I Am Proficient in Everything I Do

Conflict between setting and plot The author's innate setting determines that the protagonist must be an invincible character, but the plot must also set up hard obstacles. When the setting and the plot conflict, the setting and the plot will always be at odds with each other.

😰 It's all my fault that I'm too lazy. I'm so proficient in everything I do. 😢 I just wrote an outline. I've been thinking about it but haven't touched it. 😐 I wrote an outline a month ago. Come on 😎

Exhalation becomes the wind, spitting becomes the rain, and inhalation becomes the breath. If focusing, dreaming, imagining, listening, watching, eating, etc. Can be considered proficiency, wouldn't that open up your mind?

Nature's porter.

I just read four or five of them, and it's another peddling novel. At the beginning, it keeps talking about how good the treatment in prison is, and that it usually meets the needs of the cursed child, so that the cursed child will not do any extreme behavior. I can understand you saying that you can earn points by working. As a result, if you don't work in prison, you won't have enough points. There are also plots where the underworld has to pay protection fees to create conflicts. Someone in each area must be on the list, otherwise the points that are not enough will be deducted. I just want to ask what the officials are doing? It is completely creating contradictions and conflicts. I am a cursed child who enjoys a good life outside. Isn't it better to be a leader of the resistance than to work for you in a prison where my personal freedom is restricted?

It's strange. You entered for safety and development at the beginning, but it didn't take long before you started thinking about how to escape? The book is very good, but this is what bothered me and made me feel uncomfortable.

It would definitely be better to write on an invincible stream than it is now. The plot is very abrupt. The protagonist's golden finger makes him invincible without doing anything at all. As a result, dangerous plots are always forced. I just want to ask, are ordinary people in this world not worthy of living? Can't the protagonist live as an ordinary person? If I remember correctly, the vast majority of this world is filled with ordinary people. Everyone else can live a good life, but not the protagonist?

To be honest, as long as the protagonist's golden finger is not killed, no matter what you do, you will be invincible sooner or later. Especially the skill (breathing) that makes the protagonist immortal, and there are many things that the author never thought of, such as (thinking), (analysis), (conception), etc. That a healthy individual can do. If the level is high, doesn't it mean that he is omniscient and omnipotent? Why do he have to run around? Or it may be said that the protagonist is controlled by the mind or something. If there is control, there will be resistance. Even if it is useless in the early stage, it will not be passively brushed up. It can only be said that the author used the setting of the invincible flow to write the story of the mortal flow, which makes this novel not interesting inside and outside.

Sow a picture and reap W pictures

Unfounded malice, multiple shots without the slightest sense of paragraphing, inexplicable dangers, and inexplicable restrictions on golden fingers, thinking, body control, and metabolic growth. Just with the effect of level 40 breathing, I have become invincible. It is no wonder that the book that abuses the mainstream is written with an invincible style.

I have an idea The protagonist needs to exercise for something (requires supervision by others, such as: swimming, fitness, chemistry, etc.), And then gets the skill "Adaptation" Adaptation lv1: allows you to adapt to the environment faster Adaptation lv5: can adapt to the environment at an extremely fast speed Adaptation lv10: beneficial parts are retained, neutral parts are changed, shortcomings are removed, and the scope of adaptation is increased Adaptation is upgraded to evolution at level 11, and the level is cleared But the attributes between adaptation 1 and 10 are retained Evolution lv1: You can evolve yourself to a limited extent Evolution lv5: The evolution range is enhanced, the upper limit is increased, and the lower limit is increased Evolution lv10: Obtain special evolution ability, and can temporarily evolve an ability of a certain level (evolution level +1, lv-5) Evolution lv50: The "adaptation" ability level is increased, the level is evolution lv-10 Evolution lv? (Adapt to and improve simultaneously?): I am the Creator, I am the source of all things, and all things evolve with me!

After reading the first volume, I feel that the protagonist's decision to go to the middle level is the core of the entire first volume. Choosing to stay at the top is a reflection of many people in the comment area. They are blindly "gotten", unable to detect the coming of greater dangers because of fear of danger, and miss opportunities because of fear of danger. This is ordinary people. Personally, I think "gou" is a kind of ability to seek advantages and avoid disadvantages, rather than holding a golden finger and hiding in the corners to become the so-called Shilipo Sword God. Going back to the original story of the "Shilipo" Sword God, it was initially just a joke about getting stuck on the map, rather than a real attitude towards dealing with difficulties and life.

The author is great, I am a little curious whether this skill can improve proficiency? For example, in martial arts, you can start with nothing, become instinctive after a few days of training, and then hang up to gain experience. Then there is the plot of the little girl. Although it can be seen that the protagonist will fight for the little girl in the future, but so far I feel that the little girl is not worth the protagonist's efforts. It was understandable that he had saved the little girl in the middle of the night because his life was not in danger. But right now, the little girl is not worthy of the protagonist's adventure. I think it should be more descriptive of the protagonist and the little girl passively experiencing life and death together (like a magician's manual), and then describing the protagonist fighting for the little girl to make it easier for readers to empathize.

