I'm a Young Villain in Tokyo

I would like to state here that there will be no plot to give away a daughter, so please don't worry 😒😒😒

Leave a paw to the handsome guys and beauties passing by

The protagonist is an old tool. What kind of anime plot is this? If this is reality, breaking the situation is actually very simple. The protagonist has skills given by the system. As long as he becomes a public figure and increases his reputation, he can complete the basic accumulation. I don't believe that the protagonist has become the most dazzling public figure in the world. Stable, relying on the system, I directly decide my destiny. At that time, the protagonist's influence and pattern have already been directly in the world, and he has already become a chess player. At this point, it is not just a young lady who doesn't want to, but the will of the big family will tie her to the hero's station. In fact, I still want to see the protagonist rely on the system skills to surpass the limits of mortals, evolve into a Lu Sheng Beast, and defeat all those who refuse to accept it.

I directly rewarded and scolded him, and someone else tried to persuade Long Aotian not to give up, which made me embarrassed to death. Has that person really read this book? Isn't the protagonist of this book a fw, a tool man, and the ultimate dog licker?

I couldn't stand it anymore when I asked the property management for the key. Is this a rebirth story or a sadistic story? As the adopted son of a consortium, he was targeted by a small policeman to this extent, and he still endured it. He is really a waste. I feel that the protagonist has no temper at all and endured the whole process. Do you think?

The author's writing style is still very good, and it is very comfortable to read. But the logic is a bit poisonous, and some of the things that suppress the protagonist in the book are too deliberate. The logical contradiction is obvious. I secretly monitored the protagonist; the test paper was soaked in ink, and the result was that I couldn't even rank. (You know, even if one subject is mostly soaked in ink, he will get perfect marks in other subjects) and so on. I feel that the author's writing style is quite good. There is no need to engage in this kind of suppression first and then expansion. It's good to write about daily life normally.

I specially rewarded 100 points for this post Is the protagonist setting in the author's novel a replica of the protagonist of the Japanese manga Asasi? So just accept it? The heroine is arrogant and rude, okay, in order to survive and conquer the strategy, it is understandable that she must endure it. Selling a song, the record company decided to sing it to Miss Beichuan without saying a word, okay, we can't bear it even if we can't get the money back As a victim, how can we bear the policewoman's rude interrogation and cynicism? Assisting in the investigation for 6 hours. If you are allowed to leave, you will leave. If you are not allowed to leave, you will have to stay still? The illegal intrusion in the back was talking to oneself, and you tolerated it? Can the property management company just hand over the keys to the apartment casually? The test results were wiped out due to the teacher's responsibility, the rewards he deserved were wasted, and there was no compensation at all. Even the protagonist had to come to the door to apologize, so he pretended that it would not have any bad impact on you. Is this tolerated? Is this really the son-in-law and adopted son of a big chaebol and the intended heir? To paraphrase a saying that villains often say: I, XXX, don't want to lose face? I feel like one or two of the characters in your book are rubbing the chaebol's face against the wall And you are just pushing the reader's IQ to the ground

The title is Shao Shao, but what you wrote in the early stage is too embarrassing. There is no need to do something disgusting about the male protagonist in a rebirth novel. It should be written in a bad way to fit the title. The identity of the son-in-law also adds various obstacles, which makes people very annoying.

After reading Chapter 50, I just felt aggrieved. First, the maid Ayano is cuter than the eldest lady. Second, let's not mention why the female police officer committed the illegal act of breaking into the male protagonist's house without a search warrant. Let's talk about the eldest lady. The favorability of the protagonist rose after seeing what he did with his own eyes, but it fell again after hearing other people say something bad about the protagonist. Dear friends who are reading with their brains, what do you think? I think either the eldest lady is stupid, or I am. In short, the conflicts that the author uses to promote the development of the plot are too far-fetched. If you really want to be a villain and have a system, wouldn't it be better to be a crisis-enhanced version of the ugly man? Oh, you said that if you don't solve the main quest, the protagonist will die? With the current plot arrangement of Ta Ma, who would think that the main mission can be done? It makes people unable to empathize.

I feel like I can't stand it. The sadist is really sad. I feel uncomfortable when I see you. Anyway, I don't know how you feel. Anyway, I am. I thought it was the kind of revenge after knowing the plot. But it turned out that I attacked them. I really vomited. And the singer, the part when he went to the male protagonist's house. Really, you might as well just reject him. Really, it's so awkward. And the part about the policewoman was really stupid.