Those Years I Spent Laying Low as a Taoist in the Wuyin Sect

One story follows another, and there is no stopping. The protagonist is no worse than Conan. Slow down a little, stop for a moment, practice your skills, and feel the local customs.

It's so funny. Author, please don't let the protagonist off so much. But since you did, don't take off your pants and fart in vain. The protagonist's inner eye can see people's past. Why are you trying to solve crimes? Why are you pretending? You can see the past of the victim Mr. Su, but you can't see the past of the suspect Zhou Hui? I'm still playing the role of Money Man, so I'm not stressing about the plot.

Growth requires a process. Don't express general opinions that affect the author's thinking and writing methods. If you write according to one method and one idea, can the work still be read? The beholder is clear, just a little bit clear. The distance between the reader and the author is like you on this side of the river and others on the other side of the river. Standing and looking at it is one feeling, swimming across the river is another feeling, standing on the other side of the river and looking at this side is a different angle. Don't give yourself too high a position, just be a starting point reader.       ，， No personal attacks, no shooting.

I've seen people abandon books as soon as they say they have a heroine, and only read books without a heroine. I just wondered how these people were hurt by women in real life. They were like monks on the mountain who were afraid of women and called them tigers. An excellent novel, including most online novels, has a heroine and a heroine with a distinctive personality. Does Squid's book not have a heroine, or does the newspaper seller not have a heroine? All the men in the world just jumped out of the cracks in the rocks, right? As for the Jade Emperor and the Queen Mother, as long as the author can control the characters and has enough writing power to portray outstanding female characters, readers seem to have no need to talk about female perverts. Well, I hope the author can depict a magnificent new world, depict the pig's feet with flesh and blood and distinctive personality, and of course the indispensable supporting characters and villains. Conceive a wonderful storyline, and this book will definitely be a hit. 😁

When I saw Chapter 16, I was forced to recite poems and pretend to be very realistic. A bunch of rubbish are still talking about the male protagonist's low-class business. Please put it into context. We say that there is no mystery in the world of low-class people. Who dares to say to your face that you are not afraid of people driving some little devils and your whole family will die? I'm convinced.

A group of teammates are all trying to stand up to the protagonist just for their own pleasure. Su Xiu'er is also a scheming bitch. She does things based on her preferences and forces the protagonist to come on stage to irritate the protagonist no matter what the situation. They don't consider whether the protagonist can bear the cost of standing up. The two good brothers are not afraid of making a show of things. To be honest, if the protagonist is not a bit capable, such a group of teammates around him would have been played to death.

What a great book, but it's a pity that it has a female protagonist

I would like to give two small suggestions to the author. I just hope that the book can be written better, with no other intentions: ① More attention should be paid to the description of the environment. I think that by the time the author reaches fifteen chapters, he has already written about four or five things. Personally, I feel that the book is developing a bit too quickly and could use more pen and ink, mainly on the description of the environment. The author seemed eager to get the story out, which I felt was a bit rushed. In a story, there is very little simple description of the environment, let alone a blend of scenes. Don't worry about what people say about the word count, that's what they think. Many comments on the chapter said that they were not moved after reading it, and whether it was a knife or not, it did not hit the reader's heart. What is lacking is not only the description of the environment. I recommend the author to read Lao Yan's "The Demon Suppression Museum", where the descriptions used in the story are richer. ②The characters are not rich enough. I personally watched it from the beginning in about a day, and the character image of the protagonist is not fleshed out enough, let alone the other supporting characters. The title of the book is about the Kirigakure Gate. I hope the author can write more about the protagonist and the Kirigakure Gate. Maybe the author has plans later, but I think a line can be drawn out first so that it won't be abrupt later. This can make the protagonist's image more three-dimensional. There is also the heroine. When they met, the author described that strangers should not approach, so that when writing about the birthday invitation later, it was a bit abrupt. Maybe she liked the protagonist very much, but she was too hasty. Later, she looks like the girl next door. Maybe this is what the author wanted to write. I don't know, so this character is not vivid enough. I hope that the characters who appear later will not appear inconsistent and have more stories to flesh out the story. The book is very good and I plan to continue reading it now. I didn't want to start a fight, so I was careful in my reply. I hope the author can continue to make progress, come on!

There is a serious mismatch between the name and the content. The word "Gou" is obviously the key point, but from the beginning I feel that there is no plot about Gou at all, especially the chapter about the poetry meeting and the chapter about Mr. Su's birthday. I was almost persuaded to quit the book. I should change the title to "My Years as a Boss in the Wuying Sect", haha.

Does the field mean three hundred and sixty lines, and the number one line in each line means? It's a bit like the setting of Lord of Mysteries, but it uses our own cultural elements. Whether it is the sleight-of-hand field of the old man and his son, or the opera field of the opera singer, as well as the third fortune-telling field currently appearing, they are all special abilities that appear under the resurgence of spiritual energy in the same day of the two moons. This is a new setting that does not appear in the free chapter. It is quite interesting. I have summarized it. Magic field: Field one: Juggler, Field two: Symphony master Drama field: Field one: Stage corner, Field two: Ghost showman Fortune telling field: Field one: Soothsayer, Field two: Tianjibian (Jumen), Field three: Onmyoji The highest field at present is the onmyoji who tells blind fortunes, and it has reached field three. This setting is quite brilliant, it is not a simple immortal cultivation routine mode. I am looking forward to what other fields will come next. In addition, the author should consider becoming a literary copywriter. This is not to say that original poems are not good, but that familiar poems are more immersive. I hope the author will consider it. Of course, in the end, the author's own ideas will prevail! I will continue to pursue it!