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He was actually persuaded to back out by "De said"! The anime is obviously very kawaii, why is it so uncomfortable in the novel? No wonder other authors didn't write like this. I have to say there is a certain reason. The dubbing in anime is carefully selected, and the timbres are matched appropriately, so people who like it will only find it cute and cute, but this is not necessarily the case in novels. I can't substitute it! It just feels a little awkward in the front, but the further you get to the back, the more uncomfortable it becomes. Especially when the plot of the story begins to unfold slowly, suddenly a few "says"... Okay! I'm embarrassed that I have cancer! What's more important is that even in anime, people don't always "say" everything. On many occasions and in many tones, they simply can't say it! It's just a mantra, is it still stuck with bugs? Okay, okay, go ahead and "speak" slowly. If you can't afford to offend me, we can afford to hide. Bye!

Just reading the introduction, this kind of thing is directly invincible. Growth, survival, vitality, biological instinct, control of the body, thinking, and thinking acceleration are the only things you can't think of that can't be upgraded without this setting. I visually judged that the author can't think of so many other things. It's not impossible that the ability to predict the future suddenly pops up later. It's better not to make the setting too buggy in the introduction, otherwise your writing style will not be able to control it.

You are the light in Lixiang's heart

When it comes to proficiency, I offer a few ideas: take the same road, and the time required will be reduced after the proficiency is improved, or just walk, and the speed will be increased after the proficiency is improved; take the bus, the time to wait for the designated bus will be reduced after the proficiency is improved, and the probability of predicting the next available seat will be increased; drink more hot water, and improve the control of the quantity and temperature of the water. The above comes from actual experience.

It's on the shelves on Friday! Brothers who keep books, please remember to subscribe! Don't raise me to move bricks! If this book sucks, I will have to move it out in the second half of the year 😭.

The ability and imagination are very good, but the plot is extremely exaggerated

After reading thirty chapters, to put it simply, the protagonist's ability can be used as an invincible text. Gou Yigou is invincible. Then the first few chapters foreshadow how safe the prison of the Cursed Child is, and then what happens after the protagonist enters? The protagonist can encounter any trouble, be charged protection fees, be targeted, or escape from prison. He obviously has the ability to break through the prison immediately, but the author uses his brain and his hands to come up with an ability to solve the problem. If he can double jump, what can't he do? After more than 30 chapters, the overall feeling for me is that it is aggrieved. It feels like I can't straighten my arms and legs. The protagonist and the heroine are fucked in various ways, but the protagonist himself has no ability to lift the table. Even if you write a protagonist who has the ability to lift the table but hides it, I can accept it. In general, the protagonist obviously has abilities that can make the story very enjoyable. The author has made up the double jumps, but as of Chapter 40, there is no obvious excitement. The author is thinking about other interesting abilities that can make the protagonist appear more comfortable. Isn't it good? Later, someone appeared who wanted the protagonists to escape from prison, which made the protagonists feel as if they were being manipulated. The heroine was also targeted inexplicably before, and the plot twist was abrupt. I could read it, but there was no reason for me to open the book after I stopped.

I have finished the first volume now. I feel it is well written. The author is telling a story seriously, telling a story that contains his own beliefs and expectations. (I heard that the author did not write the novel just because of his interest? Sure enough, words written out of interest have soul)

This prison was a good idea at the beginning, but the subsequent development was too inconsistent. In a developing country, or an empire with countless civil strife, a paradise-like prison appeared, with no need to work, a villa, and a prison with money. Personally, I felt it was a bit outrageous. Also, no matter how special a prison is, it is unlikely that there will be a strength ranking list similar to the ladder list, right? Or is it official? As for the Cursed Child, the officials are very afraid that he will die, right? So why is there a fight complex? Aren't you afraid of dying by accident or intentionally killing yourself? It would be very troublesome if he died, right? Otherwise, why bother building a prison? Also, I don't understand why a supporting character is created who specializes in the protagonist. After all, this kind of role is generally a bit thankless. In the end, maybe I didn't appreciate it. The timing of the heroine's appearance was not right, and the heroine was too white. It was a piece of white paper without any writing, without any thoughts of her own. It seemed like a piece of paper was specially placed next to the protagonist for the protagonist to write. It was too deliberate.

Proficient in whatever I do 😏 Suddenly I have a bold idea 🤭

The writing is really good. Nowadays, many novels blindly pursue the sense of pleasure and gradually abandon the story itself. Now, the first part of the story is about to end. I think the author is a person who writes the story seriously, and the foreshadowing is well wrapped up. Everyone has their own logic of action, and both the protagonist and the supporting characters are flesh and blood. I really like the author who writes stories seriously. I like stories like this even more. I hope you will work hard.

It's so disgusting. It's obvious that Gou is invincible. You take risks for various reasons. Can't you do it after becoming invincible? It's so disgusting to beg Gou from the beginning.

When the proficiency of excretion is at full level, the intestines will come out. When you sweat at full level, all the water in your body will be drained, and you will become a mummy.

Abandoning the book, I originally went to the prison novice village, but it turned out that there were cliques in it. The author also said that the powerful rulers have absolute control over information. What the hell do you think, as long as the protagonist comes out of prison and is exposed, the whole book will not collapse? This late-stage human empire deserves to be killed by an alien god.

The plot behind it is compact and enjoyable to watch

Well written, monthly support!