Run a Safe House in Unlimited Instances

The writing is very good, don't write it again in the future, find a class

Let me talk about the information I have seen so far. Although I haven't watched it for a month (I really don't have time), Infinite and Safe House are in opposition. Before Infinite came to the earth, there was an Infinite game in the world, but the result was not good. The safe house is to breed "ideal rulers" (probably?). Infinite knows about the safe house but cannot observe it. The protagonist knows that Infinite starts to look for him and begins to actively hide. Currently, I think this book is about the protagonist who begins to gradually understand the truth, grows up, and completes his mission after being selected. In it, between Infinity and the protagonist's safe house are forces such as the earth, other worlds, and old gods. However, I guess that the protagonist will most likely disappear in the later stages. After all, this was also the case in the previous books. My first impression of the protagonist's character when I first read this book was that he was very casual, indifferent or even indifferent. From my perspective, his words and thoughts were very calm, with no ups and downs in emotions, and occasionally he might be a little bit evil. Emotionally, I am not taking the initiative at the moment, which is a scumbag. (Complain a little) This book is not very good, but it is not that bad either. At least it is much better than the extremely white books on the list. For example, you can probably tell from the title of some books that they are not going to be a long story. If you forcefully write it down without making changes in the middle and later stages, it will basically repeat the previous story, and you will have no desire to read it. Now I can't even find a book that I can read, it's so difficult.

To be honest, it's worth ordering I was attracted by the setting at first, and after reading more than 100 chapters so far, I feel pretty good Many people find the protagonist's character unlikable, but I personally think that after seeing too many mysterious and pretentious behind-the-scenes mafia gods, I still like this kind of smooth and generous The development of the plot is not awkward, and the protagonist quickly adapts from an ordinary person to the safe house owner he is now. In terms of the whole book, the biggest selling point of the unlimited flow safe house has been well grasped. I would say it is still worth reading.

The writing style is steady and has no bad points. It's a good book to read.

If I were the protagonist, I wouldn't do anything stupid like asking for money to get in. Newcomers will be kicked out quickly if they don't have money, and veteran players won't stay long if they have to do tasks. It's nothing more than a way to select customers. Why didn't you have any money when you first entered the game? Then you go and complete the mission. Why don't you know how to complete the mission? Then you spend money to buy information. Even cats and dogs want to enter the safe house without peeing and taking care of themselves. If they don't have money, they will die outside. In the first dungeon, the protagonist looked down on those who risked their lives for money. She did not dare to come out in the safe house, and let people die for a few points. In the second dungeon, the woman was not prepared to let people hold her up and come to the safe house to ask for help from the protagonist. The protagonist is just an ordinary person who has no courage, no wisdom, but looks down on other ordinary people. As a result, he pretends to be a mysterious boss and relies on his wits, and behaves like a keyboard warrior who likes to point.

Novels in which the protagonist ends up personally are too poisonous. This kind of novel is not written for readers, it is purely the author's obscenity. The store-opening novels that most readers like are about the boss quietly listening to adventurers' stories in the store. If you like adventure, what kind of store would you open?

Can the author mention the protagonist's IQ? It doesn't have to be like a high-IQ protagonist, but at least the logic and common sense of the protagonist should be at the level of a normal adult.

The pig's trotters don't seem very smart. There are currently two possibilities. One is that the pig's trotters are actually a safe house system. It deliberately chose such fake pig's trotters to secretly facilitate control; the other is that the pig's trotters (the author) are still in arrears with their IQ.

After reading dozens of chapters, I can only say that good ingredients are made into a mess. What everyone wants to see is a protagonist similar to the invincible NPC businessman in the game's easter eggs, like Absolute Deal or Club. The protagonist's behavior is like a Landlord dismantling a bunch of bombs in his hand into single pieces and running away. Although Wang Bang comes to the rescue (the hang-up is too big), it is extremely uncomfortable to watch (avoiding all kinds of reasonable cup filling, the protagonist is so low that he also uses various intelligence-reducing operations).

A little bit of my own opinion. After reading this, I think the protagonist I like should be sitting in the tavern all the time, listening to the deeds of the adventurers who are out, similar to an observer, and not personally involved in the adventurers' missions. This can open multiple scripts and make people want to continue reading.

Open a safe house and always like to go out and hang out. I'm not saying it's not possible. Can you change the title and description of the book? The readers attracted by the title are completely inconsistent with the content of your book. The readers will not be able to retain them and write a book.

In fact, the protagonist's IQ is not low, just at the level of ordinary people. The problem is that the protagonist is too mediocre to be distinctive, too mediocre to deserve a safe house, so readers are angry.

Readers who come to this novel come to see the protagonist in the safe house as a "mysterious businessman", "mission NPC", and "safe zone/supply station". Unfortunately, the author thinks a little too much, and his imagination is not big enough, and he does not have the thinking of a normal person.

I hope that I can meet different people in every copy, but I don't want to meet people I know in every copy. Meet all kinds of people with all kinds of personalities. Isn't the greatest joy of a safe house like this the randomness? Every existence longs to find a safe house, but it can only be found by luck.

