Lu, the Mortal Senior Brother

The protagonist is a bit indecisive. The old man has sacrificed his life to teach the protagonist that no one is for himself and will be punished by heaven and earth. The protagonist even lets go of those who want to kill him and only kills him as a last resort. The family has been forced into this situation and yet he is still so soft-hearted. At least he must be decisive in killing, a bit like a holy mother.

When writing about mortals, the protagonist feels particularly defeated if he doesn't snatch his "little bottle". His achievements are in the future. Opportunities are in front of him, and he is afraid of the highest achievements of those who have the opportunity. What other worlds does your protagonist travel through? What's the use of knowing the development trajectory of the original world! You just go and hug his thigh tightly, follow his steps, and in the end pray that he will share resources with you and become an immortal and an ancestor together. I personally think that since you can travel through the world you don't know, what's the point of not changing it or subverting it? Think about it, "You are the one who can send blades to Mr. Wangyu or put a sack on his head." Han Paopao, Han Tianzun, can he, does he dare, does he have a chance. "You have this opportunity, and you can do it, but in front of the law, you can only think about it."

This is an incomprehensible novel, a novel in which the protagonist's IQ is not taken into account. It is a very good novel about human beings cultivating immortals, but it has to be changed to fate and calamity. It is a mess and makes no sense. Goldfinger is inexplicable. The existence of Goldfinger is to add trouble to the protagonist, right? Otherwise, the main character, Feng Linggen, is quite good, his cultivation speed is also fast, and there is no such mess as those garbled seven-life calamities. This book is a failed work adapted by a fan.

They came to kill you and take your treasure, but you won and were let go, and they even forced you to make excuses, is that all? Jiang Zi Xiu Xian? Go home and raise pigs quickly

Senior Brother Lu, as long as you are rich and noble, don't forget each other! I'm asking for help 😁😁 (Please be more refined!)

How should I put it? The first dozen or so chapters are good, especially the first chapter, which can be deleted. Chapters 2-13 have nothing to do with the protagonist, and even if they are, they should be later. This way of writing that you can't see the male protagonist in more than ten chapters will make readers feel that it is very dull and has no sense of involvement at all.

Just messing around! It's okay for the protagonist to have a small chance with Mr. Han. If you dare to change the fundamental chance, just wait for the future Mr. Han to slap you to death! 😅

As proof of this, when I saw the debate about luck, I knew that this book was starting to collapse. It would be better not to write about the three flowers and five qi cultivation methods, although it has already collapsed since the beginning of Golden Finger. . But this time, those book friends who were able to persevere were the ones who collapsed. The previous book was written in this way. It was written about the improvement of luck and cultivation, and it collapsed immediately. The author ended it not long after, and it still saved some popularity. The author of this book can only say to prepare the ending, no need to write anymore, start a new book.

I have read dozens of chapters so far, and I have already encountered two obvious poisonous points. 1. The protagonist went out with an old woman who behaved suspiciously without knowing the details of the other party, and was unexpectedly knocked unconscious. 2. When the protagonist was dealing with two casual cultivators who clearly had the idea of ​​killing people and seizing treasures, he defeated and released each other.

After reading the comments, I no longer have the desire to read anymore. A common problem among authors writing novels nowadays is that people want to kill you, or even your whole family! When your cultivation is stronger than his, and you can press him to the ground and rub him, you will say something like "I am stronger than you, but you are too weak, and I have no desire to kill you." Then you will let him go easily. After that, the person who was let go will try his best to find someone stronger than the protagonist to kill him, and then the protagonist will say something like He would say something similar to "I have let you go, why don't you live well and come to trouble me" before killing him. Every time I see such a plot, I am speechless. The current author is really broad-minded. In a world where people can eat people, they can let go of a person who wants to kill his whole family at any time. I admire him.