Reincarnation Restart Simulator
轮回重开模拟器
- Status
- Completed
- Length
- 752k Words
- Genre
- Gaming
- Subgenre
- Game System
- Updated
- 4y ago
- English
- Request a translation
Synopsis
Stats
241Chapters
902Recommendations
14kFans
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Reader comments 26
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The protagonist's train of thought in the latest chapter is so weird, it felt like I was reading a female-oriented transmigration novel.
It's supposed to be a reincarnation story, so shouldn't it start from age 0? The next life begins with directly possessing someone else's body; what does that have to do with a reincarnation? Isn't it just endless time travel, or some novel/movie world? It only touches on the theme of choosing three talents.
The main reason is that the mysterious transformation of fortune into talent, defying fate, is the most useful. Giving someone a high-level identity is useful in over 99% of worlds. It's very simple to deal with a protagonist who's a king of soldiers; these urban king-of-soldiers protagonists almost never avoid killing. As long as surveillance is done well, ten out of ten will die.
This one's probably doomed; it has too many flaws. Even if you manage to finish it, the results will likely be poor, but it could lay the groundwork for your next book (if your next book is also on this theme). 🙂
Just based on Mu Qingzhu's feelings for the protagonist, even if she was a man in her first life, she absolutely has to be made the female lead!
You deleted the second and third parts, right? (It's highly toxic.)
After looking at so many pages, I feel like this book has fallen apart.
The fourth incarnation follows the first. If you don't want to see the second or third incarnation, you can directly see the fourth incarnation; it won't have a significant impact.
These are weird, female-dominated novels, I can't really stand them~
The plot of "Second Generation Urban Soldier King" is basically just two people with powerful backgrounds showing off to each other. This kind of setup easily leads to the so-called villain's miraculous change of fate, where the protagonist's actions are taken and attributed to the villain. The problem is, while this can be attributed to the protagonist's own efforts, it also results in the villain's actions being projected onto the protagonist.