If You Are Trapped by a Witch

The third book in the 2020 young novel The Emperor's Flying Crow is still Tokyo-style. However, this book adds supernatural elements to the daily life of youth, and abandons the system (in the later stages of Love Game, the system has become a burden). The main plot is the classic Japanese style. The ordinary protagonist is accidentally led to the world of practitioners by a beautiful girl. He practices some practice, gets to know other friends, and forms a team to [battle] monsters. But compared to monsters, humans are more terrifying. Not only must we [kill] the so-called anti-human practitioners, but we must also beware of friendly practitioners causing stumbling blocks. It is revealed later that the protagonist is not ordinary, his father is a very powerful man. The character is not so kingly, more evil. In the last book, Miki Kujo made many people break their guard. Although the two heroines in this book are not normal, they have grasped the right balance and are just the right kind of abnormal. What makes this book perhaps a little physically uncomfortable is the protagonist Minamoto Kiyoshi herself. This is a time-traveler, but he is also born as a god, with divinity but no humanity. Yuan Qingsu's attitude is arrogant, and she has the ambition to "marry ten wives in modern society, and her mother-in-law is a junior high school student". This attitude is comparable to Sakyamuni's "I am the only one in the world who is low in the sky". His appearance and posture are perfect, his talent for cultivation is excellent, and his family and bloodline are at the top. He doesn't think he is a genius, he just arrogantly thinks he works harder than everyone else. Becoming the strongest is not his goal, in his eyes this is an established fact. His behavior follows his own logic and does not follow common sense. The opinions of passers-by are irrelevant, except for beautiful girls. Yuan Qingsu will not be a person that everyone likes. The portrayal of the heroine can be regarded as the pinnacle of the Internet youth. She is not welcomed at the first meeting, but she can make people fascinated later. Shenlin Miko is the most noble shaman among practitioners (similar to a saint), who brings Minamoto Seisu into contact with the world of practitioners in a deceptive way. The [Grand Imperial Palace] did not allow her to participate in the battle, and did not allow official people to form a team with her. This is to prevent her from dying before she grows up, but she cannot sit back and watch the sacrifices of ordinary people and can only find unofficial newcomers. Although it was a lie, Miss Kambayashi taught Genseisu the greatest spell [Eight Gods Thunder], gave him the weapon [North Star], and took care of everything. Yuan Qingsu not only accepted the favor and agreed to form a team with her, but also took revenge by teasing Shenlin Miko and making her fall in love with him. Kambayashi Miko cannot have feelings for others, and she has placed a curse on herself that she can only say five sentences in ten minutes. Izayoi Himemiya of Ise Shrine in Kansai is one of the Twelve Miko. She is a powerful, arrogant, moody witch & Riddler. She is very educated and well-educated, but she cannot cultivate the virtue of tolerance. Under the cruel [Lord of Kyoto], he is humble and eager to be strong. Sister Izayoi came to Kanto this time, secretly to break her selfish hopes and exchange spells with each other. However, the newcomer Yuan Qingsu revealed the "Great Sun Tathagata Mantra" to everyone and walked further ahead. The public mission is to accept the document from the "Lord of Kyoto" and hunt down the disobedient Yagyu Sanchiko, thus leading to several other important supporting actresses. One is Fujiwara Murasaki, the fiancée of the Genji clan leader. Currently, because of Minamoto Seisu's ability, Kyoto Genji is trying to get him to return and become the leader of the clan. As Kansai people, they were ordered by Himemiya Izayoi. The other is the blind date Sayaka Itomi, the leader of the ninth group of the villain organization Shinto, and a singer-level singer. When her men were killed by Minamoto Seisu, she took in the three thousand sons of Yagyu. Shintoism is divided into different groups, each with different purposes. For example, the nine groups are to protect the family. Crow's writing is as elegant as ever, without piling up gorgeous words. He only used the most concise language to work hard on the dialogue, so meticulous that the characters appeared vividly on the page. There is no superfluous psychological exaggeration, readers can experience clean and unadorned emotions, and the heartstrings are constantly being teased. This style of writing is very comfortable when writing about daily life, but when writing about fighting, it feels a bit floating and unproductive. The grand scenes are not substantial enough inside, so the so-called climax is memorable but not exciting enough. Several key basic settings, "curses are power and restraints", "anyone can practice, it depends on the ability", "everything can become monsters", they seem ordinary at first glance, but they taste very interesting when you chew them carefully. Based on the deductions under several settings, the official organization of crotch stretching seems understandable. Because this is how the book is in reality. The interests of upper-level practitioners and lower-level practitioners are not consistent, and the roots of "resisting monsters" are rotten. However, the so-called opponents of Shintoism were also unable to establish a new order. In the world of practitioners, there is still the cannibalism of the weak and the strong. With the background of this worldview laid down, the pattern can be very large. If we just use this background as a decoration, let Gen Qingsu deal with the daily love between several witches, and then accept the orders of the official organization from time to time as branch plots, [Battle] Monsters, [Destroy] Shintoism, the author's strengths in daily writing can be fully utilized, which is what most book lovers who follow Love Game are willing to read. On the contrary, it will be difficult to write about truly touching on contradictions, clarifying the relationship between several deep-rooted organizations, and bringing about changes in the spiritual world instead of passively "resisting monsters", and many book friends will find it boring. Undersea Walker's similarly transformational and extraordinary work "The Immortal in the Pot" is a lesson learned from the past.

