The Whole World Is Made Up of Actors

The setting of this book is really magical. If it were born in the running man era, Juebi would be the most popular book. There would be no other book.

Fairyland version of The Truman Show. It looks pretty good and I can keep watching it. The daily poison guide is finally not poisonous. Except for the fact that the pig's trotters' IQ is a little bit off-putting, they are pretty good. I'm really looking forward to the story of walking out of the studio, but with the current plot development, it's probably going to be a lot of work. Overall, it is a good book with novel and unique subject matter.

I originally wanted to stick to the golden elixir stage, but I couldn't bear it and jumped there. As a result, the point that should be a small climax was written in an extremely dull way. In general, the idea is actually good, but it feels like it fell apart as soon as I wrote it. Before I leave, I would like to write down some personal opinions. 1. Originally, the destruction of the satellite in the Jindan period should be a climax point in the middle and later stages. Because the truth is discovered and the satellite is destroyed, if there is no reasonable way, the reality show will not be able to continue, and the story should actually come to an end. It would be best if the protagonist cannot discover the truth even in front of the golden elixir. It's the kind of movie where the audience is confused when they see the protagonist suddenly being struck by lightning and suddenly discovering a satellite, and then the whole screen goes black. That's the cool part. Or even if you really find out in advance, then the protagonist pretends not to notice and practices secretly, and then suddenly turns against him. This is also a cool point. Now, everyone knows that the protagonist is going to form an elixir, so he just goes through the motions of forming an elixir and building a satellite. It's very indifferent. But now that I have found out the truth, I still want to continue, so I started to follow the normal theme of Goldfinger cultivating immortals. After playing the satellite, I criticized the Japanese. I just read the latest chapter and I am still criticizing the Japanese. I just said that if you don't know how to create a villain, you don't have to create a villain. And if I wanted to read a novel about cultivating immortals, wouldn't I find a serious one? 2. Does the author clearly understand what is attractive about his subject matter? Are we here to read the cultivation novel? We are here to see Dihua, the kind of audience that the crew doesn't understand what the protagonist is doing, and then makes up their mind. The protagonist finds all kinds of unreasonable things, and then makes up their mind. Everyone understands each other, and only the reader laughs from the perspective of God. This is the best part. The result is that you rub mud balls every day, what kind of mud Buddha protagonist are you covered in mud? You ask the audience, "Hey, when did the crew give out the pills? The props are quite complete." The crew, "Has the plot reached the point of giving out the pills? Where did he get this pill?" You can even add a few words on the pill bottles given by your system to say "Dragon and Tiger Life-Sustaining Pills." And then it happens that the investor of the crew has a "Longhu Health Products Company." If it doesn't work, just ask the system not to give the real elixir, and use it directly in the system backpack without being able to take it out. Isn't that the end of it? You don't think it's funny that "the audience thought the protagonist was eating mud balls"? 3. There are many tricks throughout the story where the protagonist does not follow the routine and catches the crew off guard, but most of them fail. The ones that can be called funny points impressed me. One is when the protagonist is so evil that he throws down a brick to knock down a gangster boy, and the other is when Bai Ling gnaws on carrots and cabbages in order to fit in with the character. Why, because it is logical, the protagonist can not play according to the routine, but his behavior must be logical, that is, you have to justify it, rather than making the protagonist forcefully not to cooperate with all the clichés. First, we use some classic plot points from other novels, then forcefully insert the protagonist into it, force the supporting characters to find trouble for the protagonist, and then force the protagonist not to cooperate. Indeed, even a normal person would not cooperate with this plot. Then the audience couldn't see that the plot was cliched. The actors didn't write the script every day. What should I do next? The screenwriter said my script was invincible all the time. The director couldn't understand my play all the time. It was because of the audience. Why do you write your plot into a mess just to satirize reality? Such a plot, if it happens once or twice, it is a joke; if it happens three or four times, it is cliché; if it is endless, it is 💩. You are a planet-level reality show. The preparation is calculated on an annual basis, but the script is just like this water bottle? Is the director just this water bottle? Is the actor just this water bottle? Why do readers give bad reviews because the protagonist cannot discover the truth? Because the script of this reality show is too lame, the director is too disgusting, the actors are too watery, and it's not fun to watch. Naturally, I want this to never happen again, and the only way I can think of it is to discover the truth. 4. The plot was pushed too hastily and got out of control too quickly. In the early stage, the protagonist has just entered the path of immortality, and his magical power is no match for technology, so he should not be able to stay away from the camera for a long time. A small Qi training makes your technology malfunction, which shows that the level of technology is very low. Why can't your protagonist discover the truth with such advanced technology? In the mid-term, the spiritual energy is revived. The biggest failure here is that the immortal respect is born, or the large number of immortal respect is born. It can be said that it will collapse directly. When the protagonist is the only one who cultivates immortality, the contrast between heaven and earth is very good. The difference between the fake immortality created by the crew and the protagonist's true immortality, the collision between the two, and each other's brainstorming, what a great laugh, but the Immortal Lord is all gone when he is reborn. Especially, even if you want to be reborn as an immortal, you should be reborn one or two times, and don't have any contact with official forces. It's a small side story, responsible for shocking the protagonist's ability to advance in such a lack of spiritual energy environment, and adding one more angle to highlight the protagonist's awesomeness, isn't it good? You have a lot of immortal characters now, are there any characters worth remembering? Forget it, I wrote a few personal thoughts based on my feelings. You can read it if the author wants to read it. Anyway, the story has reached this stage and it is basically impossible to save it even if you want to. If you don't want to read it, just pretend I didn't say anything, and leave it at that.

