsistent. The more I read, the more disgusting I feel.

After so many chapters, the protagonist is still suspicious, worried and frightened when encountering danger. My mentality has not improved at all.

Just crush it, don't make it just right, almost, just right, it's just like that at the critical moment, it's not flattering at all