I felt numb after watching it. The ending really just passed by in a hurry. The last two chapters made me feel numb. I didn't understand and was shocked. They were obviously about to climax. The arrangements were messy. The part about being beaten made me really want my money back. Knowing that the other person was not well-intentioned, he still wanted to meet him without making any arrangements in advance. This persona is completely different from the previous one. When I saw Hundreds of People Transformed into Dragons, I thought it would end directly and develop a wave. It turned out that the protagonist was like a brainless one. He just participated in the Hongmen Banquet and was singled out. Liu Bang attended the Hongmen Banquet and there were also Xiang Bo, Fan Kuai, and the Zhang Liang Gang. Why did they get to Yuan Qingsu? But if Izayoi and Miko are brought along, they won't be knocked down directly. This is really disgusting to see. Isn't this disgusting? Before the last two chapters, although there were some flaws, it was still acceptable. It was very good in daily life, but when it came to fantasy, politics and the like, it was confusing. It's normal to write about daily transformation failures, but the last two chapters were really messed up and ended hastily.

Did the author change? There is such a big gap between the two books? If the poisonous point of the previous book was that Mei Ji killed the protagonist, everything after that was fun. Then this book is a poisonous point after reading it for a while. 1; The protagonist just sees someone else breaking the rules and kills that person directly. The funny thing is that he has never killed anyone who relied on others to kill him. (That person violated the rule that he cannot use his divine power in a fair and just way. He used his divine power to run a plot) Two; while saying that the protagonist is very high-spirited, he also arranged a plot for the protagonist that is disgusting to the protagonist, but the protagonist does not think anything of the opposite party. (It is said to be compared with Gautama Buddha. The problem is that people will not be angry at all when faced with this kind of situation. If they are really angry, they will be angry. But the protagonist does nothing when he is really angry. It is really disgusting.) Three; The first person who was killed was the brother of the heroine's good friend who the protagonist wanted to take over. Moreover, this brother was killed by the protagonist on the way to deliver something to the heroine. (Even this protagonist can accept this heroine. Doesn't this heroine dream about her best friend and her best friend's brother in the middle of the night?) Four; One moment I am writing about sweet daily life, and the next I am writing about conquering monsters that kill many people. The tearing feeling is really strong.

