Hunt, Then Eat

Please reduce the amount of internal strife and intrigue. Three things attracted me to this book: 1. The overly overpowered plot device and decent pacing. 2. The protagonist's perspective and the author's choice of entry point into the Monster Hunter universe are excellent and not abrupt. 3. It's simply Monster Hunter itself.

This is ridiculous! They even changed the protagonist halfway through the story? According to your author, what determines a person's identity is their memories. So, after hundreds of chapters, a character suddenly has past life memories resurface, drastically changing their behavior, thoughts, and logic, and even inheriting past life relationships. Why are you still burying your head in the sand?

The writing style is fine, but the characters and plot are too unnatural. If the author is just trying to have fun on their own, then disregard what I said.

I always felt that the protagonist didn't seem like a time traveler, but rather like a native.

To be honest, about 80% of the places in the Monster Hunter universe are undeveloped, with humans only making up a small portion. Also, Elder Dragons are really powerful. In the universe's lore, the Black Dragon wiped out an ancient kingdom. In this context, playing tricks and schemes is really useless; you never know when an Elder Dragon might pass by and kill them all.

Everything else was fine, until the main character switched to a larger body, which was basically a change of protagonist, and that was it.

The protagonist's described personality and level of maturity suggest that we shouldn't mistake this for an adult's soul transmigrating; it's more accurate to say it's the soul of a minor who loves playing games transmigrating.

In Monster Hunter, the term "tachi" generally refers to an Ōdachi (as shown in the image below). I really hope the author can solve the age-old mystery of "how exactly is the katana drawn in Monster Hunter" in this book. 🤓

It feels like the protagonist's power spike went too far, causing his combat strength to collapse. He directly reached the level of a late-game character when he entered the mid-game stage, becoming nearly invincible. Furthermore, the male protagonist's character development lacks coherence; the impression of the ancient tower established in the first five or six hundred chapters is abruptly replaced by Neva, which feels abrupt.

Why insist on including political intrigue in an adventure story, and then not even investigate when lives are at stake? If you don't have experience in this area, don't write about it! And why insist on writing about kingdom guild conflicts? Did you even get the point right? Pay attention! It's truly speechless.