I'm an Editor at Marvel

It is recommended that the author's outline be rigorous and detailed, otherwise it will easily collapse as more and more elements are added.

When I saw Gu Yi, I felt quite disappointed. Whether it was the Ghost of Blood Harbor, Van Helsing, or the Terror Cruise Ship, it all gave me the feeling that the protagonist was lurking behind the scenes and strategizing. Moreover, the protagonist also took the Ancient One's time gem into consideration and created correspondingly restrained props. So far, everything is good. Until Gu Yi found the protagonist in less than a second, he pushed in and said a lot of big things like the world needs you. After that, he also said some things that were not like what Gu Yi would say, such as the situation is too small. Then it was natural to take out the benefits to buy the protagonist. Then the protagonist took the benefits and nodded in agreement, and then did some self-impressed psychological activities after sending the boss away. Ancient Yi used the energy procured from the demon god in exchange for a helper, and the protagonist got a lot of energy for nothing. Both parties were happy, but IMHO, the style of the protagonist's portrayal and the sense of mystery behind the scenes are now gone. Some people may think that the transaction is fair and the protagonist does not suffer a loss, but when Gu Yi comes in and says that your situation is too small, I personally think that the protagonist has very little ability left. Since it is the editorial department of the entire Marvel world and regards the entire world as the background of its own story, why should it be affected by the characters in the story? Gu Yi is very strong, so what, isn't she still a person in the story? If any strong person in a story can influence your story, is it your editorial department or the big boss's? In the following plots, no matter what plots the protagonist creates in Marvel, are they all part of Ancient One's plan? In pursuit of logic, should we sacrifice the original style and reading experience? That's all. I'm just not happy to say something else. I don't mean to be picky, I just feel a sense of regret that I fell short.

Detective Conan,,, to be honest, these pictures look quite boring.

I still can't understand Thanos's childlike philosophy. Are there among the half of the people who died also some of his own men? However, it is quite similar to the American thinking: the resources on the earth cannot support all Chinese people to live the same life as Americans, so China cannot be revived.

You can edit a little man in a bottle and complete it with a door of truth.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​? Even if you lick it hard, I won't say anything. After all, I also fully recognize the party's credibility. But what is the author's mentality from the beginning to the end? ? ? What do you want to express? ? Already? Anyway, it's hard for me to understand. Do you want to express your political correctness and take advantage of the arrival of the Olympic Games to attract a wave of enthusiasm and money from the Chinese people? ? The description of each character has become an assembly line. Rogers, one persona is put on it, and then the writing has a dramatic sense of déjà vu. . . Generally speaking, I like the subject matter very much, and the writing at the beginning was also very good. But later it became **

It's not good to see people who write Marvel novels instead of writing Marvel characters and have characters in other games or movies. By the way, why do you not want to write about Marvel characters even though you have the name of Marvel? Isn't that bound to collapse?

To be honest, Marvel, Heavenly Court, lol, The Adventures of Jackie Chan, Conan, King of Silly Hair are a bit complicated, right? 😥

When I saw Chapter 104, to be honest, I just wanted to ask, is this still a Marvel fan? I feel that the author is getting further and further away from the Marvel fan. It is becoming more and more like dragging League of Legends game characters into a chaotic fight, and only the skin of Marvel is left. Where is the Black Widow that you created so hard in the early stage? I wrote so much, but it disappeared before and after it was put on the shelves?

This book is good, but the pace is too fast. We were taking our time before, but suddenly Hex Technology came out, heaven appeared, and Clock Tower came. It's too fast, and after it comes out, there is no chance to show off, so it's not fun. Logically speaking, if you come out with a supernatural force, you have to write about the reactions of S. H. I. E. L. D., Superheroes, Wuchang, and the masses, but there is no such thing. I think the best part is the part where the Ouroboros comes out. The intersection of the original character and the extraordinary has a very good impact. And when a character comes out, you have to give some description. Each legend and each extraordinary force should give at least three or four chapters of its personal response. Just put it this way, the way you write now is like reading the news. Oh, there is a war abroad, the stock market is crashing, and the epidemic is resurgent. After reading it, I will just say one sentence, oh. You have to tell me the causes and consequences of these news, talk about the stories in them, and what impact they have on my life. In addition, the more characters, the better. Instead of having ten random faces, it is better to have one with a distinctive personality. Here I recommend "Marvel Players" In it, Valon directly kidnapped Iron Man, which is in line with the character positioning and the plot is brilliant. All the characters involved have a chance to express themselves, not just a symbol. Like now, people like King Arthur, Li Xiaoyao, Lin Zhengying, etc. Are just faces. It makes no difference whether you use their names or original characters, and it has no impact on the plot at all. I hope the next book will be more exciting.