[Disclaimer: The discussion in this article may contain some controversies, and it only represents a personal subjective reading experience, and the views are for reference only] From the earliest "Seiyuu" to the middle "Love Game", and then to today's "Miko", there is no doubt that Crow's writing is getting better and better. However, regarding the character setting of the work, after I recently re-read "Voice Actors", I personally increasingly believe that there is a "turn" in Crow's writing. I am not a person who favors the past over the present, but personally, I prefer the character relationship setting of "Voice Actors". What does this pivot change? ① The female character's character setting is extremely non-(normal) This feature can be said to be a shift in Mingchu. The character settings in "Voice Actor" are very simple and normal people. The uniqueness lies only in the actual identity of the voice actor. The settings of Miss Sakura's tsundere and Inori Minase's natural blackness are definitely not beyond the scope of normal people. However, when it comes to "Love Game", the situation begins to change. Rin Kiyono is a mental mysophobia who can recognize lies, Kujo Miki (weakened version) is a physical mysophobia with demonic attributes (in the real sense, not the sense of a scheming little devil) and hates men. The senior sister is a three-no girl in a pure sense, and even the most normal-looking teacher has to have a layer of time travel settings. Not to mention the current game "Miko", even the world background settings are abnormal, and Crow directly declares, "If you want to enter the world of spiritual practice, you must make a break with your daily life and drift away from your former friends." And because of this sense of alienation between the setting and reality, sometimes it reduces the sweetness of the candy. ② The relationship between female characters increasingly needs to be grasped through the relationship with the male protagonist This feature can be said to be a shift in the dark. In the three works, the description of direct interactions between women is gradually decreasing. Even if the women have (former) best friends (such as Rin Kiyono and Miki Kujo, Miko Kambayashi and Izayoi Himemiya), they are increasingly described indirectly through the presence of the male protagonist. Although there are reasons why voice actors and radio dramas facilitate interaction in "Voice Actors", what plays a more important role is the place or organization for joint collective activities. In "Voice Actors", before the male protagonist Yu Murakami joined, Sakurasou, a place where female voice actors shared collective activities, had already been formed, and Yu Murakami came later. "Love Game" is different. Although Rin Kiyono founded the Human Observation Department in name, it was actually formed after Toru Watanabe joined before it could be called a department. In this work "Miko", it can be said that although there is a connection between Miko and Izayoi in terms of settings, the two's common activities may not have occurred until Minamoto Seiso proposed to buy a RV. Due to the identity of the divine wizard and the lord of Kyoto, the daily interactions between the two heroines are quite rare. The only thing I can think of personally is Miko's French literature class. However, this is still a situation where Minamoto Seisou is still in a strong presence. Appendix: Outsiders: On the connection between the close relationship between female characters and the perception of harem/love We can start from the discussion of ②. Judging from my experience of playing and reading various galgames and JRPGs for many years, the more appropriate and comfortable settings for writing love are either one-to-one direct binding of CPs in "Trajectory in the Sky", which is obviously not suitable for today's business model; or two-way triangles (of course not necessarily limited to 3 people) like "White Phase 2" and "Golden Love Quartet". If a character is added outside the two-way triangle, the newly added character will have an "outsider" feeling (even if the newly added character is quite lovable). The most typical example is the entry of Isshiki in "Harmono", which not only breaks the balance between Hachiman, Yukino, and Dango, but also positions itself in the awkward outsider position. I personally think that the sense of abruptness and weak connection caused by the existence of this outsider is not conducive to the progress of the harem/love relationship and improving the reader's reading experience. Obviously, this problem exists to a certain extent in the works of Crow (Lai Bed). In "The Voice Actor", Risa Taneda and Inori Minase are obviously outsiders compared to the four of Sakurasou (or five including Ao-chan), but it is not obvious. One is because of Crow's later preference for Inori Minase, and Risa Taneda settled in Sakurasou as a manga assistant. But in "Love Game", the "outsiders" become obvious. On the one hand, the seniors and teachers have little to do with the Human Observation Department, and on a deeper level, they have become pawns in the mutual game between Kiyono and Kujo. This problem still exists in this work "Miko". From the current point of view, it is still the axis of Miko-Minamoto Seisou-Izayoi. The Itomi sisters and Alstroemeria are still unavoidable "outsiders", and I can't predict how it will develop in the future.

