When Darkness Falls, Please Sleep

After reading Chapter 60, I should be qualified to evaluate my current feelings. First of all, there is no sense of fear or oppression. This type of novel has no sense of fear and oppression. What is the difference between this type of novel and Long Aotian's style? The sense of fear is for the readers, who dare not go to the toilet after reading it, and always feel that there is someone next to them at night. The sense of oppression is for the protagonist. The surrounding situation should make the protagonist feel a sense of urgency. The protagonist can be paralyzed, emotionless, and funny, but the sense of oppression should still be there. Secondly, it is too simple. When you see one, you will think of two. This logic is normal in the eyes of adults, because we have learned one, two, three and four, but in the eyes of babies, why is one followed by two? Why is it two? All the characters in the novel are comparing the nightmare to the baby. Why is it that the nightmare shows one and the characters can deduce the other? Instead of reasoning out 1.5? Finally, does the protagonist have a secret? Everyone knows what abilities you have, and if you are targeted at all, you will die! In Chapter 60, there are two organized and premeditated terrorist incidents involving dozens of people. Why did the protagonist get the ability? What is the ability? Everyone knows it. After getting the new ability, tell others immediately. Who gave the protagonist the courage? Author? Which female character was given to the protagonist by the author in a dream? Is she the one who belongs to the protagonist who is absolutely righteous? What's the most important thing? The protagonist can shuttle back and forth between several nightmares. There can be several nightmares in one building, but I don't feel any fear, oppression and tension. This is the most important thing.

The setting is good, but it just doesn't feel like it can capture the scary, weird, and tense atmosphere. It feels a bit like watching running water

The introduction is so-so, you hired someone to write the text at the beginning, and the second half is not as good as one chapter, especially for the sister. In a supernatural novel, you write a sister who is a ghost. This is a common problem for male authors. The supporting female characters are also awkward to write. Childhood sweethearts are like having a serious brain disease. That best friend must have killed the protagonist, his sister, and Qingmei's whole family in the previous life. But if one of them is missing, they will not die like that. Even if they have a gun in their hand, they can't kill her. It attracts people, but it has impact, but I just don't smoke, just play. I have a cigarette in my hand, but I don't smoke, just play. I have to wait until everyone else is dead before I smoke. Don't disgust me. My best friend died because of weirdness. That's because you have to send her thousands of miles away. You are afraid that the villain will not have enough people. Why take a little girl who knows nothing to the villain for the purpose of hiding her in a classroom and letting her fall asleep?

This book has little to do with that "Mysterious Resurrection". . . It doesn't even matter. The description is also different. . . . . . I recommend similar ones, Strange Detective Agency, Mysterious Earth Sea, and Alchemy Notes. . . They are all similar unpopular books. . . . . . Mysterious Resurrection is not a good look, a bad deal.

Just a reminder, this book has a sister.

Tsk, it's been so long since I've been reading a book that it's really rare for someone to complain about the settings. This isn't just a comment, it's a joke. Did the author offend someone? There are quite a few people who made the negative comment

I've been reading this for a long time, but this article is just mediocre. It doesn't look scary at first, but the text is clear and makes people want to read on. However, since the protagonist learned that he can swallow the nightmare fragments, he eats them unscrupulously. This is okay. I will do the same when I taste the strength. But telling this secret to a woman you have known for two days is a bit inappropriate, but I understand that people want to share a little good thing, and it makes sense to use his neighbor to kill a terrorist organization, but then everything changed after he continued to track down the Shinrikyo and wanted to kill that woman. First, an "old enemy" who knew all your secrets appeared and then he completely let go after he understood the fact that the real self is a nightmare. I'll come back after I get through this chapter.

There are so many people discussing the rationality of the setting for a fantasy novel? ? ? Looking confused. Isn't it time to discuss whether the plot is reasonable and cliched, whether the characterization is stereotyped or vivid, etc.? These comments on discussion settings have no reference value at all! It doesn't explain at all whether the novel is readable or not! Wouldn't it be good to read historical novels if you want to set the rationality? You can even criticize the author for wearing clothes that are not in line with the dynasty, but the author hasn't said anything yet. Are you unhappy? The first comment section is like reading a comment section for a historical novel, discussing whether various background settings are reasonable. I thought I was looking at some historian or folklorist quoting scriptures!

He heard that he was poisoned by Japanese poisonous milk, and he also solemnly introduced that it was the great god next door who came here. . . . . . .

It's a pity that it turned into fantasy later on. If you keep following the previous rhythm, the background of the story will be more mysterious, the protagonist's strength will increase more slowly, and more chapters based on wisdom will be written. I guess it would be difficult not to become a god in this book.