The idea at the beginning is really good, but the further you go, the less interesting it gets. Supporting character's wisdom: You know that the protagonist is the first to cultivate immortality, but you still treat the protagonist as a monkey? How many people are the relevant departments prepared to die? Don't you think of a way to remind those who are favored by the protagonist? How many people have been affected by his breathing method? Since they know that the protagonist has become an immortal, and the first cultivator, the spiritual energy recovery only appeared after the protagonist appeared. They will not investigate and test? Women will only affect the protagonist's speed in cultivating immortality. How many girls are there? Without girls, the plot cannot advance? It has not been long since the spiritual energy has been revived, and it is the lowest level of spiritual energy recovery. A character who was lingering in the last era has spiritual energy that can support him to drive a "fairy boat" all the way to the planet where the protagonist is to cause trouble? He can still withstand the attack of battleships... Where can he get so much spiritual energy to waste on him...

After reading books for ten years, my evaluation is about 8.8 Out of ten and it is worth reading.

I don't know if the author has noticed that the current contradiction between pig's feet and the world has reached an irreconcilable level. First of all, the world background. An adult with normal intelligence and his own three views can be bought and sold at will without his own knowledge - a slave society in an interstellar background. Secondly, people in the army look down on pig's feet. They even use a living person as a test subject and cut off his hand if he wants (although it is unsuccessful). This person is neither a criminal nor a foreign enemy. To put it more vaguely, this is an army with ideological problems. So the question is, how does the protagonist view the world after the truth is revealed? From the current perspective of normal people, a ruthless pseudo-traveler was bought and sold as a slave, and then treated as a monkey for people to play with, and he happened to gain extraordinary power... According to the current progress, the author should arrange a foreign enemy in the second new circle, but if Pigfoot knew the background of the world, would he be willing to work for his slave owner? If it were me, or zaofan, then I would be angry if I were to lead the party. If the protagonist has been deceived and kept secret by the whole world, and deceived into going to the battlefield to work as a slave, then this book will be too frustrating, and the only choice is to delete the book.

I think there is a problem with your setting first. Outsiders don't know that the protagonist has a system. So, how can the director ensure that the protagonist can become a mover and shaker? If not, then the protagonist will repeat his low-level life day after day. What's the point? If you use technology to simulate repairs Fairy special effects, how do you ensure that the special effects you release are what I want? It's very simple. The protagonist wants to fly out of thin air. How do you make him fly? Inevitably, the protagonist will become suspicious later, unless the protagonist has always been a mortal. Therefore, the program itself has no reason to stand up and the logic does not hold! Just a personal opinion!

About poison... After thinking about it, let's talk briefly. Logically speaking, you shouldn't be stubborn with readers. 1 Zi Yan and the soldier's character design collapsed... Some people say this, but I actually didn't expect it. Zi Yan has always had a arrogant attitude since her appearance. I have already hinted in the article that the space warriors are out of the category of human beings to some extent. I have not written about either the military or the official government. It has nothing to do with whether the military characters are good or not. There must be villains in books. After all, there are bad guys everywhere Well, let's just say that much, otherwise it will be a spoiler. 2 Concerns about the future protagonist repaying kindness with kindness I think the bosses should have confidence in me, because until now, I have never written a sentence about the protagonist or the setting of repaying kindness with kindness... This book is really enjoyable, don't worry, read it with confidence, the situations that are worried about in the current comments are not in the setting of my outline. 3 About Fang Xiu and the supporting character Jiang Zhi, and deliberately suppressing the plot Do the bosses still want to know how Fang Xiu woke up? When you wake up, you will be in the real world of immortals. Three hundred years later, high technology will deceive an ordinary person three hundred years ago. This is reasonable, right? Fang Xiu obtained the system only after he was determined to become an immortal. He believed in this world. This was also the basic setting for the opening of this book, and there has been no big loophole so far, giving him reason to doubt. Just like looking at the mobile phone in front of him, would he think that this thing is a magic weapon, and then smash it open to verify its authenticity? The supporting characters reduce their intelligence and deliberately suppress the plot... The level of science and technology in today's society is not as high as it will be three hundred years ago. Does anyone really believe in cultivating immortals? To use an inappropriate analogy, if you raise a dog, it is too smart and exhibits several high-IQ behaviors similar to humans. No one will think that it has really become a sperm, so it should be sent for anatomy and analysis. I think this is reasonable logic. Then I pay attention to everyone's opinions. They are really opinions about the book. Regardless of whether I agree with it or not, I sincerely treat it and express my gratitude. After all, anyone who can read more than a hundred chapters is an affirmation of the young author. About the entire plot, there will definitely be some minor oversights. The author has limited writing power and will try his best to modify it. But there is no other way for those who are deliberately arrogant and too violent. Please forgive me. I really have to delete the post, otherwise my mentality will collapse.

The plot of this book is as follows: The whole world is deceiving the protagonist that he is in the world of cultivating immortals. As a result, the protagonist becomes an immortal without everyone knowing it. Finally, he discovers the truth and is fooled like a clown. He activates the revival of spiritual energy and starts a universal cultivation of immortality. Everyone becomes an immortal, everyone becomes a dragon, and his hands turn into clouds and rain. In the ending, at the moment when everyone realizes Daluo, they realize that everything is a dream, they are all still mortals, and only the protagonist entertains all living beings on the long river of time.

I originally wanted to see the collision between technology and immortal cultivators, but it turned out that using a handful of technological weapons was completely ineffective, and then I waited for the plot of the witch relying on me. It was a return to the old routine.