This setting of only speaking five sentences in ten minutes is very interesting, and it plays different roles in various places. First of all, this setting is very interesting. I can feel that there will be many interesting developments surrounding this setting in the future. Secondly, compared to the extra-theoretical and suspenseful setting of Qingye in the previous book, this book adds elements of mysterious power, which is not only more reasonable, but also serves as our first understanding of the mysterious power in the book, giving us a preliminary feeling for the "symbolic" nature of "bondage is power". (The "symbolic" here is my guess) Also, it seems that the male protagonist is a bit like Watanabe, a chatty protagonist. If he is placed with such a female protagonist who "cherishes words like gold", there will be a sense of difference and the plot will be more intense. Finally, in terms of writing a book, the setting of ten minutes and five sentences sets a clear framework for the characters' actions. When arranging the dialogue, only these five sentences need to be considered. Although it is a constraint, it will be easier to conceive because there is a framework. At the same time, because the words are small and the number is fixed, the appearance of each sentence will attract the reader's ideas, which is especially beneficial to Crow's writing style where every sentence is delicate and worthy of close reading and the writing style of "just one sentence can shock people's hearts" (personal opinion). Does this count as a kind of "restraint is strength"? 2333333.

This book is poisonous! Be sure not to read it! I couldn't sleep after watching it at night! When you fall asleep, you must have an erotic dream! ˚‧º·(˚ ˃̣̣̥᷄⌓˂̣̣̥᷅ )‧º·˚ (ps. I had an erotic dream for three days in a row! I changed the sheets twice! Crow, please pay me!)

The setting at the beginning of the fighting part is doomed to collapse. There is no well-constructed system at all. How can one judge whether a person is strong or not based on how many times he defeats monsters? Later, he added a song fairy level and then said that it cannot be used as a criterion for judging combat power. Ogosho Taikaku is a song fairy, and those who are not good at it and are killed instantly are also song gods. The protagonist's combat power is completely idealistic. I often watch the daily routines, and my aunt laughs all the time, but when it comes to the fights, it becomes boring and I can't help but turn the pages faster. The protagonist's combat power keeps rising, but the result is that he is still too weak to abuse and is not as good as a powerful enemy. The protagonist is calculated to death, and the protagonist can see that he will not fight back. Anyway, I am too powerful to die. In the middle period, when I got the demon body curse, I became more and more arrogant. Now I have no strength at all and still insist on pretending to be 13. I can't win the demon body without changing. The summary is that the daily love part is still at a high level, but the gap between the cultivation part and the love part is too big. Looking at the update, you can probably guess that the demon rush is over. I hope that the next book can use its strengths and avoid its weaknesses.

Why are there such good books? I really like it, from love games to miko. It's a pity that I read it too early, so now I have to wait for the update, and I can't help but want to read the book 😄😄 But the most important thing is to hope that this book will be good until it is finished. I hope that the author can persist in himself and himself The letter is full and unwavering, don't be influenced by some people. I like the author's style very much. It is full of youth and vitality, which brings strength and hope to people. The protagonist's confidence is even more fascinating. The book is full of positive energy, "Shout my name loudly! ! !" Koizumi Aina's part, Watanabe realized that "the only way between people is 'understanding and tolerance'" There are many, many more. Books are spiritual food, and spiritual food has a difference in quality and quantity. For example, for those who have a son-in-law who is criticized for a long time and then slapped in the face, it brings useless pleasure to the readers. It is of no use except nourishing the readers' moral character and increasing their hostility. Like "handicraft work", it can only let people vent temporarily, and they will feel a sense of emptiness after watching it. Although the author's book has flaws, in terms of depth and energy, compared with some, it can only be described by the words of the Chinese saint in "Sword Comes": "A great good has been done!" [I did not say that the author is a saint, nor did I say that The author's book is a sage's book. I don't say that everything the author writes is good, let alone that what I say is correct. I just support it personally and I really like it. I don't feel comfortable praising the author even if I say a few words. I have little talent and little knowledge. If I think I'm wrong, please don't criticize me.