After reading Bai Laizhang's previous book, I can see that this author has a very obvious problem with his writing, which is that he likes to be clever. His students (from the previous book) cannot be diversified, and his clerks (who have normal thinking abilities) cannot be diversified. As long as they are under the hands of the protagonist, their original personalities will quickly become distorted. He is indeed not like those writers who write three-way novels. All the female characters close to him obviously start to act in a flamboyant and low-IQ manner. He didn't bother to write like that. He wanted to subtly make these women doubt their own worth and always worry about being rejected. And he is still the gentle and wise man who takes care of everyone. I couldn't help but laugh out loud as I wrote this. In terms of badness, this kind of book is not much worse than those blatantly vulgar white texts. I can't help but miss Zheng Sha and Genius Lengcheng in Infinite Horror as good guys who love fighting. They know their positions clearly and know the price behind everything. Absolutely don't engage in those hypocritical values, and this kind of thing is everywhere in the author's two works - after gaining invincibility, he starts to be a teacher and trains other people's characters. It is indeed just like the author's own description, very dank.

The protagonist is like a 90-year-old eunuch. Lifeless and without desire, he didn't look like a young man who had just graduated two years ago.

Forcibly writing two female protagonists, but becoming more and more indifferent about management. Farewell

I couldn't stand it anymore after reading Chapter 8. The protagonist's IQ is very weak. I just learned from the copy that other people cannot reveal their identity in the real world, otherwise they will die miserably. However, I forgot about it later. The protagonist's roommate showed such obvious behavior, but the protagonist is still like a fool and doesn't know what's going on. I just want to say that the author's own IQ has been exposed in just a few chapters.

Pig's Feet is a bit kind in writing, I hope it can be written in a more philistine way. Less plain language. More modal particles. After all, pig's feet are omniscient at present, and businessmen must make maximum profits.

What is the role of the safe house? Look at the map and take the mission guide to find mission props. What is the point of cheating and grabbing equipment from ordinary players? Provide hidden mission information and then entrust the players to deal with it. Recycle the necessary things. Purchase rare ingredients to view materials and props with inexplicable effects. Monsters can be resurrected even if they die outside. Just have a few life-saving escape props. Visit and explore to find different scenery in each world. Having a safe house is destined to be no match for players who are made with real swords and guns. No matter how high the attributes of the protagonist are, how can he be as high as the monsters? A weakling with many and good equipment and props is really not afraid of being targeted. Before his death, he was ridiculed: "Obviously you are a good life player and love to play, but collecting so many good equipment is really a waste of money. I didn't kill you, it was your greed that killed you."

This stitching can only be said to sew up all the shortcomings of various styles.

In this kind of subject matter, the protagonist cannot be completely neutral, and the various endings are really off-putting. You said you were going to end, so why not just write it as a player? Just to give the protagonist the identity of a safe house shop owner and let the protagonist pretend to be 13 in front of the player?

After reading the first few chapters, I still hope that the protagonist will not participate in the game, otherwise a player with a safe house will be too outrageous.

I really can't stand it anymore after reading Chapter 274... Can you please stop writing grand narratives? It's giving me a headache. The protagonist's growth is also inexplicable. His speaking style suddenly changed from a funny one to a bitter and hateful one. The description is not clear, ugh...

This book is free for a limited time, but I just don't want to read it. (I watched it for a while before and couldn't stand the poison anymore.)

To be honest, I have been enduring to read it. Whenever I can't stand it anymore, I change the book and adjust it. I hope that as the plot unfolds, it will get better. I thought that the author is a slow writer. Now I find that I was wrong. You, a thousand-year-old ice cube, can't heat up at all. Goodbye👋

I stopped reading it after seeing the last part of the serialization. I wanted to read it for a while, but recently I picked up this book and read it again. It got weirder and weirder in the middle and later stages. In the end, I discovered that the biggest problem is actually the sense of fragmentation. The early stage and the middle and late stages are actually completely separated. After the separation, they are completely two novels. Although a good story does have both overt and hidden lines, there is no need for the story to move towards various mechanical gods and imposed settings for the sake of parallel parallel lines. After reading the whole article, a large part of my feeling is that the protagonist is mechanically deceived by various strange things and forced to ascend to dimension. I don't know if there is an outline, but it doesn't feel like there is an outline, but it feels more like the author's work. A lot of stream of consciousness and philosophizing. I can't say it's not possible, it feels quite disconnected from the subject matter. The same applies to the creation of female characters, highlighting one who only serves the protagonist, and the later the stage, the more similar they become. How should I put it, the literary youth is not literary enough, the depth is not deep enough, and it is not as dark, deep and incomplete as the Ke series, and then it abandons most of the ethnic group and only retains a small part. This can be said to be a bit crooked butt-ass rape setting. There is no refreshing point. The last refreshing point is not finished yet, and it is immediately exhausted. Can even a refreshing point really be called a refreshing point? The protagonist only serves one concept throughout the whole process, and has no personality charm that the protagonist should have. Only to serve a seemingly tall and created "ideal ruler". Unlimited books usually create group portraits. All the characters in this book were written for a certain concept in the end, and the writing was somewhat broken for the sake of the grand narrative. I feel a little unsure. The biggest poisonous point currently seems to be the countless Riddlers and deus ex machinas.

I don't know why everyone criticizes the author. I think the writing is very good.

When will I move out? I have a secret, and I'm sharing a room with someone. The number of words is pretty high, right?

I hope the next one will be about the invincible flow of cultivating immortals, just like the previous one