I feel like the cat-type heroine of Miko Kiyono in Crow, and the fox-type heroine of Miki Izayoi can be read in several books. This kind of role really suits me, it's so awesome

I really liked Crow's last book. I've been reading the novel for a few years and I've always been a prostitute. . But I really like Lianyou, so I registered a starting number for this purpose. With limited ability, I only rewarded 2,500 points in total for this book and this one, a poor student. I think the best thing about Crow's novels is that they have a fresh feeling, without that greasy feeling. It's like looking at ideal youth through a filter, which filters out the bad parts of real life and creates a clean world. The characters are also very vivid. Reading it makes people forget the unpleasantness in life, which is good enough for a novel. I hate trouble so much that I typed such a long paragraph just to express my support for the author. You wrote very well, come on!

Obviously compared with the previous book, the author handled the two heroines better. Although the previous book was also very good, the character of Kujo was indeed too controversial. The essence is that although the character of Kujo is very charming, there are many black spots that cannot be washed away, and the author did not try to explain the logic of doing so. In fact, it is impossible for those in power, especially those with Kujo's level and family background, to act like that. Those in power know best how to restrain their sharp edges. The higher they are, the more they have to be gentle and gentle, carrots and sticks. At the same time, nobles of that level are the staunchest defenders of etiquette and conservatives. At the same time, Japan's chaebols do not have that much power. Let's not talk about the American fathers above. It seems to us that Japan's top leaders are just tools who bow and apologize. In fact, the top and grassroots in Japan are separated. Countless grassroots civil servants and autonomous organizations maintain social operations. On top of this, it doesn't matter if the prime minister changes every year. The grassroots don't listen to the bosses anyway. Therefore, in fact, the Japanese chaebol's control over society is limited. The situation in the previous book is more likely to occur in South Korea or even the United States. But in this book, the semi-empty background has become the strongest support for the author's setting. At the same time, the image and formal logic of the two protagonists Izayoi and Miko are also clearer, and as combatants, it becomes more reasonable to use force against or even kill the provocateurs. Many people say that the author's combat writing is not good, but in fact, in my opinion, the combat is handled quite well, neither procrastinating nor too simplistic. In fact, I think it is this semi-empty combat worldview that allows the entire work to be based on a reliable and reasonable foundation.

Crow is currently ranked 42nd. According to Qidian's previous regulations, those in the top 50 in terms of influence will publish their photos

The author is great at writing about daily life and shaping the heroine, but there are also some shortcomings.         ，，， For example, some of the early plots depicting Mei Ji, the teacher plot that ended hastily, etc., But most of the daily plots and character creation are so outstanding that they completely outweigh the shortcomings. If it were placed in other books, readers would simply not be able to resist it. I think the author's short-term description ability is one of the best, but there are shortcomings in long-term planning. He only focuses on temporary character creation without taking into account the subsequent character logic, which is difficult to come back to. In fact, this book also has this kind of problem. For example, Bai Zi's mouthful of "piglets" is a bit too annoying, the heroine deceives passers-by into going to the battlefield, etc. Although the subsequent plot has explanation motives, it is still very awkward and makes people feel that the force is too much. In addition, there are also shortcomings in the author's shaping of the worldview. The chaebol and society in the previous book were relatively empty and naive, and Kiyono's ability range was vague and so on. Of course, this is also due to the tone and plot of the whole text, and daily texts do not really need a world view. But in this book, there seems to be such a problem, for example, the relationship between the inner and outer world: monster activities will appear as disasters, but eliminating monsters at close range does not affect the wedding next to it. Power system: Are wizards, immortal songs, etc. Divided by strength or honorary titles? Since "appreciation" is everything for a person, why not select practitioners from among the existing successful people. In fact, there are still some vague settings, but there are no plots that require these settings. I think a good worldview requires "seeing one spot to see the whole thing." When seeing a mobile phone, the author must first determine how technology developed and how technology and mystery influence each other. When meeting an autocratic monarch, the author must first set up what the people's living environment is like under such a social system, and what role do practitioners play in it? Generally speaking, I am very confident in the author's ability. Writing a new subject is a brave attempt. I am very much looking forward to the follow-up of this book and hope that the author can write better and better!

At the beginning of the eighth minute, the setting and writing are very exciting In the early and mid-eighth points, the writing style is still the same, and the setting supplements and story descriptions are also very detailed In the late sixth minute, the daily descriptions are still wonderful, but the combat power system has collapsed, and it has begun to feel fragmented The unsatisfactory ending, in the later period, the combat power system has a fake and empty problem like traditional immortality novels, which completely breaks down with the writing direction that the author is good at, and ends hastily. Total score 5.5 Although it failed overall, it is still a work that can be watched. The description and setting are both excellent, but the abrupt ending only gives people a feeling of "oh, it's over".

It can be seen that Crow's new book wants to try some new themes and add a fantasy background, but I personally feel that this book is not as good as the last one. First of all, there is a bit of a conflict between this fantasy and the modern social background setting. The background of this book is to completely copy the reality of modern society and add a fantasy background of the feudal system. This is actually conflicting. Generally speaking, if fantasy is added to modern society, either the fantasy ability is not strong, or the fantasy has just appeared, such as the revival of spiritual energy, which can only be used to catch ghosts. Thinking about the book, a super power that everyone can activate will definitely have a great impact on society. Simply put, it can be used to increase productivity. Of course, this is not a big deal, but I personally think it's a bit inconsistent. I suggest Crow to just create a fictional world next time if he wants to write fantasy. By the way, it is suggested here that if Crow wants to write about China, it is best to set China as the Ming Dynasty that has developed and continued to modern times. Secondly, the main plot of this book is love plus power struggle. There is no problem with love. Crow's level is still the same high. However, although there is not much written about the power struggle, the level is honestly relatively average. The protagonist is set as a reformer who hopes to reform the current backward system, but his supporter Izayoi is set as a powerful and intelligent monarch. So isn't the best reform method for the protagonist now to use Izayoi's power to gradually reform the social system? Moreover, these two main lines conflict to a certain extent. On the one hand, the protagonist is set as a hero who wants to reform society, and on the other hand, most of the descriptions show him in love. Finally, I think the character creation in this book is not as good as the previous one. It seems that the three main characters this time are basically characters who have reached full level from the beginning. The main change of the protagonist from the beginning to the present, apart from his strength, is that he fell in love with the miko. As for the protagonist starting to shoulder the mission of serving the world, I think the behavior of the protagonist in the book does not show this. The focus of the whole book is still focused on the protagonist's love. The same goes for the miko, the only change is that she fell in love with the protagonist. In the last book, both Watanabe and Miki have undergone relatively big changes and growth. Even for a god who is characterized by sticking to his true heart, it is a great change from the initial quarrel with Watanabe to becoming more in tune with each other.                                                                                                                                                                                                                                   .

Okay, let's pretend he is the hero

The recent plot seems very awkward. The three of them get along like Watanabe Kiyono Kujo, and Minamoto Seisu feels too humble and self-deprecating when she is with Kaminbayashi and Himemiya. They are teased and treated as if they are in trouble. It feels very inappropriate based on their characters: Minamoto Kiyoshi is confident and arrogant, Kaminbayashi Mikoko Dedicated to slaying demons and saving the world, Himemiya Izayoi wants to rule the world. According to this character, Minamoto Kiyoshi said that she should irresponsibly flirt with Kamibashi Miko. This is the way she should be, just like Watanabe did to Kujo, treating her like a girlfriend with words and praises, turning Kamibashi Miko from aloof and awe-inspiring to one who is confused by love and can't control herself. I, but Minamoto Seisu respects and trusts Kaminbayashi Mikoko the most. They worship each other like a god as a teacher, just like Watanabe and Kiyono. Minamoto Seisu and Himemiya Izayoi should be in love and kill each other. They want to conquer and possess, like a peacock spreading its wings. When they achieve something, they show pride to each other, but Minamoto But Kiyosu always treats Himemiya Izayoi with an attitude of admiration and admiration. She can't help but think of her as a target, just like Watanabe treats Kujo The current three-person plot is very similar to the three people in the previous book, but the characters are different and it is a new book. It looks very theatrical and has no new ideas. In fact, the author can change the way the three of them get along. Minamoto Kiyosou treats Kamibashi Miko the way he treated Kujo, pretending to fall in love and the truth turns out to be true; he treats Himemiya Izayoi the same way he treated Kiyono, flirting with me as well, and whoever falls in love with the other person first loses. If Watanabe is gentle with arrogance and confidence hidden inside, then Minamoto Seisu should be arrogant and confident with a little gentleness.

How can I put it, I'm a little disappointed. There are a lot of things that are wrong in the comment section. But after all, there are still few chapters. I hope Crow can write better and better. After all, the beginning of the love game is quite dull. In short, let's keep it up first.

I liked the previous book very much, but I feel that the author's attempt this time went astray. The fighting scenes had no real sense, and many of the characters appeared a bit over-the-top. Although the occasional daily dialogue was very touching, the main plot was a bit boring.

Crow is still good in daily life. I stopped reading this one halfway through. I will return to daily life in the next one😭, and I hope the characters will be more innovative.

An elderly professor of physics at a well-known future university once said: "Weakness and ignorance are not obstacles to survival, arrogance is." So don't you understand what the plot behind Scumbag Yuan is?

The author writes very well🤭🤭

Finish her! ! 🙂

Guess who?

I'm SB. Anyway, it didn't take long for me to sink.

The author is really arrogant and doesn't take the readers seriously. He dares to start a book as soon as he has an idea. He doesn't write an outline at all. If his grades are good, he will write them down. If his grades are bad, he will be a eunuch (he even claims to be influenced by Natsume Soseki's "I am a Cat"). If his grades are average, he will be half-dead. Authors who use love to generate electricity are not enviable) So when will the new book be released? It has been two months (dog head). I hope I can see the new book when I come back Also, don't write characters like Bai Zi in the next book. There are not many XPs like this and most of them are very annoying (I actually became an apprentice)

Celebrate, it is the combination of the power of Toru Watanabe, Rin Kiyono, Miki Kujo, Mai Asuka, and Aina Koizumi. It transcends time and space and starts the king of the light novel world. The new book of Flying Crow - If Tangled by a Miko - is serialized!

Three years have passed since Miss Shenlin sacrificed her body to the sun and sealed the Yamata no Orochi. When everyone was worried about Yuan Qingsu and indulged in the grief of the sacrifice of the witch, Yuan Qingsu was still the same Yuan Qingsu. He is still as happy and free. I will still go to the library to read I will still go to Sanshiro Pond to feed the goldfish I will go to boring literature classes I will practice in the wooden house I will go to the shrine to water the flowers He lives the daily life he should have. He also lives a life that does not belong to him. He walked from south to north, reaching a consensus with the whole of Japan He took a nap at the Baishan Shrine, but his sword light appeared thousands of miles away and struck the monster's vitals. He is already invincible. "Your achievements should not stop here." In the Hakusan Shrine, the pretty Izayoi Himemiya lay lazily on the table, raised her head and stared at Minamoto Seiso, her eyes very serious. "You haven't let go of her yet." She buried her head back in her elbows and said dullly "What do you know about me? I will not be attached to the dead." The beautiful young man smiled and took a sip of tea, naturally and elegantly Miss Himemiya rolled her eyes at him and pointed back to the kitchen: "Then how does she explain?" In the kitchen, Itom Yuki and Huo Fan were preparing dinner. Under the apron, the slim figure is busy, full of new wife feeling. Yuan Qingsu laughed, "Miss Shenlin is not like a good wife and mother... Xiaoxue lives here so that I can guide her in her cultivation. She is my sister, so don't think too much about it." Miss Himemiya ignored him and just played with a strand of her hair, wrapping it around her green-white jade fingers, and then unraveling it. The two of them were silent. In the setting sun, there is only the aroma of food, the rhythmic sound of chopping vegetables, and the gorgeous and blurry sunset. "Why don't you turn on the lights? You can eat now." Ito Jianxue came out with the dishes. A delicious meal interspersed with Yuan Qingsu's sweet words. A very pleasant dinner. After dinner, Himemiya Izayoi returned to Kyoto to handle government affairs, and Minamoto Seiso gave lessons to Itomizuki. "Is there something you don't understand?" Yuan Qingsu asked gently "I didn't understand it from the beginning," The cold girl looked directly into the boy's eyes, "Why do I have to be a witch?" Looking at the girl's clear eyes, he thought of Sanshirōchi. He calmly smoothed the girl's satin-like hair, "I'm waiting for you to succeed in cultivation one day, punch a dragon and kick a tiger, then my brother will count on you to protect me, and don't forget to give birth to a beautiful daughter for your brother." The girl opened his hand and turned her back, her fluttering hair failing to hide her red earlobes. She stood up and was about to leave, but paused when she opened the door. "I will do what you wish and become a magical witch." "But I am still Itojian Snow, I have always been, and I will be in the future." After saying that, the girl's moving figure disappeared behind the door. Yuan Qingsu looked at the ceiling, not knowing what she was thinking. Another three years passed. Time favored Yuan Qingsu and left no trace on him. He is still youthful and energetic, just like Sanshirō by the pond. In the thick night, he was wearing a white hunting coat that made a hunting sound in the wind. His excitement almost materialized, and even the stars in the distance began to stir. I saw him flicking his sleeves, and countless monster remains emerged. With another fist, the remains turned into tiny points of light The majestic energy of the gods poured into his body, all blending into the deep black >He stretched out his hand, and the Suzaku flute came out of the sky at the call "Please protect the Dharma, Xiaoxue." The melodious and fiery flute sounded, and the pure black night boiled, and the little sparks instantly ignited raging tongues of flame on the night. Amidst the cries of Qingyue, the Suzaku fluttered out from the flames! In an instant, it seemed like the sun was rising in the east, day was falling, and the densely packed monsters and monsters all around had nowhere to hide! "Is this your purpose? Brother." Itojian Xue was dressed in a witch costume and wiped away the monsters with a wave of her sleeves. "I originally thought I needed to take action." A charming figure appeared. Ito saw no one in sight and replied: "He said he was afraid that you would be disappointed in him." The beautiful Miss Himemiya was indignant, "He would give up even the divine path to resurrect Miko, so he still cares about my opinion?" In anger, the thunder and fire exploded, and the ghost spirits evaporated out of thin air. Yes, for six years, Yuan Qingsu has practiced hard and collected the remains in order to use the energy of countless gods as sacrifices in this yin year, yin month, yin day and yin hour, when the sun is at its weakest. Using the spirit of Suzaku as a sacrifice, using the divine personality that he had condensed for six years but not absorbing as a sacrifice, using Miss Shenlin's wisp of black hair as a guide, replacing Miss Shenlin who sacrificed her body to the sun, taking Miss Shenlin back from the sun. "Give me back Miko!" The firebird tore through the night like a shooting star and soared into the sky! The world returns to darkness. Yuan Qingsu stood quietly, motionless. The two girls did not disturb him. The only sound in the wilderness is the sound of wind ruffling leaves. I don't know how long it took, the morning light pierced the blue sky, the east burned, and the clouds became pink and lovely. "No future." A thoughtful voice sounded from behind. The boy suddenly looked back The morning light filtered through the shade of the trees, and the witch girl smiled as brightly as a flower.

I just finished reading it, and I voted for 4 monthly tickets earlier. The ending can only be said to be a big mess.

The hole dug five hundred years ago... It was filled in today It's true that the little butterfly doesn't want to be painted anymore. Let's look at Yuan Qingsu